Best movies like Dear Father

A unique, carefully handpicked, selection of the best movies like Dear Father Starring Vittorio Gassman, Aurore Clément, Andrée Lachapelle, Stefano Madia, and more. If you liked Dear Father then you may also like: Life With The Kids, We All Loved Each Other So Much, Weekend, Italian Style, Love in the City, Anna and many more popular movies featured on this list. You can further filter the list even more or get a random selection from the list of similar movies, to make your selection even easier.

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In Caro papá, Dino Risi is telling the story of the decadent lifestyle, and dysfunctional family, of a wealthy businessman (played to perfection by Risi's favorite leading man, Vittorio Gassman). Risi paints his portrait against a backdrop of an Italy where the new permissiveness has run rampant, traditional socio-cultural values have been usurped by consumerism, and the streets have become an open battleground for politically extremist groups (the '70s were dubbed "The Years of Lead" due to the great number of terrorist acts, and politically motivated assassinations).

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Life With The Kids

The story of one man dealing with an unexpected series of events, discovering his youth once again in the relationship with a much younger woman and finally coming to grips with his age, and the fact that he hasn't been there for his family like he should have.

We All Loved Each Other So Much

Three partisans bound by a strong friendship return home after the war, but the clash with everyday reality puts a strain on their bond.

Weekend, Italian Style

Manager Marletti goes to the sea to meet his wife Giuliana to spend the weekend with her and many friends. After three days Marletti comes back driving his car to Rome. So he can sleep, alone and happy, with silence around him.

Love in the City

Six separate episodes exploring themes of love, sex and romance in the Italian capital. "Paid Love" offers a glimpse into prostitution; "Attempted Suicide" features would-be suicides discussing their despair; "Paradise for Three Hours" depicts an evening at a provincial dance hall; "Marriage Agency" follows an investigative reporter posing as a husband-to-be; "Story of Caterina" tells the story of a young unwed mother forced to abandon her child; and "Italians Stare" catalogues the girl-watching techniques of Italian men.

Anna

Anna is a 1951 Italian drama film directed by Alberto Lattuada and starring the same trio as Bitter Rice: Silvana Mangano as Anna, the sinner who becomes a nun; Raf Vallone as Andrea, the rich man who loves her; and Vittorio Gassman as Vittorio, the wicked waiter who sets Anna on a dangerous path. Silvana Mangano's real sister, Patrizia Mangano, acts as Anna's sister on the film. Sophia Loren has got a small uncredited role as a nightclub assistant. Future film directors Franco Brusati and Dino Risi cowrote the script. [Wikipedia]

Dirty Weekend

A man and his mistress have just taken off for a weekend romp when they're kidnapped by a trio of bank robbers. They wind up becoming media "stars" as police and reporters follow them. They all wind up at the beat-up shack of a cranky old codger, with the police surrounding them and the robbers threatening to kill everybody.

Lost Soul

Bizarre events keep occurring in an old mansion, and it's soon become obvious that something mysterious is up in the attic.

Scent of a Woman

An army cadet accompanies an irascible, blind captain on a week-long trip from Turin to Naples.

The Fall of the Rebel Angels

Who is the mysterious stranger Cecilia met on the street? Why is he suspicious of everyone? She is happily married, has a lovely child and a good job: yet she decides to join him and to become his lover, sharing his destiny right up to its tragic conclusion.

Il Sorpasso

Roberto, a shy law student in Rome, meets Bruno, a forty-year-old exuberant, capricious man, who takes him for a drive through the Roman and Tuscany countries in the summer. When their journey starts to blend into their daily lives though, the pair’s newfound friendship is tested.

The Thursday

It's the story of a day spent by Dino, separated by his wife, who sees his son Robertino after five years. Dino has not contributed anything in life and to win the affection of his son, invents a story about his past. At the end of the day however, he will succeed in establishing a positive relationship with his son and telling the truth about himself.

Blow to the Heart

The son of a university professor discovers his father's secret life and has to decide what to do about it.

In the Name of the Italian People

An obscure Italian magistrate suspects that a well-known industrialist commited murder, and decides to investigate him, and bring him to court, whatever it takes. But - will the magistrate have it in him to go against impossible odds, in the name of the Italian people he represents?

Love and Larceny

Gerardo, an aspiring actor, trying unsuccessfully to cross over from comedy to tragedy, is involved, due to his ability to mimic dialects of Italy, in a scam concocted by Lallo against a rich cloth-merchant.

A Difficult Life

Silvio refuses to fight for the fascists and joins the resistance with Elena. After the war, his vitriolic newspaper articles cause him to be sentenced to imprisonment.

Brancaleone at the Crusades

After saving an infant of royal blood, knight Brancaleone forms a new army and sets out to return the baby to his father: a prince fighting in the Crusades.

The New Monsters

15 years after the monumental "I mostri" which was a great example of Italian sketch comedy, 3 of the greatest Italian directors ever (Risi, Monicelli, Scola) the best Italian writers ever (Age, Scarpelli) the best Italian actors ever (Tognazzi, Gassmann, Sordi) one of the most beautiful woman in the world (Ornella Muti) participate to this great tribute.

I See Naked

Seven sketches including the title sketch "I See Naked" in which a fashion editor begins to see naked women everywhere he goes.

Let's Have a Riot

Episodes centering on different aspects of early-1970s Italian life, set in a television studio, a factory, a university, and a Catholic parish.

The Dolls

This semi-amusing sex (romance) comedy has four separate stories: "The Telephone Call", written by Rodolfo Sonego, directed by Dino Risi. "A Treatise on Eugenics", written by Tullio Pinelli from a story by Luciano Salce and Steno, directed by Luigi Comencini. "The Soup", written by Rodolfo Sonego and Luigi Magni, directed by Franco Rossi. "Monsignor Cupid", written by Leo Benvenuti and Piero de Bernardi from a story by Boccaccio, directed by Mauro Bolognini.

The Widower

Alberto Nardi is a Roman businessman who fancies himself a man of great capabilities, but whose factory teeters perennially on the brink of catastrophe. Alberto is married to a rich and successful businesswoman from Milan, Elvira Almiraghi who has a no-nonsense attitude and barely tolerates the attempts of her husband to keep his factory afloat with her money.

The Prophet

In this comedy, a guru’s groupie plans to seduce him so she can number him among her many conquests.

The Last Judgment

The Last Judgement (Italian: Il giudizio universale) is a 1961 commedia all'italiana film by Italian director Vittorio De Sica. It was coproduced with France. It has an all-star Italian and international cast, including Americans Jack Palance, Ernest Borgnine; Greek Melina Mercouri and French Fernandel, Anouk Aimée and Lino Ventura. The film was a huge flop, massacred by critics and audiences when it was released. It was filmed in black and white, but the last sequence, the dance at theatre, is in color.

The Tiger and the Pussycat

A middle-aged businessman finds himself in thirst for romance adventure, and it seems that a proper partner is not far away.

I'm Photogenic

Antonio Barozzi moves from Lago Maggiore to Rome to become an actor. He does not realize his agent and acting coach are only manipulating him to further their own careers.

Let's Talk About Women

Vittorio Gassman stars as different characters in each of the nine episodes of this unusual Italian comedy. Playing everything from a practical joker to a prisoner, he comments upon romance, love and women in general.

A porte chiuse

The movie is about the celebrated trial of Olga Duvovich, very beautiful woman accused of killing her husband, a wealthy financier.

The Career of a Chambermaid

This slight skewering of the mindset of the Fascist era when Italy’s “White Telephone” films (conservative minded sophisticated comedy-dramas revolving around the bourgeoisie) were in vogue gives Agostina Belli her best role – an ambitious Venetian girl that goes from chambermaid to prostitute to singer to film-star to mistress of ‘Il Duce’! – for which she received a special David Di Donatello award, the Italian equivalent of the Oscar.

March on Rome

March on Rome (Italian: La marcia su Roma) is a 1962 comedy film by Dino Risi with Vittorio Gassman and Ugo Tognazzi, aimed at describing the March on Rome of Benito Mussolini's black shirts from the point of view of two newly recruited, naïve black shirts

Il gaucho

An italian film producer travels to Argentina with part of the crew to a Film Festival contest.

The Street of Hope

Joys and disappointments of three young girls who dreaming of making a career in film: Luisa has talent and triumphs; Franca tries to seduce a producer, however no artistic skills, Giuditta, the most inexperienced and naive, will have to choose between the dream of cinema and the reality of a marriage.

The Invisible Wall

June 27, 1980, an Italian DC 9 flying from Bologna to Palermo falls in the sea close to the Ustica island. 81 people die. The official version is "structure failure" of the airplane, but a number of clues lead the journalist Rocco Ferrante toward a different truth. Thanks to his perseverance against the invisible wall erected by air force officers, politicians, judges, secret agents, we come to know that, with all probability, the DC 9 has been mistakenly shot by a missile during a sort of air fight among U.S., French and Libyan top guns.

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