Così fan tutte

Rigoletto is a jester in the court of the Duke of Mantua. He has a hunch-back and he's rather unattractive, but he's good at his job of humiliating the courtiers for the amusement of the Duke. The courtiers, of course, are not amused. The Duke is a ladies man who feels his life would be meaningless if he couldn't chase every skirt he sees. In fact, we learn as the opera begins that he's recently been noticing a young lady every Sunday on her way to church, and he's vowed to have his way with her. What nobody realizes is that the girl is the jester's beloved daughter, Gilda, and that Gilda has seen the Duke every Sunday and is smitten with him. Suddenly Count Monterone appears at court, furious that the Duke has seduced his daughter. Rigoletto ridicules Monterone, the Duke laughs, and Monterone casts an awful curse on both of them. Later, the courtiers discover that Rigoletto is secretly living with Gilda...

This filmed version of Strauss' shocker features Teresa Stratas as opera's most depraved teenager, and she's as perfect a Salome as one would ever hope to see or hear. Stratas inhabits the role, exploring the character's sensuousness as she vainly woos Jochanaan, her venomous hatred when she's rejected, the crazed look in her eyes when she demands his head--on a silver platter, no less. Such complete identification with a role, especially of a character so malignant helps make this 1974 Salome stand out among the many fine DVDs of the opera.

The legendary soprano Elisabeth Schwarzkopf stars in this acclaimed film of Richard Strauss' delightful opera, Der Rosenkavalier. This Salzburg Festival production of Strauss' great work toured the world, and this filmed version was hailed by The New York Times as "Superb." Schwarzkopf performs her signature role as Princess von Werdenberg, an aging beauty involved with a younger man, Octavian. But when Octavian agrees to assist Baron Ochs by delivering the Baron's proposal of marriage to the beautiful young Sophie, the messenger and bride-to-be fall in love with each other!

This television essay from 1985 was written by Leonard Bernstein to commemorate the 125th anniversary of Gustav Mahler's birth. Recorded in Israel, Vienna and later in London, it is punctuated by biographical interludes and illustrated by musical examples drawn from the cycle of Mahler's works recorded by Bernstein. Bernstein talks, plays and conducts various orchestras (Israel Philharmonic Orchestra, London Philharmonic Orchestra, Wiener Philharmoniker) and soloists (Janet Baker, Christa Ludwig, Edith Mathis, Lucia Popp, Walton Groenroos) in performances spanning 17 years. Leonard Bernstein also examines the roots of Gustav Mahler's inspiration. The programme also features music from the nine symphonies, 'The Song of the Earth' and the 'Wunderhorn Cycle'.

A delightful fairy tale, Mozart's final operatic legacy remains a great work in the spirit of the Enlightenment. Intertwining music of awesome purity and beauty with the conventions of musical comedy, it explores Man's search for truth and his confusion between the forces of light and dark. This production from The Drottningholm Court Theatre is conducted by Arnold Ostman and played on authentic period instruments.

Live performance, part of Monteverdi cycle staged by Oper Zürich with Nikolaus Harnoncourt conducting the Zürich Opera House Monteverdi Ensemble. Staged and directed by Jean-Pierre Ponnelle. Filmed 28 March – 20 April 1978 in Vienna, sound recorded 1 – 25 December 1977 in Zürich.

Live performance from Salzburger Festspiele in 1987. Herbert von Karajan conducting the Wiener Philharmoniker and Wiener Staatsopernchor. Stage director Michael Hampe. Starring Samuel Ramey and Anna Tomowa-Sintow.

Wiener Philharmoniker and Wiener Philharmonia Chor Conducted by Karl Böhm Directed by Vaclav Kaslik

Nikolaus Harnoncourt is the conductor in this 2004 production of Beethoven's only opera staged at the Zurich Opera House. Finnish soprano Camilla Nyland takes the title role, with performances by Jonas Kaufmann, Laszlo Polgar and Alfred Muff.

The Nikolaus Lehnhoff production of Richard Strauss's "Elektra", recorded live at the Salzburger Festspiele in 2010. Iréne Theorin stars as Elektra, with Eva-Maria Westbroek as Chrysothemis, Waltraud Meier as Klytämnestra, Robert Gambill as Aegisth, and René Pape as Orest. Daniele Gatti conducts the Wiener Philharmoniker.

Herbert Wernicke's production of Richard Strauss's "Der Rosenkavalier", filmed live at the Festspielhaus Baden-Baden on 31 January 2009. Renée Fleming is the Marschallin, Diana Damrau is Sophie, Sophie Koch is Octavian, Franz Hawlata is Baron Ochs, Franz Grundheber is Faninal, Jane Henschel is Annina, and Jonas Kaufmann is the Italian singer. Christian Thielemann conducts the Münchner Philharmoniker.

Violetta, a courtesan much wooed by Parisian society, organizes a grand party that is attended, amongst others, by the young Alfredo Germont. He confesses his feelings to Violetta, who is already suffering from consumption. She vacillates between genuine affection and a realistic assessment of her situation as a "fallen woman", which precludes any lasting relationship with a man. The Willy Decker production of La Traviata, recorded live at the Salzburger Festspiele in August, 2005. Anna Netrebko stars as Violetta Valéry, with Rolando Villazón as Alfredo Germont and Thomas Hampson as Giorgio Germont. Carlo Rizzi conducts the Wiener Philharmoniker.

Based on Oscar Wilde's lurid play, it is an intense exploration of the Salome story. Its sumptuous vocal and orchestral writing seethes and pulsates as Strauss conjures up the brutality of Herod's corrupt court. Richard Strausss opera at the Salzburg Festival, staged by Romeo Castellucci at the Felsenreitschule, was nothing short of a sensation. Debuting in the title role, Asmik Grigorian propelled herself to international stardom with her mesmerizing singing and acting abilities. The exceptional soprano recently won the International Opera Award as best singer.

Production of Mozart's opera about the Spanish nobleman who seeks to rescue his beloved Konstanze from the hands of the Pasha. Karl Bohm conducts the Chorus and Orchestra of the Bayerischen Staatsoper with the right balance of serious purpose and light lilting lyricism. This production, staged by August Everding with set and costume design by Max Bignens, was filmed from a live television production relayed on the First Programme (Channel 1) of German television on 25 April 1980,

What happened to Figaro and his friends after the events told in Rossini’s and Mozart’s operas? One possible sequel is told in John Corigliano’s “grand opera buffa” The Ghosts of Versailles—an uproariously funny and deeply moving work inspired by Beaumarchais’s third Figaro play, La Mère Coupable, and commissioned by the Met to celebrate its 100th anniversary. This telecast captures its world premiere run, conducted by James Levine. Håkan Hagegård is Beaumarchais, Figaro’s creator, who is deeply in love with Marie Antoinette (Teresa Stratas in a heart-searing performance) and determined to rewrite history and save her from the guillotine. A young Renée Fleming, at the beginning of her international career, sings the unfaithful Rosina. Gino Quilico is the wily Figaro who tries to take matters in his own hands, and Marilyn Horne stops the show as the exotic entertainer Samira.

The Barbara Stanwyck Show is an American anthology drama television series which ran on NBC from September 1960 to September 1961. Barbara Stanwyck served as hostess, and starred in all but four of the half-hour productions. The four she did not star in were actually pilot episodes of potential series programs which never materialized. Stanwyck won the Emmy Award in 1961 for Outstanding Performance by an Actress in a Series. Three of the shows in which Stanwyck starred were an attempt at spinning off a dramatic series of her own, in which she appeared as "Josephine Little", an American woman running an import-export shop in Hong Kong. The series, produced at Desilu Studios, was directed by Stuart Rosenberg. The Barbara Stanwyck Show lasted one season. It aired at 10 p.m. Eastern on Mondays opposite Jackie Cooper's military sitcom Hennesey on CBS and the second half of Gardner McKay's Adventures in Paradise on ABC.

The best in the performing arts from across America and around the world including a diverse programming portfolio of classical music, opera, popular song, musical theater, dance, drama, and performance documentaries.

In the tradition of Anthony Bourdain's "Kitchen Confidential" and Gelsey Kirkland's "Dancing on my Grave" comes an insider’s look into the secret world of classical musicians. From her debut recital at Carnegie Recital Hall to the Broadway pits of "Les Miserables" and "Miss Saigon," Blair Tindall has played with some of the biggest names in classical music for twenty-five years. Now in "Mozart in the Jungle," Tindall exposes the scandalous rock and roll lifestyles of the musicians, conductors, and administrators who inhabit the insular world of classical music.

Dancers selected in open auditions across America take part in a rigorous competition designed to best display their talents, training and personalities to a panel of judges and viewers as they strive to win votes and avoid elimination.

The strongest vocalists from across the United states compete in a blockbusters vocal competition, the winner becomes “The Voice.” The show's innovative format features four stages of competition: the blind auditions, the battle rounds, the knockouts and, finally, the live performance shows.

The Rosie O'Donnell Show was an American daytime television talk show hosted and produced by actress and comedian Rosie O'Donnell. It aired for six seasons from 1996 to 2002. Topics often discussed on the show include Broadway, children, extended families and charitable works, people and organizations. The show was based out of Studio 8G at NBC's Rockefeller Center studios in New York City, NY, USA and was produced and syndicated by KidRo Productions, Telepictures Productions and Warner Bros. Television.

The biggest stars, the most iconic performances, the most outrageous outfits – it’s Britain’s number one pop show.

WTTW’s legendary and groundbreaking music series filmed in the intimate Grainger Studio presents spectacular performances that make you feel like you’re in the front row.

Operation Repo is an American television program that depicts the world of car repossession with a team that portrays fictionalized tales of repossessions from California's San Fernando Valley. Similar to another truTV show, Southern Fried Stings, the series is filmed in a cinema verité style but consists of scripted and dramatized performances by actors. The show is filmed by recreating scenes in which the cast conducts repossessions of automobiles for finance companies. In the show they also perform repossessions of other exotic and strange items such as luxury boats, planes, limousines, motorcycles, ATVs, Zambonis, ice cream trucks, tow trucks, buses, trucks, expensive bicycles, hot air balloons, wood chippers, forklifts, and tanning beds.

Looks at Mozart's extraordinary short life and revolutionary music through a distinctive mix of costume drama and documentary.

Chronicles the life of Judy Garland, from her first public performance in 1924 until her death.

The Rich and The Ruthless, the only black owned daytime drama, is operated by tight fisted, debonair, self-made, Augustus Barringer. When greedy studio executives tell him the show is getting booted off the sound stages after 20 years, he is ready to fight back to stay on the air, even if it means filming his quirky soap opera out of his sleek Hollywood mansion or moving the company to Jamaica!

The Metropolitan Opera and PBS have joined forces to create a new series of live opera performances.