Best movies like Figaro

In this suspenseful silent crime drama, a hijacker proves his loyalty to his mother by killing his biological father, a blackmailing gangster who has been threatening to destroy the mother's happy marriage to the governor.

Even without the benefit of sound, the 1922 German adaptation of Othello seems more operatic than Shakespearean. This may be due to the casting of Emil Jannings, to whom restraint and subtlety were strangers. Werner Krauss, of Cabinet of Dr. Caligari fame, is on hand as the duplicitous Iago. Appearing as the unfortunate Desdemona is Lea Von Lenkeffy, better known as Lya de Putti. Produced on an elaborate scale, Othello may not be true to the letter of Shakespeare, but is undeniably a smorgasbord of visual delights.

Three Chaplin silent comedies "A Dog's Life", "Shoulder Arms", and "The Pilgrim" are strung together to form a single feature length film. Chaplin provides new music, narration, and a small amount of new connecting material. "Shoulder Arms" is now described as taking place in a time before "the atom bomb".

The fabled queen of Egypt's affair with Roman general Marc Antony is ultimately disastrous for both of them.

"Damaged Goods" pictures the terrible consequences of vice and the physical ruin that follows the abuse of moral law. It is a stirring plea for a pure life before marriage, in order to make impossible the transmission of hereditary traits to future generations. This film is presumed lost.

Roddy, first son of the rich Berwick family, is expelled from school when he takes the blame for his friend Tim's charge. His family sends him away and all of his friends leave him alone. Through many life choices that don't work out in his favor, Roddy begins to find his life slowly spiraling out of his control.

Based on Oscar Wilde's play, the films tells the story of how Salomé agrees to dance for King Herod in return for the head of John the Baptist.

Returning from her honeymoon with her husband, scholar Jorgen, the cold and manipulative Hedda Gabler is unmoved by the sacrifices he's made to provide her with an elegant home. But when she learns that Jorgen's rival for a university position, Ejlert, has made a surprising comeback with a recent publication, she's quick to push him back into his former alcoholism, steal the sequel to his book and even encourage the writer to kill himself.

The story takes place in Monte Carlo, where the impoverished Julian proposes marriage to the wealthy Dora, only to be turned down by the girl's mercenary mother. Several years later, Julian manages not only to obtain a huge fortune, but also a prominent position in the British diplomatic service. Now a suitable husband for Dora, Julian marries the girl. Alas, their happiness is short-lived.

Early silent version of the Oscar Wilde play.

A Ruizian adaptation of Jean-Claude Gallotta's iconic wordless ballet choreography.

Kelly's employer, Waters, is such a keen golfer that he asks Kelly to help him improve his game at an exclusive country club.

Tons of Money is a 1924 British silent comedy film directed by Frank Hall Crane and starring Leslie Henson, Flora le Breton and Mary Brough. Aubrey Allington is pursued by creditors and on learning of a family inheritance is persuaded by his wife to fake his own death and return as his own long-lost relative, George Maitland, the rightful claimant. Things get complicated when the real Maitland turns up with another Maitland impersonator, the brother of Aubrey’s butler, Sprules. It is an adaptation of the 1922 play Tons of Money by Will Evans and Arthur Valentine. Both were co-produced with Tom Walls. It was remade as a sound film Tons of Money in 1930

Goldwyn produced a 1923 film adaptation of Potash and Perlmutter, and a 1924 sequel called In Hollywood with Potash and Perlmutter. In Partners Again the two are in the automobile industry -- This is a lost Film.

Franklyn Starr, a talented and wealthy young musician, suffers a double misfortune in the sudden loss of his hearing and in the death of his Mother to whom he is deeply attached. He loses his generous, joyous nature and transforms into a gloomy and despondent misanthrope.

To satisfy her controlling mother and secure both of their futures, a daughter hesitantly enters a loveless marriage to a wealthy businessman. Years later, after she has uncovered and overcome her mother's deceptions and manipulations, her newfound happiness is threatened with the appearance of a mysterious "man from the sea."

A silent romantic adventure melodrama (from the play and novel by Richard Harding) about a womanizer who follows a beautiful Hispanic woman to her home country and his adventures there. He ends up helping her father become dictator of the entire country, and is rewarded with marriage to her and he is named Minister of Finance!

The first screen adaptation of Harriet Beecher Stowe's novel to star a black man in the title role.

A blowhard who poses as a railroad executive (but is really just a $30-a-week clerk) catches a young bride and then drives her family's finances to the brink of ruin.

The Swan (1925) is a silent film produced by Famous Players-Lasky and distributed by Paramount Pictures. The film is based on Melville Baker's 1923 Broadway play adaptation, The Swan, of Ferenc Molnar's play A Hattyu Vigjatek Harom Felvonasbarn. This film was directed by Dimitri Buchowetzki, a recent Russian immigrant working for Famous Players-Lasky. Buchowetzki had directed pictures in Russia, Sweden, and Germany. The story of this film was remade in 1930 as One Romantic Night, an early talkie for Lillian Gish, and in Technicolor as a 1956 vehicle for Grace Kelly.

Chorus, Corpse de Ballet, Orchestra of the Minnisota Opera, the Whole Schmeer, under the direction of Professor Peter Schickele Based on several of Mozart's most famous Operas including The Marriage of Figaro, Don Giovanni, Cosi Fan Tutti and making fun of everything from Star Wars to the Maltese Falcon this is an Opera only PDQ Bach could have written.

Iris Carsen wants her daughter to find a man who is 'marriage material' in other words 'rich' until she finds herself in love with her own man who is not 'marriage material.'

Neil McRae, an impoverished composer, loves Cynthia Mason, but, fearing poverty, proposes to wealthy Gladys Cady. Can he compose himself and find the courage to seek love over comfort?

David McVicar's spellbinding production of LE NOZZE DI FIGARO is set in 1830s post-revolution France, where the inexorable unravelling of an old order has produced acute feelings of loss. In the relationship between Finley's suave, dashingly self-absorbed Count and Röschmann's passionately dignified Countess, which lies at the tragic heart of the opera, the sexy ease between a feisty Figaro (Erwin Schrott) and a sassy Susanna (Miah Persson) is starkly absent, the tenacious spark between Marcellina (Graciela Araya) and Bartolo (Jonathan Veira) suggesting what might be rekindled. The production is superbly complemented by the beauty of Paule Constable's lighting and Tanya McCallin's evocative sets. Antonio Pappano conducts (and accompanies the recitatives) with invigorating wit and emotional depth.

Silvia’s father grants her permission to meet Dorante, the man she’s promised to in marriage, by pretending to be her servant Lisette, who in turn will play the role of her mistress.

Emily and Andrew, a young couple living in Memphis, agree to babysit their friend’s 6-month-old for a day. The experience causes them to examine their own relationship and their feelings about marriage and children.

Mudos testigos is a cinematographic collage made from all the surviving material of Colombian silent films, re-editing the images in such a way as to create a single imaginary film: the impossible love story of Efraín and Alicia that traces the convulsive first half of the twentieth century in Colombia. Compiled by the late Luis Ospina and finished posthumously by Jeronimo Atehortúa.

Bella Donna, a seductive woman snares Nigel Armine into marriage and he takes her to Egypt to live. Tired of her simple husband, Bella becomes involved with brutish Baroudi.

Manoel de Oliveira plays his film in three stages: the first part - a play, the second can be roughly defined as a silent film (with the behind the scenes read excerpts from Beckett works), but in the end the director brilliantly performs the same material of the avant-garde exercise. Surprisingly, a joke, repeated three times, each time everything sounds fresh and develops into an almost verbatim adaptation of the biblical "Book of Job" - a spectacular point in a parable about how hard to empathize with other people's misery, when you have your own.

This is a good video of "Figaro", but there are a couple of better ones available. The Bohm and the Pappano are better still due to the female members of the casts. The reason for buying this one is the "Figaro", Bryn Terfel. No one can top him today in that role. John Eliot Gardiner also stands out. Many of us have voiced their opinion that If the Metropolitan Opera would release it's 1998 version, that would be the one to get.

Mozart opera.

Bandits kidnap Figaro, the famous barber of Seville, and use his wonderful voice to attract travelers and rob stagecoaches. Because of this, the police chases him as an accomplice of the bandits. Then Figaro decides to join the army as a volunteer to fight in Puerto Rico. He returns covered with glory and his faults are condoned. However, the adventures of Figaro continue in Seville in the false scene of the aristocracy

A tough girl raised in the streets finds that her dialect and manners are helpful as source material for a playwright.

The swaggering Petruchio agrees to marry the spitting hellcat, Katherine.