Best movies like Elvis Costello - Detour Live at Liverpool Philharmonic Hall

Jim "Lucky" Moore, an insurance salesman, comes up with a novel policy for his friend, Steve: a 'love insurance policy', that will pay out $1-million if Steve does not marry his fiancée, Cynthia. The upcoming marriage is jeopardized by Steve's ex-girlfriend, Mickey, and Cynthia's disapproving Aunt Kitty. The policy is underwritten by a nightclub owner, Roscoe, who sends two enforcers - Abbott and Costello - to ensure that the wedding occurs as planned.

When a barnstorming stunt pilot decides to join the air corps, his two goofball assistants decide to go with him. Since the two are Abbott & Costello, the air corps doesn't know what it's in for.

Stan and Ollie get involved with con men, crooks, a genial magician, and two interchangeable coffins with disastrous but funny results.

Lester and Orville accidentally launch a rocket which is supposed to fly to Mars. Instead it goes to New Orleans for Mardi Gras. They are then forced by bank robber Mugsy and his pal Harry to fly to Venus where they find a civilization made up entirely of women, men having been banished.

When two bumbling barbers act as agents for a talented but unknown singer, they stage a phony murder in order to get him a plum role.

Two hapless waiters in a tavern on the Spanish Main play cupid between aristocratic Lady Jane and tavern co-worker Bruce Martindale, but the two bumpkins mix-up a love letter with Captain Kidd's treasure map of Skull Island, leading to them being kidnapped and taken off to the notorious pirate's island.

Abbott and Costello, two bumbling American cops on exchange in London, hunt for Mr. Hyde—the monster that has been terrorizing the city.

Two hapless freight handlers find themselves encountering Dracula, the Frankenstein Monster and the Wolf Man.

Harry and Willie are scammed into buying the Thomas Edison studio lot by a man named Gorman. They decide to follow Gorman's trail to Hollywood where, unbeknownst to them, he has taken the identity of a foreign film director. The lads wind up as stunt doubles in film the which Gorman is now shooting, while the conman tries to have the bungling pair done away with before they realize who he really is.

Lost Caverns Hotel bellhop Freddie Phillips is suspected of murder. Swami Talpur tries to hypnotize Freddie into confessing, but Freddie is too stupid for the plot to work. Inspector Wellman uses Freddie to get the killer (and it isn't the Swami).

An Irish policeman handles gangsters, a mystery woman and a wise-guy reporter.

When the murder of an archaeologist puts a valuable medallion into their hands, Abbott and Costello waste little time in trying to sell it, only to find themselves pursued by police, a slinky adventuress, an Egyptian high priest, and the mummy himself.

Flash Fulton (Bud Abbott) and Weejie McCoy (Lou Costello) take pictures of a bank robbery. Lured to the mountain resort hideout of the robbers and accompanied by Dr. Bill Elliott (Patric Knowles) and Peggy Osborn (Elyse Knox), they also meet old friend Johnny Long (Johnny Long) and his band and singer Marcia Manning (Ginny Simms). Dr. Elliott and Peggy are being held in a remote cabin by the robbers, but Weejie rescues them by turning himself into a human snowball that becomes an avalanche that engulfs the crooks.

An early film adaptation of the Beard's comic fantasy-- and perhaps the first screen adaptation of a Shakespeare play.

Two alley cats, Babbitt and Catsello, decide to make a meal out of Orson as he sleeps in his nest atop a telephone pole. The gullible (and loud) Catsello is repeatedly gulled into trying to "get the bird," earning a variety of thrashings from the casually murderous little canary. Catsello finally resorts to an air strike (with a pair of wooden boards for wings), but it's wartime, and Orson has the cat blasted out of the sky by anti-aircraft guns.

Now hear this. The studio that gave the cinema its voice offered 1929 audiences a chance to see and hear multiple silent-screen favorites for the first time in a gaudy, grandiose music-comedy-novelty revue that also included Talkie stars, Broadway luminaries and of course, Rin-Tin-Tin. Frank Fay hosts a jamboree that, among its 70+ stars, features bicyclers, boxing champ Georges Carpentier, chorines in terpsichore kickery, sister acts, Myrna Loy in two-strip Technicolor as an exotic Far East beauty, John Barrymore in a Shakespearean soliloquy (adding an on-screen voice to his legendary profile for the first time) and Winnie Lightner famously warbling the joys of Singing in the Bathtub. Watch, rinse, repeat!

Dr. Hohner, theatre physician at the Vienna Royal Theatre, murders his mistress, the star soprano when his jealousy drives him to the point of mad obsession. Ten years later, another young singer reminds Hohner of the late diva and his old mania kicks in. Hohner wants to prevent her from singing for anyone but him, even if it means silencing her forever.

Brigsby Bear Adventures is a children's TV show produced for an audience of one: James. When the show abruptly ends, James's life changes forever, and he sets out to finish the story himself.

In one of his rare performances without Bud Abbott, Lou Costello plays a delivery boy who invents a machine which turns his girlfriend into a giantess.

The Redeeming Sin (1929) is a crime drama part-talking silent film with Vitaphone music and sound effects. It was produced and distributed by Warner Bros. and stars Dolores Costello. This film is currently a lost film.

After two volunteer firemen rescue a gold prospector from suicide, they discover discover that the police mistakenly want them for murder.

A fact-riddled behind-the-scenes drama about the stormy partnership of the famed comedy team that came out of burlesque to conquer radio, movies and television.

This first major retrospective of Cash's life, times and music features contributions from his daughter Rosanne Cash and son John Carter Cash, his longtime manager Lou Robin and fellow musicians including Little Richard, Cowboy Jack Clement, Kris Kristofferson, Merle Haggard and Elvis Costello.

Molly, her brother, Slats, and his pal, Oliver, are taxi dancers at the Miramar Ballroom. As a publicity stunt, Slats plants an article about Molly claiming her ambition is to earn enough money to attend staid, all-girl Bixby College. Bixby's progressive dean offers Molly a scholarship. Molly accepts on the condition that Slats and Oliver come along too as campus caretakers. But the pompous Chairman threatens to foreclose on the school's mortgage if Molly isn't expelled. Together, the trio, with the help of some new friends, concocts a scheme to raise enough money to save the school. The plan involves a bet on the Bixby basketball team, which is playing in a game rated at 20 to 1 by the local bookie. But the bookie has other plans for their dough and hires a group of ringers to step in for the opponents. All is not lost, at least while Oliver has the chance to turn things around for his friends-one way or another.

Bud and Lou are the owners of the amusement park Kiddieland. Bud, a compulsive gambler, gets in trouble with the mob, and Lou finds himself struggling to keep his adopted children. When Bud is forced to make a shady deal, Lou tries to arrange a deal with the DA, but winds up framed for murder.

Lou Costello plays a country bumpkin vacuum-cleaner salesman, working for the company run by the crooked Bud Abbott. To try to keep him under his thumb, Abbott convinces Costello that he's a crackerjack salesman. This comedy is somewhat like "The Time of Their Lives," in that Abbott and Costello don't have much screen time together and there are very few vaudeville bits woven into the plot.

Two con men selling phony stock flee to Mexico ahead of the law, where they run into a woman friend from their earlier days, who is now a bullfighter.

Abbot and Costello must find a replacement for a woman's horse they accidentally killed after feeding it some candy. They head for the racetrack, find a look-a-like and take it. They do not realize that the nag is "Tea Biscuit," a champion racehorse.

A compilation of clips from 19 Abbott & Costello features: The Wistful Widow of Wagon Gap, In the Navy, Hit the Ice, Who Done It?, Abbott and Costello Meet Frankenstein, Mexican Hayride, Hold That Ghost, Abbott and Costello in the Foreign Legion, Little Giant, In Society, Ride 'Em Cowboy, The Naughty Nineties, Buck Privates Come Home, Buck Privates, Abbott and Costello Meet the Keystone Kops, Lost in Alaska, Comin' Round the Mountain, Abbott and Costello Go to Mars and Abbott and Costello Meet the Mummy. - Written by Tom Weaver

Documentary examining the unique connections the singer shared with Britain, and what made the UK such a sanctuary for him. The programme features contributions from some of those who were closest to him, from his own children to friend Elvis Costello, as well as celebrity fans including Jools Holland and Freddie Flintoff.

This fascinating hour-long documentary film takes the viewer to the heart of the creative process, focusing on 1989's acclaimed album, Flowers In The Dirt. Mixing studio footage with interviews, Put It There features Paul talking candidly about the process behind some of the album's most beloved songs, especially a detailed exploration of the single ‘My Brave Face’, co-written by Elvis Costello. Candid, anecdotal and honest, the documentary is a must for any Paul fan and was expanded for its DVD release to include a gallery section and previously unseen performance footage.

The work of photographer Diane Arbus as explained by her daughter, friends, critics, and in her own words as recorded in her journals. Illustrated with many of her photographs. Mary Clare Costello, narrator Themes: Arbus' quirky go-it-alone approach. Her attraction to the bizarre, people on the fringes of society: sexual deviants, odd types, the extremes, styles in questionable taste, poses and situations that inspire irony or wonder. Where most people would look away she photographed.

Darci Lynne Farmer and her puppet friends Petunia, Oscar, Katie and Edna perform with special musical guests, and visit Farmer's hometown.

A musician who is set to headline a Christmas concert in New York City makes a pit-stop in Tennessee to see her family. When a freak snowstorm hits, she finds herself stranded in the town, and is roped into taking part in a local Christmas concert.

The film is based upon the 1922 Edith Wharton novel The Glimpses of the Moon.