Dead Man's Trail

Johnny Mack Brown was recruited by Chet Norman, the owner of a stagecoach line, to end the heist perpetrated by a mysterious knight who plays strange notes with a hiss of money before robbing them.

Johnny Mack Brown goes up against a lady bank robber in this average Mack Brown series late-entry from Monogram. The lady, played by Barbara Allen, is of course called "Ma." In order to get the goods on "Ma" and her "brood," Mack Brown must masquerade as a lone bandit.

Dusty Gardner, and other Texas ranchers, are driving a herd of cattle to Abilene, Kansas along the Chisholm Trail. Desperate need of water takes them to the Turner ranch, where Belle Turner demands exorbitant prices for the water. Dusty learns that Belle is also trying to oust Mary Lee and Montana Smith from the trading post Mary operates. The sheriff sides with Belle following a fight between the two women. Belle knows there is artesian springs under the land the trading post occupies and intends to get the property by any means.

Johnny Mack Brown stars in this above-average B-Western from Monogram, penned under the pseudonym of Jess Bowers by veteran genre specialist Adele Buffington. Mack Brown plays Johnny Murdoch, a drifter arriving in Gold Flats in search of his prospector father. From old-timer Dusty Hanover (Raymond Hatton), Johnny learns that Old Man Murdoch was murdered for his claim by Rex Hillman (Holly Bane), a hireling of Carter Morgan (Bill Kennedy).

Back Trail is one of the livelier entries in Monogram's Johnny Mack Brown western series. Brown rides into a small town where he becomes embroiled in a blackmail scheme. The town's banker (Ted Adams), a pillar of respectability, once served a jail term. Outlaw leader Pierce Lyden threatens to reveal Adams' secret if the banker doesn't let him know in advance when the gold shipments are going through. Adams tearfully tells Brown the whole story, whereupon Johnny rides shotgun on the next shipment himself. Back Trail was one of the last films directed by workhorse Christy Cabanne, whose career stretched all the way back to the D.W. Griffith days.

Rancher Blaze Barker returns to Dead Falls after being framed by land-grabbers and spending two years in jail. Paroled, he can't wear a gun, but is aided by Marshal Fargo Steele. The gang is out to gain control of all of the valley land before a dam is constructed. When Blaze raises the money to pay off the taxes on his ranch, he finds it has been marked to incriminate him.

Mining executive Neal Wallace arrives to investigate the losses at a gold mine and is immediately framed for murder. The murderers then incite a lynch mob but the Sheriff lets him go. Wallace eventually convinces the Sheriff of his innocence and the two then work together to get the gang that is looting the gold ore.

Dan Stanton and Condon are foreclosing on a group of ranchers in order to gain a land-monopoly. They have one of the ranchers, whose property supplies the others with water, killed. Ann Jennings, niece of the rancher, sends for U. S. Marshals Nevada Jack McKenzie and Sandy Hopkins, who organize the ranchers who take over the dead man's property and blast the dam releasing needed water to all the ranchers. Nevada and Sandy, aided by the sheriff, round up Stanton, Condon and their gang members.

Burly Johnny Mack Brown once again plays undercover U.S. Marshal Nevada McKenzie in this overly complicated series oater from low-budget Monogram. This time, McKenzie, who goes under the alias of Roy Ferris, is waylaid by would-be stage robber Cy Manning (John Merton) en route to the Bar X Ranch.

As other "B"-western series kept dropping like flies in 1952, Johnny Mack Brown kept grinding 'em out for Monogram. In Man From Black Hills, Johnny tries to help locate his saddle pal Jim Fallan's (James Ellison) long-lost father. Arriving in a small mining town, Johnny and Jim discover that Jim's father has established a financial empire--and that a local opportunist (Randy Brooks) has capitalized on this by claiming to be the old man's son.

Johnny Mack Brown stars in the formula oater Shadows on the Range. The film was made at a time when Monogram was experimenting with the notion of passing Brown off as a singing cowboy. While his voice is dubbed, he's definitely handling all the action sequences himself, and that's what the fans really wanted.

Before changing his name to Richard Powers, cowboy hero Tom Keene spent the waning days of his stardom at Monogram, churning out westerns like Riding the Sunset Trail. When ingenue Betty Dawson (Betty Miles) and her kid sister Sugar (Sugar Dawn) are cheated out of their cattle ranch, Tom Sterling (Keene) and his sidekick Mendoza (Frank Yaconelli) vow to get the ranch back for the girls. This requires Sterling to cross six-guns with Pecos Dean (Gene Alcase), a former friend who'd turned bad.

Having briefly abandoned his standard "Nevada Jack McKenzie" characterization in Flame of the West, cowboy star Johnny Mack Brown was back as Nevada Jack in Monogram's The Lost Trail. Vowing to bring in a gang of stagecoach outlaws, Nevada redoubles his efforts when he learns that the owner of the stagecoach line is pretty Jane Burns (Jennifer Holt).

Johnny Mack Brown comes to the aid of a beleaguered female freight line operator in this standard Monogram oater directed by veteran Lambert Hillyer. Having saved his old friend Faro Jenkins and young Dave Porter from marauding outlaws, Ranger Johnny Hudson learns that the attack may be part of a concerted effort by bandits to drive Dave's sister Peggy out of the freight business. Unbeknownst to Johnny and the Porters, the crimes are committed on behalf of local banker Gordon Gregg who wants to bankrupt the freight business in order to take over the valuable Porter ranch.

Monogram added several songs and a barn dance to this otherwise standard Johnny Mack Brown hay burner, in which the veteran cowboy star comes to the aid of a beleaguered female rancher. Just "drifting along," Steve Garner (Mack Brown) obtains the job of foreman on a spread belonging to pretty Pat McBride (Lynne Carver). Unbeknownst to Pat, local banker Jack Dailey (Douglas Fowley) not only holds the mortgage on the ranch but is also the man responsible for the death of Pat's father. Read more at http://www.allmovie.com/movie/drifting-along-v90041#OtPRR6jLd1ubhlQv.99

Andi is contemplative and artistic and sheltered by overprotective parents. But on the eve of her 13th birthday, Andi's free-spirited older sister Bex returns home with a revelation that changes everything and sends Andi on an uncharted course of self-discovery.

Blue's Clues is an American children's television show that premiered on September 8, 1996 on the cable television network Nickelodeon, and ran for ten years, until August 6, 2006. Producers Angela Santomero, Todd Kessler and Traci Paige Johnson combined concepts from child development and early-childhood education with innovative animation and production techniques that helped their viewers learn. It was hosted originally by Steve Burns, who left in 2002 to pursue a music career, and later by Donovan Patton. Burns was a crucial reason for the show's success, and rumors that surrounded his departure were an indication of the show's emergence as a cultural phenomenon. Blue's Clues became the highest-rated show for preschoolers on American commercial television and was crucial to Nickelodeon's growth. It has been called "one of the most successful, critically acclaimed, and ground-breaking preschool television series of all time". A spin-off called Blue's Room premiered in 2004. The show's producers and creators presented material in narrative format instead of the more traditional magazine format, used repetition to reinforce its curriculum, and structured every episode the same way. They used research about child development and young children's viewing habits that had been conducted in the thirty years since the debut of Sesame Street in the U.S. They revolutionized the genre by inviting their viewers' involvement. Research was part of the creative and decision-making process in the production of the show, and was integrated into all aspects and stages of the creative process. Blue's Clues was the first cutout animation series for preschoolers, and resembled a storybook in its use of primary colors and its simple construction paper shapes of familiar objects with varied colors and textures. Its home-based setting was familiar to American children, but had a look unlike other children's TV shows. A live production of Blue's Clues, which used many of the production innovations developed by the show's creators, toured the U.S. starting in 1999. As of 2002, over 2 million people had attended over 1,000 performances.

The wise-cracking Fitz is a brilliant but flawed criminal psychologist with a remarkable insight into the criminal mind.

Johnny Smith discovers he has developed psychic abilities after a coma.

After a tragic ending to her short-lived super hero stint, Jessica Jones is rebuilding her personal life and career as a detective who gets pulled into cases involving people with extraordinary abilities in New York City.

The Secret World of Alex Mack is an American television series that ran on Nickelodeon from October 8, 1994 to January 15, 1998, replacing Clarissa Explains It All on the SNICK line-up. It also aired on YTV in Canada and NHK in Japan, and was a popular staple in the children's weekday line-up for much of the mid-to-late 1990s on the Australian Broadcasting Corporation. Repeats of the series aired in 2003 on The N, but it was soon replaced there. The series was produced by Thomas Lynch and John Lynch of Lynch Entertainment, produced by RHI Entertainment, Hallmark Entertainment and Nickelodeon Productions and was co-created by Tom Lynch and Ken Lipman. For home video releases, it was released under the Hallmark Home Entertainment label, making it the first Nickelodeon show not to be released by Paramount Home Video or Sony Wonder.

Hannah plays DI Jack Cloth, who is called in to investigate an apparent series of serial killings alongside his new partner, DC Anne Oldman, described as a "plucky, no-nonsense sidekick". Playing with the cliches and conventions of British police dramas, subplots include Cloth dealing with visions of his dead wife and the bisexual DC Oldman coming to grips with her feelings for both her female fiancee and Cloth.

"The Perfect Murder" brings viewers some of the most diabolical, perplexing murder cases to land on detectives’ desks – the kind of cases that make or break careers and provide fodder for Hollywood mystery movies. These ingenious killers are every detective’s worst nightmare. Whether by planting false evidence, or writing anonymous letters to police, these murderers will stop at nothing to stay one step ahead and get away with the perfect murder. In this program, we focus on the investigation, as detectives slowly put the pieces together to unravel the twisted truth. As detectives uncover new evidence, and turn to new suspects, we flashback through stylized reenactment, to depict each possible theory of what may have happened. For the killer, it’s THE PERFECT MURDER. Detectives hit dead end after dead end, and wrong suspects are discarded. But one new clue can lead to another and the cold case suddenly gets hot. Truth is, it’s the perfect murder... until it’s not.

Cry Wolfe combines the work of veteran private eye Brian Wolfe and Investigation Discovery's signature dramatizations to create a hybrid reality/procedural-crime series. It's inspired by actual cases investigated by Wolfe and his assistant, Janine McCarthy, and whether the target is a cheating spouse, dishonest employee, or scammer, each half-hour episode follows the two from the initial client consultation to evidence-gathering stages and finally a confrontation with the accused. Wolfe, a no-nonsense guy with a thick Boston brogue, conducts field work using an arsenal of tried-and-true P.I. tricks; McCarthy picks up the data trail left on the Internet; and re-enactments give each case life, disclosing a shadowy world where things aren't always as they seem.

A small town that is turned upside down when several local people, who have long been presumed dead, suddenly reappear; their presence creates both positive and negative consequences. As families are reunited, the lives of those who were left behind are challenged both physically and emotionally.

Dance instructor Jennifer Ellison leads her students into competitions against some of the best dancers in the U.K. in this series that shows what it takes to get her girls to the level needed to win at their shows. Ellison cares for the girls as if they were her own, but she also pushes them to achieve greatness. The troupe's ultimate goal is to get to the Dance World Cup in Portugal. Accompanying the talented children on their dance journey are driven, straight-talking mothers who are in search of trophies.

This series features 8 stories centred on true murder cases involving the discovery of a shallow grave known as ‘deposition sites’ by police. Told from the perspective of the lead investigators, each story follows a trail of clues often employing cutting edge investigative science to catch their killer.

Lucy wakes every night at exactly 3:33am. Nothing in her life has made sense for a long time. But the answers are out there, somewhere, at the end of a trail of brutal murders.

A culinary guessing game in which bakers are tasked with decoding what type of dessert was made when all that’s left are the crumbs, flour trails, and a few elusive clues. They must then recreate the recipe for celebrity judges who will determine how closely their sweet treat matches the missing dessert.

Gripping true stories of investigators entering the digital world to solve a brutal murder. In each case, detectives are up against a lack of physical clues, but digital trails left behind help lead them to the killers.