![Dorian Gray in the Mirror of the Yellow Press (1984)](/media/img/movie/poster/m/f6/90e8cf8e6fab29bebfe84891.jpg)
Our organization will create a human being whom we can shape and manipulate according to our needs. Dorian Gray: young, rich and handsome. We will make him, seduce him and break him. Ulrike Ottinger, 1984
Germany Germany
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The Noah's Ark Principle
The year is 1997, and World Peace seems to have come, with most classic weapons of mass destruction having been abandoned. However, orbiting the Earth there is the European/American space station FLORIDA ARKLAB, capable of controlling the weather at any location on the planet underneath. A civil project by nature, it might be abused as an offensive weapon, since it could deliver devastation to any potential adversary simply by creating natural disasters such as storms and floods. No wonder the space station soon becomes the central point in rising political tensions between East and West, next stop World War 3 (as indicated by the tagline "The end of our future has already begun"). We follow the main protagonist Billy Hayes, an astronaut aboard the station, as he wades through a plot of secrecy and sabotage trying to tell friend from foe in the process.
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A group of cosmopolitan women passengers aboard the Trans-Siberian/Mongolian Railway are taken prisoner by Ulan Iga, a warrior princess.
Dorian Gray
Seduced into the decadent world of Lord Henry Wotton, handsome young aristocrat Dorian Gray becomes obsessed with maintaining his youthful appearance, and commissions a special portrait that will weather the winds of time while he remains forever young. When Gray's obsession spirals out of control, his desperate attempts to safeguard his secret turn his once-privileged life into a living hell.
Dorian
While temporarily working in a photographic studio with the famous photographer Bae, the simple and handsome worker Louis meets her manager Henry, who is impressed with his beauty. He invites Louis for taking some pictures, gives the artistic name of Dorian to him as a homage to "Dorian Gray" and a framed picture of him. Louis wishes to have the same fate of Dorian Gray, and from this moment on, he becomes very successful in the career of model. As years go by, he notes that only his picture ages, and he has the same face of years ago.
Twelve Chairs
The film TWELVE CHAIRS linked in a spectacular way the dramaturgy of a treasure hunt and chase with a dense imagery of people and places. It tells both of yesterday and today, the reality of the people in the CIS countries and the universal humanity of our own actions. Large social utopia thus mixes with the individual hope of personal happiness, be it through money or in love.
Men...
A successful, womanizing middle-aged man decides to move out of the house he shares with his wife after she confesses to having an affair. He looks for a new place to live and ends up moving into his wife's lover's apartment as a roommate. The husband begins to take an interest in the artistic work of the lover and coaches him for a big job interview. Little does he know that the job he's helping the lover to get is within his own company... A story about strange circumstances and the limits of friendship.
Freak Orlando
FREAK ORLANDO is divided into five more-or-less distinct sections, all featuring "Freak" Orlando, a woman, played by the late Magdalena Montezuma, who appears in various guises, and deformities, throughout.
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A sartorially resplendent woman of few words arrives in Berlin with plans to live out the rest of her days as a drunkard.
Moses and Aaron
A familiar Biblical tale transformed into a cinematic opera of seemingly endless possibility. In expressive, melodic tones, the fraternal pair debate God’s true message and intent for His creations, a conflict that leads their followers towards chaos and sin. Set almost entirely within a Roman amphitheater whose history lends every precise line-reading and gesture, every startling camera move and cut, a totalizing force.
Seven Women, Seven Sins
Seven Women, Seven Sins (1986) represents a quintessential moment in film history. The women filmmakers invited to direct for the seven sins were amongst the world's most renown: Helke Sander (Gluttony), Bette Gordon (Greed), Maxi Cohen (Anger), Chantal Akerman (Sloth), Valie Export (Lust), Laurence Gavron (Envy), and Ulrike Ottinger (Pride). Each filmmaker had the liberty of choosing a sin to interpret as they wished. The final film reflected this diversity, including traditional narrative fiction, experimental video, a musical, a radical documentary, and was delivered in multiple formats from 16, super 16, video and 35mm.
Colors in the Dark
Anita and Fred have been a couple for 50 years, and happily married for nearly as long. They have two grown children, and their grandchildren are finishing school. Both can look back at a fulfilling past, but their lives are still rich and vibrant. The fact that Fred is terribly ill has been hidden from the family. For the first time in all these years, Fred takes some liberties, which his wife interprets as an affront. Never before has she felt so abandoned. Although she starts to question her relationship, a love like theirs cannot end so easily. Indeed it should never end.
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The notorious pirate ruler Madame X places a print ad, calling on women to escape their boring lives and promising "gold, love and adventure" to all who come aboard her ship, the Orlando. A motley crew including a housewife, diva and artist (played by Yvonne Rainer) embark on a quest for self-transformation, which quickly heads towards destruction as they are subjected to Madame X's sadistic, erotic escapades.
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Silver Spoons
Silver Spoons is an American sitcom that aired on NBC from September 25, 1982 to May 11, 1986 and in first-run syndication from September 15, 1986 to March 4, 1987. The series was produced by Embassy Television for the first four seasons, until Embassy Communications moved the series to syndication. Silver Spoons was created by Martin Cohan, Howard Leeds and Ben Starr. The show's title refers to family wealth and to the expression that rich children are born with "silver spoons" in their mouths—they are given only the very best and want for nothing.
Hunting Season
Hunting Season is an American LGBT-themed comedy-drama web series created by Jon Marcus. Following the romantic and sexual exploits of Alex and his small group of friends in New York City, the story was inspired by and largely based on the 2005–08 blog The Great Cock Hunt and the 2008 novel of the same name published by Kensington Books.
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Four adults nearing 40, living under the same roof, struggle to keep their relationships and their individual dreams alive.
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Justine Laurier, an ex-Canadian soldier, just inherited her father's shares of Blue Moon, a security company that carries out sensitive operations for the Canadian government. While Justine discovers what Blue Moon is all about, she receives troubling information regarding the death of her father. Alone, she must find the truth in a universe of lies.
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11-year-old Harry Carter creates Honc, a phone app that helps geeky kids like him talk to girls. The app becomes the next big thing and an American billionaire buys it for 10 million pounds turning the Carter family's life upside down.
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Urquhart aims to secure his legacy on the international stage, but faces threats both from abroad and closer to home.
King of Stonks
Felix Armand wants to be at the top. Because once he's there, he can finally be a decent human being. After all, he's the damn mastermind behind the most successful FinTech company of all time, and all of Germany: the CableCash AG. Unfortunately, everything is already blowing up in Felix's face during the IPO: Money laundering, investor deception, internet pornography. As a medium-sized company, you certainly don't get applauded for using such methods by the German public.
Seduced To Slay
It takes a certain kind of person to convince another to commit murder. In many cases, it’s a seducer — someone who can manipulate the person who loves them into killing for them. They’ll offer love, sex, money, or just plain lie to get what they want.
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Referencing sixties B-movies like "They Saved Hitler’s Brain" and "The Brain That Would Not Die", Ulrike’s Brain finds Doctor Julia Feifer (Susanne Sachsse) arriving at an academic conference with an organ box. Inside the box: the brain of Ulrike Meinhof, which was saved by the authorities along with the brains of the three other leaders of the RAF after their deaths in Stammheim prison. Doctor Feifer can communicate telepathically with Ulrike’s brain, which is directing her to lead a new feminist revolution. To that end, she is searching for the ideal female body to transplant Ulrike’s brain into. At the same time, her arch-rival, Detlev Schlesinger, an extreme right-wing ideologue, arrives at the conference with the ashes of Michael Kühnen, the former German neo-Nazi leader and infamous homosexual who died of AIDS in 1989. When the two Frankenstein’s monsters of the extreme left and the extreme right meet, chaos ensues.