Correspondences

When a humorous script-reader in her New York apartment sees an ad in the Saturday Review of Literature for a bookstore in London that does mail order, she begins a very special correspondence and friendship with Frank Doel, the bookseller who works at Marks & Co., 84 Charing Cross Road.

Brazil 1821. Upon his return to the imposing farmhouse, Antonio, a rich cattle herder, finds out that his wife dies in labor. Forced to live in the property with numerous African slaves, he marries his wife's niece. A restless soul, he returns to droving, leaving his young wife behind alone with the slaves.

Inga is a mother with the soul of a poet at a crossroads. Her estranged husband Hermann is bereft of emotional support for her in the wake of her recovery from breast cancer, let alone her passion for buying and restoring and house that reminds her of her childhood home. She shares a close bond with her eight-year-old daughter, and though she is troubled by her decaying marriage, she retains a strong spirit of optimism, as expressed in her own writing.

Through the interviews of poets and scholars, this documentary sheds light upon those who have chosen poetry to preserve the memories of war, torture, exile, and repression.

After the death of his mother, a young Brazilian decides to leave his country and travel to her native land. In a foreign land, he finds love and danger.

Nine-year-old Paulo stumbles upon a photograph of Miguel, the grandfather he never met, sets out to track him down and eventually meets him, at which point the magic begins.

The old servant and chronicler Dom Sabas tells how his desolate South American town is the scene of a ruthless power struggle. The landowning Assis family, reduced to a widow and son, tries to hold out against the young, despotic mayor. No less effective then actions are anonymous rumors and accusations, which often stir the inhabitants' moves.

Summer of 1870. Two writers, Eça de Queiroz and Ramalho Ortigão, decide to write a four-handed whodunit for the daily "Diário de Notícias". Could it be that the story they wrote as fiction is based on a real case? This question fuels the conflict between the two writers and drives them to a nearly fatal duel. Lisbon is in commotion. One crime follows another in a story in which love is stronger than tradition. Everything happens at frenzied pace, as in a game.

The film was to be a documentary, but evolved during production to a fictional film. It nevertheless adheres strictly to the poems and letters exchanged by two of the most outstanding names of the Modernist Movement, Fernando Pessoa (in Lisbon) and Mário de Sá-Carneiro (in Paris). Their endless conversation was dramatically and suddenly terminated.

A bittersweet coming-of-age film, Foreign Letters is itself a love letter to the unshakeable bond between friends. Set in the pre-email era of the 1980s, young Ellie, newly arrived to the US from Israel, anxiously waits for letters from her best friend back home. Suffering from homesickness, language difficulties and rejection at school, life brightens when she meets Thuy, a Vietnamese refugee her age. As the two bond and become inseparable, they eventually hurt each other, and Ellie must find a way to restore their trust. Based on director Ela Thier's personal immigration experience, Foreign Letters is a film about poverty, prejudice, shame, and the healing power of friendship.

The show features Henry Hill, Martin Scorsese (director of Goodfellas), Nicholas Pileggi (writer of Wiseguy and co-writer of Goodfellas), Gus Russo (author of Gangsters and GoodFellas), Marie Jones (Henry Hill's boss), Alfie McNeil (former U.S. Marshal), FBI agent Edward McDonald, and Joe Hill (Henry Hill's brother). It shows surveillance footage of mob capo Paul Vario's crew and photographs of Jimmy Burke and Paul Vario. The programme gives Henry Hill's personal opinion on what happened, as well as the testimonies of eyewitnesses. It also features an excerpt of a 1978 news report on the famed Lufthansa heist and footage of a newspaper column printed at the same time.

A New Yorker moves to the country with her boyfriend, where her new friendship causes a problem as her partner also takes an interest in the woman.

A well-bred, lovely, spiritual, sad young woman marries an attentive physician who loves her. She feels affection but no love. Soon after, without design, she falls in love with Pedro Abrunhosa, a poet and performance artist. He also loves her. She keeps her distance from him, confessing her love to a friend who is a nun and, later, to her husband. Hunger for her love and jealousy consume him; she attends him as he wastes away. With his death, she can marry and express her passion, but what she does and how she explains herself, particularly to her cloistered friend, is at the heart of the film. Glimpses of convent life and of Abrunhosa on stage give contrast and mute comment.

Hipólito is a self-made man, who went up in life in devious ways, and used for profit the social turmoil when Portugal changed from a monarchy into a republic, and then to a military regime. Finally, he is forced into exile. Back in 1935 to family, friends, and lovers, he is in a mix-mesh of lies, and scheming, again.

The story of Jorge, an ambitious hacker with few scruples, which is discovered to divert money from the company where he works and decides to flee. In flight, turns out to have an accident during a snowstorm and, despite being in despair, eventually finding a home.

These are the true stories of the innocent and the unimaginable. Based on true events, A Haunting dramatises some of the scariest stories, revealing a world in which tragedy, suicide and murder have left psychic impressions so powerful that innocent people become forced to deal with them decades later. Through mesmerizing first-person accounts, the mystery and origin of each haunting is powerfully revealed and leaves a lingering sense that life—and death—are much stronger then anyone could have possibly imagined.

This Portuguese comedy show is about the daily lifes of neighbours living at Campo de Ourique, with really confusing life stories.

Maria Miguel, a young, optimistic 21-year-old girl that lost her mother to cancer three years ago and has never met her father, is forced to struggle daily to make a living in a local pizzeria in order to pay a debt. Her life changes dramatically when a wealthy family takes her to live into their house after a bike accident which saved the family's children.

Zé Maria Magalhães is an innocent young man who, suddenly, sees his dreams and family destroyed by a man's greed: Miguel Ferreira da Fonseca, a powerful banker. For 15 years, Zé Maria is forced to remain hidden, in a life of lies, in another country, imprisoned by the memories of the past, having to assume a new identity. Today, he is a great farmer, owner of the Ouro Verde empire, known as Jorge Monforte, and has become one of the richest men in Brazil. The course of time only fueled his desire for revenge, making him lose the sense of right and wrong and the ability to love. Fifteen years later, he returns to Portugal, ready to avenge the past and destroy Miguel Ferreira da Fonseca.

Laerte’s obsessive jealousy brings his relationship with Helena to an end on their wedding day. Twenty years later, he meets Luiza, the daughter of his long lost love. The two fall in love and stir up dormant feelings that profoundly affect Helena’s marriage and her relationship with her daughter. Defying everyone, Laerte and Luiza decide to follow their love to the highest bounds, leaving a trail of conflicts and pain along the way.

November 2019. A semi-submersible loaded with three tons of cocaine is seized off the Galician coast after having crossed the Atlantic. The captain, Nando, a promising young amateur boxer, travels accompanied by a Brazilian mechanic and a Colombian hitman. Three strangers locked up for almost a month in a claustrophobic handmade boat.

The life of Antonia Ferreira (popularly known as "Ferreirinha") from her widowhood to her death, including her role in the production and marketing of the Port wine.At the same time it's told the love story between Camilo Castelo Branco and Ana Plácido.