Every-Night Dreams

Gang leader Nami (cult film legend Meiko Kaji) kills a member of a yakuza group and goes away to prison. Upon her release three years later, she’s a shamed woman confined to living in the shadowy world of sex clubs and street gangs. She returns to the city to live with her uncle, a billiard-hall owner, and after befriending pimp and ne’er-do-well Ryuji (Tsunehiko Watase), she gets a job working at a hostess club in the chic Ginza neighborhood, where the expensive shops and neon lights conceal a dark world of crime and sexual slavery. But when a rival gang attempts to muscle in on the club, Nami becomes enmeshed in a violent struggle that forces her to wield a skilled pool cue to defend her uncle’s business, and eventually a short sword to wreak bloody vengeance upon her enemies.

Keiko, whom everyone calls Mama, narrates her story: she's a hostess on the Ginza, 30, a widow. She describes life's vicious cycle: acting cheerful around drunks, dressing and living well to convey confidence, needing money for these expenses and for her demanding mother and brother, and knowing she's growing older. She's of an age when she must choose: to seek marriage (difficult given her tarnished occupation), to be a kept woman, or to borrow money to buy a bar of her own. Each route has dangers, including investors demanding a return on their loans. Keiko has a quiet dignity that attracts men, but are they what they seem? Does she actually have choices?

Restaurant hostess and mom Joanne Sanders has to work late one night. After she leaves the restaurant she accidentally cuts a car off on the highway. This driver takes it personally and he begins to stalk and harass Joanne.

After returning home from an extended tour in Afghanistan, a decorated U.S. Army medic and single mother struggles to rebuild her relationship with her young son.

A bitter widow and a grumpy widower find themselves stuck in a hotel that is cut off from the outside by a snowstorm. Although both have no intention of getting married again, they begin to fall for each other. Their children, however, are determined to see that the "romance" never gets off the ground and do everything they can to see that they are kept apart.

Mati, a divorced mother of a young daughter, makes a living selling bric-a-bric from a wheelbarrow and dreams of opening a snack bar. But she falls for the charms of Naago, a cop, and it's only when the Tajaboom festival (at which women and men switch roles) arrives that her opportunity for escape emerges.

Heated confrontations and revelations result when a divorcee returns with her young son to the home of her two sisters.

The story of Mary Thomas, the mother of basketball star Isiah Thomas, and how she fought to keep her family together and her sons out of trouble despite the surroundings of poverty, drugs, crime and violence of their ghetto neighborhood.

A 12-year-old boy and his single mother live separate lives. The boy spends his days alone while his mother works and goes out with her friends. The boy’s solitude is both a source of freedom and a cause for grief. His explorations slowly bring to light the dark contrast between the rules of society and the laws of nature. And before long, the delicate balance of his inner world becomes shattered by unforeseen events.

After she had been raped by her father, a young woman leaves the town with her new born son. Years later, the son can't accept that his mother fell in love with someone else than the mythical father she had told him about.

Around Ginza there is a night-city of bars and cabarets, hostesses, customers. Assisting to keep order here is Kagari (Akira Kobayashi) who specializes in the women, their problems and troubles. He has saved many a girl from blandishments of pimps, makes customers pay up and women play straight. So he is called 'the woman's police-man' and he takes his job seriously. One day, Chiyoko (Yukiyo Toake), a former hostess, comes to him. Her husband has been murdered and she wants help. The man had been a college classmate and Kagari decides to do what he can. In his investigation he overturns a whole nest of intrigue. Men he had thought irreproachable turn out to be corrupt; solid citizens are seen as the worst kind of scoundrels. Until now, Kagari has specialized in women and their problems. But, realizing the real state of affairs, he rolls up his sleeves for a good cleaning- up-at the same time discovering the murderer of his friend.

Kagari (Akira Kobayashi), a scout and overseer of Ginza bar hostesses, receives an urgent phone call from Sawako, a hostess at the bar Rie, and rushes to Tokyo International Airport to meet her. When he arrives she is gone. At the bar he learns that Tabuchi, a steady customer, had been quite friendly with Sawako and may know something. Tabuchi claims he knows nothing and Kagari lets the matter drop. Over time Kagari learns from Takijima, a businessman, that Sawako is in a hospital in Yokohama. Takijima explains that he found her in Singapore working as a street girl and brought her back to Japan. Sawako had lost her memory after being subjected to narcotics. Kagari swears to find the person responsible.

A luckless geisha struggles to make a living for herself and her young son.

It is difficult to stand out at a Ginza club where every hostess wants to be number one. It is competitive. One of them is a virgin and also just eighteen years old. She wants to become the number one hostess to help pay the bills for her family. She advertises herself as 'virginity for sale.' It is an auction and the prize goes to the highest bidder. She doesn't have hostess skills however. The club's manager was the number one hostess in all of Ginza and helps the younger woman.

In order to support her son, single-mother works at a bar that operates an undisclosed adult entertainment business. One day, Ishioka Kazuya comes into the store as a customer, but Ishioka never sleeps with her, and instead just looks at the scenery outside the window.

A "contemporary prequel" to the 1960 film Psycho, depicting the life of Norman Bates and his mother Norma prior to the events portrayed in Hitchcock's film, albeit in a different fictional town and in a modern setting. The series begins after the death of Norma's husband, when she purchases a motel located in a coastal Oregon town so she and Norman can start a new life.

Laura Diamond, a brilliant NYPD homicide detective balances her “Columbo” day job with a crazy family life that includes two unruly twin boys and a soon-to-be ex-husband — also a cop — who just can't seem to sign the divorce papers. Between cleaning up after her boys and cleaning up the streets, she’d be the first to admit she has her “hot mess” moments in this hilariously authentic look at what it really means to be a “working mom” today. Somehow, she makes it all work with the help of her sexy and understanding partner, and things becomes even more complicated when her husband, ironically, becomes her boss at the precinct. For Laura, every day is a high-wire balancing act.

After the unexpected death of her husband, a suburban mom resorts to selling weed to support her family.

Fukada Kyoko plays the role of the main character, Shinoda Kaori, who works in the airport control tower as an air traffic controller. As a single small error of judgment can lead to a catastrophe, air traffic controllers must be on alert at all times. And this is why it is considered to be one of the most difficult occupations in the world. This drama will portray the teamwork and struggles between Shinoda and the other staff, dramas that arise at the airport and the secrets of airports... As well, along with real life stories that have occurred in the airport, it will portray how the aiport staff ensures the safety of people and the importance of protecting lives.

Terry Gannon Jr. was an All Star softball player until life threw her a couple curve balls: a baby, a lost college scholarship and a loser for a husband. After striking out on her own, Terry and her son Danny move in with her estranged father, Terry Sr. aka "The Cannon," an opinionated, beer-guzzling, ex-athlete who never quite made the cut as a single father or professional baseball player. When Terry reluctantly offers to coach Danny and a group of other athletically-challenged hopefuls, her past comes rushing back.

Nathalie Lapointe is in her early forties, a single mother of three with a successful career as columnist at a major newspaper. Just as she’s starting to think she might be able to pay more attention to her own needs, she gets terrible news: the cancer from which she recovered two years previously is back. How can she break the news to her kids? How can the family plan for the future with this sword of Damocles hanging over them? Despite the shock, life goes on. Nathalie must cope with evolving circumstances at the paper as well as at home. She wonders if she can allow herself to fall in love with her daughters’ school principal. As for her children, they must deal with their own teenage life challenges, all the while knowing that their mother may soon be gone. Nathalie’s best friend and neighbor is particularly hard-hit by the news: she’s already suffering from her husband’s infidelity and from the absence of her son, who is overseas. Nathalie’s misfortune also has a powerful effect on her three siblings. They must re-think their priorities at a time when all three are facing crucial choices in their emotional and professional lives. For Nathalie’s parents Janine and Gérard, her illness makes no sense. How do you face the very real possibility that your child will die before you?

Four women juggle love, careers, and parenthood. They support, challenge, and try not to judge each other as life throws them curveballs. Whether it is an identity crisis, a huge job opportunity, postpartum depression, or an unplanned pregnancy – they face both the good and bad with grace and humour.

Esperanza Guerrero is a single mother working as a teacher at two schools, a state school and an elite school to provide for her two teenagers, Pedro and Patricia. Ricardo Alegría, a married father with two young children, works as an Interpol agent in Los Angeles. Seeking to capture a sleazy jewellery thief known as ‘La Sombra’, he infiltrates the private school where Esperanza is employed and masquerades as the teacher of the criminal’s son. Esperanza and Ricardo are reunited following a 20-year separation and fight to rekindle their love.

Sakurai Taro’s parents died young. His grandmother, Akiko, has been making great effort to protect her struggling candy store, Sakuraya, in the old part of Tokyo, but it's not easy. Taro eats candy with regular customers such as chilhood friend Saegusa Hiroki who aspires to be a scriptwriter, and talk nonsense, like in their youth. However, they realize this unfettered, comfortable existence will end some day with the passage of time. Then Taro’s ex-classmate, Kimura Reiko, comes back home with her son after a divorce. He and his friends start to notice what is truly important to them as they face up to their pasts, dreams and pains.

Having a hard time making ends meet after her divorce, Millicent Torkelson moves her three children to Seattle, where she becomes the nanny to the spoiled Morgan children.

Sakura runs a secondhand bookstore in Tokyo. Customers of various age ranges visit her secondhand bookstore. Deep inside this bookshop is a room called the “meeting place.” People who do not have a place to go, gather in the room. She gives them oyakodon for free. In the room, people talk about themselves, while Sakura listens to them. She sometimes encourages them with her smile and sometimes sheds tears with them. Azami and Rie are leading a lifestyle full of delinquent behavior. One night, after being chased by mobs, Rie points out at the bookstore, a good place to get free food.

Single suburban mother Jackie is shocked when her estranged sister, Elizabeth, her sister's outrageously wealthy, big-hearted husband, Javier, and Javier's fiercely loyal assistant/driver/friend land on her doorstep in need of a place to live after the couple's money dries up.

Four former classmates share an apartment in Daikanyama, Tokyo and pursue their own happiness. Arisugawa Fuu works for a design production company and spends most of her salary on fashion, Hada Mizuhois a budding manga artist, Sakuragawa Rio practices psychosomatic medicine, and Enjoji Sayuri works for a Ginza art gallery.

Following a whirlwind courtship, a single mother from Los Angeles marries an Australian cattle rancher. He returns to Australia ahead of her and her two children but dies before they arrive, leaving his widow to deal with a debt-ridden ranch and land-grabbing neighbors.

This is the story of a young mother, Kitayama Nazuna, and her son Taiyo from Ohma, a small town at the tip of a peninsula in Aomori. Taiyo's father, Murai Kento had aspirations to be a professional boxer but due to a detached retina he was forced to abandon his dream. Leaving Nazuna behind, he left for America, with another woman, to get treatment for his eye-problem, unaware that Nazuna was pregnant. As his life is boxing he quickly returns to the ring after the operation turns out to be successful and once again he dreams of becoming a professional boxer. However, success eludes him and he returns home to Japan. Nazuna meanwhile has given birth to her son and moved to Tokyo to search for Kento. By chance she finds Kento. When discovers he has become a father, he tries to make up for lost time. The show picks up their story as Nazuna, Taiyo and Kento begin family life together. Of course things are not as simple as they appear.