Eine Nacht in Venedig

The story of Johann Strauss the elder and younger.

Ordinary single girl Amanda Pierce unexpectedly finds herself sharing an awesome Manhattan apartment with four sexy supermodels. Determined to bring Amanda into their world, the models give her the ultimate makeover. The plan works fabulously as Amanda connects with next door charmer Jim Winston. That is, until one night...

The delightful Johann Strauss comic opera Die Fledermaus was mercilessly lampooned in this truly bizarre production. For starters, a framing device has been added: After appearing in 300 consecutive appearances of Fledermaus (which translates as The Bat) the lead tenor (Georg Alexander) imagines that he's seeing bats everywhere. Driven a bit over the edge by all this, he falls asleep and has a nightmare about the opera, with a group of non-singers cast in the leading roles. The original libretto about romantic assignations, political imprisonments and mistaken identity is burlesqued to the hilt: at one point, the hero finds out that his prison cell is surrounded by rubber tubes!

Composer Johann Strauss risks his marriage over his infatuation with a beautiful singer.

An operetta with music by Johann Strauss II. However, he did not see the premiere. Wiener Blut is set at the time of the Congress of Vienna, 1814-1815, an international conference that sought to settle Europe after the upheavals of the Napoleonic Wars, and follows a traditional operetta plot full of mistaken identities. Count Balduin Zedlau, ambassador of the tiny court of Reuss-Schleiz-Greiz, is posted to Vienna. Count Zedlau is married but a real Don Juan always looking for a new encounter. Many of Strauss' compositions are used in the operetta although he did not specifically composed them for the operetta.

In the Temesvar Province, a landowner returned from exile marries a gypsy girl who is revealed to be the daughter of a Turkish Pasha and the rightful owner of a hidden treasure. Next to "Die Fledermaus", DER ZIGEUNERBARON is Johann Strauss’s most popular operetta. The libretto gave Strauss the chance to revel in such contrasting musical forms as the Csárdás and the Viennese waltz. The style of the lied forms and ensembles is so original and finely balanced that the "Gypsy Baron" can truly be called a comic opera. Among the leading names of the stellar cast in this exuberant 1975 film of the operetta are Wolfgang Brendel, Ivan Rebroff, Janet Perry, Ellen Shade, Martha Mödl and, in the role that launched his career, Siegfried Jerusalem as Sándor Barinkay.

A German-language film loosely based on the 1883 operetta Eine Nacht in Venedig (A Night in Venice) by Johann Strauss II. The film was also made into separate Hungarian-language version Egy éj Velencében based on the same screenplay. The two versions were shot simultaneously. The Hungarian version was co-directed by Wiene and Géza von Cziffra and used a separate cast of Hungarian actors. From Wikipedia.

After the Viennese premiere, the Fledermaus (the bat) conquered the world. It is one of the few operettas that are regularly performed at the major opera houses such as the Metropolitan Opera, the Scala Milan, the Vienna State Opera and the Royal Opera House Convent Garden in London. John Cox directed this lavishly equipped production by Julia Trevelyan Oman initially in London in 1977. On New Year's Eve 1990, this staging offered the luxurious ambiance for the farewell to Joan Sutherland from her London audience. The singer had admired them since her first great success at this prestigious opera house in the fifties. The rushing feast in the second act reached its climax with its stormy cheered performance and the commitment of her friends and colleagues Luciano Pavarotti and Marilyn Horne, with whom she often stood together on the stage.

Glyndebourne's pulsating new production of the Waltz King's much-loved comic operetta. Its story centers on a magnificent masked ball, given by a Russian prince, that brings together all the main characters in various disguises. The three-act journey from boudoir to ballroom to jail provides ample opportunities for farce and humor, but also for genuine human emotion and a surprisingly realistic view of urban life.

Most opera houses ring in the New Year with Johann Strauss Jr.'s most popular operetta--the festiveness of which is appropriate for the occasion--and this December 31, 1983, Covent Garden performance follows suit. An exceptional cast--led by Hermann Prey and Kiri Te Kanawa as the couple whose marriage survives the comic indiscretions of three long acts--obviously has as much fun as the audience. Plácido Domingo leads the Orchestra of the Royal Opera House through its paces with panache. Prince Orlofsky's Act II party is always a splendid opportunity to pull out all the stops with surprise "guests," and this performance makes the most of its chance: entering the proceedings to sing one of his tailor-made chansons, "She," is French crooner Charles Aznavour, who is followed by dancers Merle Park and Wayne Eagling, their delightful pas de deux flashily choreographed by Sir Frederick Ashton.

Performances from Pamela Coburn, Brigitte Fassbaender, Janet Perry, Eberhard Wachter, the Choir und Ballet der Bayerischen Staatsoper, and the Bayerisches Staatsorchester. Rosalinde, wife of Eisenstein, is having an affair with Alfred. Eisenstein is due to begin a prison sentence the next morning, and the prison governor, Frank, is expected to collect him at any moment. However, Eisenstein allows himself to be talked into attending a fancy dress ball by Dr Falke, and when Frank arrives to find Alfred with Rosalinde, he assumes him to be Eisenstein and carts him off to prison.

La traviata (Italian: [la traˈviaːta], "The Fallen Woman"[1][2]) is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on La dame aux Camélias (1852), a play adapted from the novel by Alexandre Dumas, fils. The opera was originally entitled Violetta, after the main character. It was first performed on 6 March 1853 at the La Fenice opera house in Venice. Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, "c. 1700". It was not until the 1880s that the composer and librettist's original wishes were carried out and "realistic" productions were staged.[3]

Der Graf von Luxemburg (The Count of Luxembourg) is an operetta in three acts by Franz Lehár to a German libretto by Alfred Willner, Robert Bodanzky, and Leo Stein. A Viennese take on bohemian life in Paris at the beginning of the 20th century, the story revolves around an impoverished aristocrat and a glamorous opera singer who have entered into a sham marriage without ever seeing each other and later fall in love at first sight, unaware that they are already husband and wife.

Hannah, mother of two children, is a teacher at a Hamburg high school. She falls in love with her new colleague Bernd Vossler - not knowing what the consequences are. Hannah enjoys being in love with her new boyfriend, but sometimes she is amazed at his behavior. If Bernd does not succeed in something or he is under pressure, he loses his composure and his hand sometimes slips. On a fateful night, Bernd crosses all boundaries.

Burns and Allen, an American comedy duo consisting of George Burns and his wife, Gracie Allen, worked together as a comedy team in vaudeville, films, radio and television and achieved great success over four decades.

Set in 1960-1970 New York, this sexy, stylized and provocative drama follows the lives of the ruthlessly competitive men and women of Madison Avenue advertising.

RTL Samstag Nacht was a comedy show, which ran from 6 November 1993 to 23 May 1998 on the German TV network RTL. RTL Samstag Nacht was the first major comedy show in German television, created after the example of the long-running American show Saturday Night Live and broadcast late on Saturday night. It helped comedy in German television to a breakthrough and was a model for several later comedy shows. Karl Ranseier was a recurring character featured in fake news reports telling about his death at the end of each episode. The name Karl Ranseier has become a catchphrase in Germany that has led to its own joke category of Ranseiers which are in widespread usage outside of the comedy origin.

Vic Reeves Big Night Out is a British cult comedy stage show and later TV series which ran on Channel 4 for two series in 1990 and 1991, as well as a New Year special. It marked the beginnings of the collaboration between Vic Reeves and Bob Mortimer and started their Vic and Bob comedy double act. The show was later acknowledged as a seminal force in British comedy throughout the 1990s and which continues to the present day. Arguably the most surreal of the pair's work, Vic Reeves Big Night Out was effectively a parody of the variety shows which dominated the early years of television, but which were, by the early 1990s, falling from grace. Vic, introduced by Patrick Allen as "Britain's Top Light Entertainer and Singer", would sit behind a cluttered desk talking nonsense and introducing the various segments and surreal guests on the show. Vic Reeves Big Night Out is notable as the only time in their career where Vic solely took the role of host, while Bob was consigned to the back stage, appearing every few minutes as either himself or as a strange character. The two received equal billing in the series credits. On 3 October 2007, the first episode was re-broadcast on More4 as part of Channel 4 at 25, a season of classic Channel 4 programmes shown to celebrate the channel's 25th birthday.

Ein Herz und eine Seele is a German cult sitcom based on the British sitcom Till Death Us Do Part by Johnny Speight. The show premiered on January 15, 1973 and lasted for about twenty episodes, airing its last on November 4, 1974. In 1976, the show had a short-lived revival with another four episodes. Ein Herz und eine Seele was written by Wolfgang Menge. The show was extremely successful during its initial run and it still proves very popular in reruns. Two episodes in particular, Silvesterpunsch and Rosenmontagszug have gained such popularity that they are now shown traditionally on German TV on New Year's Eve and Rosenmontag, respectively.

A german reality-TV soap opera with various changing protagonists, mainly young people and bachelors, trying to live their lifes in the giant metropole of Berlin.

The mini-series follows the construction and history of the famous Adlon hotel in Berlin, as seen through the eyes of Sonja Schadt, the youngest member of the wealthy fictional Schadt family who are friends with the Adlons.

Vienna was the capital of the Habsburg dynasty and home to the Holy Roman Emperors. From here, they dominated middle Europe for nearly 1,000 years. In this series, historian Simon Sebag Montefiore describes how the Habsburgs transformed Vienna into a multi-national city of music, culture and ideas. Napoleon, Hitler, Mozart, Strauss, Freud, Stalin and Klimt all played their part.

While the battlefields of WWII were a stage for acts of heroism, strategic cunning, and horrific atrocities, conditions on the home front seemed more stable. Yet from bombed-out London to occupied France, the war enabled one thing to flourish - crime.

Follow the Dutton family as they embark on a journey west through the Great Plains toward the last bastion of untamed America. A stark retelling of Western expansion, and an intense study of one family fleeing poverty to seek a better future in America’s promised land — Montana.

A world-famous comedian desperately searches for a way out after a night in Philadelphia with his brother threatens to sabotage more than his success.

After a night of partying with a female stranger, a man wakes up to find her stabbed to death and is charged with her murder.