Best movies like Flowers of Blood

The film will tell what happens to a group of characters, precisely between July 14 and August 15, 1994 in Paris. It will tell the story of three young ladies, Louise, Ninon, Ida, in the summer of 1994, their adventures in the big city. On the streets, in the gardens, in ballrooms and in libraries and lofts, deserted at the time of holidays and summer heat, Louis, Ninon and Ida proceed on mysterious paths.

People and life can be cruel, and in their face, Fannette is cool: toward an old acquaintance, to her daughter, to colleagues. Beneath the surface, she roils with passion for a lost love, Philippe. She watches "An Affair to Remember" again and again, and when she receives a letter from Philippe asking her to meet him atop the Empire State Building, she swoons. She's writing a book on an aged painter, so she organizes a trip to New York ostensibly to secure photographs of some of his pieces. The publisher assigns her a photographer, Matt, on the surface spontaneous and flip, but also aggressive about his attraction to her. Will she be with the one she loves? Will she smile? Written by

After leaving France in search of a better life in America, a television producer returns with a group of burlesque dancers to take the Paris club scene by storm.

Parisian nightclub owner Simone Pistache is known for her performances of the can-can, which attracts the ire of the self-righteous Judge Philipe Forrestier. He hatches a plot to photograph her in the act but ends up falling for her — much to the chagrin of her boyfriend, lawyer François Durnais.

Paris, France, 1979. Rose, a rebellious orphaned teenager, and Michel, a young aspiring painter, enjoy their crazy love under the neon lights of the decadent nightclub Le Palace, where they establish an ambiguous relationship with Lucille and Hubert, two bohemian bourgeois who will change their lives.

A young woman from the American Midwest, Loïe Fuller became the toast of the Folies Bergère at the turn of the 20th century and an icon of the Belle Epoque. Inventor of the breathtaking Serpentine Dance, she was a pioneer of modern dance and lighting techniques. It was her complicated relationship to her protégé - Isadora Duncan – that precipitated the downfall of this early 20th century icon.

Class barriers threaten the budding romance of two young lovers striving to realize their artistic ambitions.

Opera student Annette Monard meets composer Jonathan Street, and in a buoyant, alcohol-fueled evening, the couple marries. Sincerely falling in love, Jonathan encourages the talented Annette to sing — yet when his own attempt at an opera fails, Jonathan lashes out at Annette's success. Despite her husband's jealousy, Annette embarks on a successful career that allows her to secretly fund Jonathan's opera, bringing their marriage to a crisis.

A war correspondent who was stationed in Paris during WW II married a French girl who was murdered by the Nazis. After the war he returns to to try to find his son, whom he lost during a bombing raid but has been told is living in an orphanage in Paris.

Suppose lost and found objects could talk... But they can! At least four of them... : -A statuette of Osiris remembers how two ex-lovers, a model and a good for nothing who claimed to be an Egyptologist, met again one Christmas Eve. -A violin has things to say about Raoul, a humble policeman who lost Solange, a widowed grocer he loved, to a god-dam seducing busker also named Raoul. -A scarf was witness to an eerie romance between a young madman and girl he had saved from suicide. -A funeral wreath lets us know how it caused a young woman to believe her lover dead. After having told their respective story, the objects return to their customary stillness.

An acclaimed novelist struggles to write an analysis of love in one of three stories, each set in a different city, that detail the beginning, middle and end of a relationship.

Elise thought she had the perfect life: an ideal boyfriend and a promising career as a ballet dancer. It all falls apart the day she catches him cheating on her with her stage backup; and after she suffers an injury on stage, it seems like she might not be able to dance ever again.

Ariane lives in Simon's large Parisian apartment. He wants to know everything from her, follows her, has her accompanied for her trips and constantly interrogates her. Knowing her taste for women and her double life only exacerbates his suffering, his helplessness, and his desire for her.

Christmas, family, and infidelity. Yvette's husband has died, and her grown daughters join her at the grave: Sonia, wealthy, bourgeois, and generous; Louba, living with their dad Stanislas, singing at a Russian restaurant, penniless, the mistress for the past 12 years of a man who will never leave his wife; Milla, the youngest, acerbic, lonesome. Christmas was when they learned their parents were divorcing 25 years ago. Over the next few days, yuletide depression, Louba's pregnancy, Sonia's crumbling marriage, Stanislas's overtures to Yvette, and Milla's attraction to the man who's her father's rent-free lodger lead each one to re-examine self, family, and hopes. Is renewal possible?

Vallois, a vice inspector for the Paris police, takes special interest in the plight of drug-addicted Lucky (Najda Tiller), whom he considers to be more victim than criminal. Taking it upon himself to wean Lucky away from narcotics, Vallois also wins her love -- and, incidentally, smashes the dope ring responsible for her addiction.

What was it about opera diva Grace Moore that attracted the attention of filmdom's top directors? Moore's 1937 American movie vehicle When You're in Love had been directed by Josef Von Sternberg; two years later, her French starrer Louise was helmed by no less than Abel Gance, who a decade earlier had revolutionized the "historical epic" genre with the awesome Napoleon. There was, however, little that was revolutionary in this cinemadaption of Gustave Charpentier's opera. Moore plays Louise, a poor seamstress who is led astray by the rakish Julien (Georges Thill). After falling from grace (no pun intended), our heroine is rescued by her understanding father (Andre Pernet), who demonstrates his forgiveness by singing to her (it is, after all, an opera). Though it played to enthusiastic crowds in both London and Paris, Louise turned out to be Grace Moore's final film; conversely, Abel Gance continued to make commercial potboilers well into the 1970s.

Three provocative short stories. An American in Paris seduces a young man only to have the tables turned; a tourist recovering from an accident is alone but far from lonely; and an exchange student decides to intervene when he sees the woman in the opposite apartment being tied, gagged and beaten by her lover.

Jennifer, an intelligent but insecure 14-year-old student at a boarding school, seduces her married dormitory counselor, a photographer who has offered to teach her about his art and winds up shooting her in the nude. She is naive, and he manipulates her into an affair that eventually is discovered. Years later, as the photographer is being investigated by the FBI, the adult woman remembers her first love as a case of herself watching the artist who watched her.

David, who gets by doing odd jobs, meets Léna, who has just moved up to Paris, and falls in love. But soon after, his life is brutally interrupted by the sudden death of his sister. Beyond the shock, and the pain, David now finds himself alone with his young niece Amanda to care for.

Lily, an American travelling on the famous Orient Express train from Venice, Italy to Paris, France, suddenly runs into her former lover, Alex, who met and had a tender romance ten years earlier while vacationing in France, which ended abruptly when he walked out on her without saying a word. Now Alex tries to make up for lost time with Lily while she digs into his past to find out what haunting secrets that he has which led to their abrupt break-up.

An old lady returns from Africa where she made a fortune to find her son in Paris, whom she has not seen in five years, with the intention of bringing him back with her. But this project fails.

A New York City boarding house for vaudeville performers, none of whom have any steady work....

Charles and Lucie, an old and poor couple, inherits a luxurious house in the South of France.

A Paris cabaret singer dreams of becoming a Metropolitan Opera singer. A press agent arranges her Manhattan debut by way of Africa.

The Robinsons are two respectable middle class parents living with their children in a suburban house in Acacia Avenue. Preferring to holiday every year in Bognor, they are pressed into booking a cruise for their annual vacation and thereby leaving their teenage children free run of their house. As the youngsters enjoy their newfound freedom and discover the angst of teenage life, Mr. and Mrs. Robinson begin to have second thoughts about their cruise and decide to return home early.

The image of Paris as the capital of love seems to be obvious today. However, it is only in the 19th century, with its "haussmannisation", that it acquired this title. How did this reputation impose itself on the whole world? From the grand boulevards to the banks of the Seine, through the darkness of the porte cochères, the documentary "Romantic Paris, Erotic Paris" looks back at the making of this myth and revisits, through emblematic characters and tasty archives, a century of cultural and social history. From the boudoirs of the great courtesans of the Second Empire to free love in the post-war Saint-Germain-des-Prés, through the interloper nights in the cabarets of the Occupation, a look back at a part of the history of the capital.

When Erica French opts to keep the baby she conceived in high school, she never dreamed that one day she would be fighting for custody against the child's father, Scott Stone. Scott Stone initially fought for custody when Erica threatened to cut off his access to their daughter. Scott continues to try to be a part of his daughter's life, but when Molly first breaks her arm at the playground then Scott's mother finds mysterious bruises on her granddaughter, Scott again fights for custody of young Molly, and this time he wins because the court feels his family can provide a more stable environment for Molly than a public daycare can.

A sequel movie to The Diary (1999). The movie succeed to replicate the 30's, between the two world war, between Paris and London. Anna (Lila Baumann) arranges Dr. Cristina Inger, a female physician for her paralyzed husband's treatment and she joins the shows at nightclubs as a stripteaser and prostitute to pay her. Husband is cured but fell in love with Dr. Cristina.

Rich, bisexual Thomas makes his way through a swath of lovers of both sexes in Paris. His parents have died, and he doesn't have to work to earn a living, so his days are bacchanalia-filled affairs that run into each other in a hazy bliss. The only one capable of eking out genuine affection from him is his neighbor, Caroline. When she dies and leaves her son in his care, Thomas learns the joys of commitment and selflessness.

A young American painter and his French wife move with their small daughter to the US when the husband's father dies. His mother takes an instant dislike to the wife, and when she finds out that her daughter-in-law is a nudist who once posed naked for an artist, she declares her son's wife to be an unfit mother and sets out to break up the marriage--which may not be difficult to do, as the son is a weak-willed "mama's boy" who's terrified to stand up against his domineering mother.

An Englishman has been working in the US so long he now speaks with an American accent. He is drafted into the British Army during WWII but is injured and loses his memory. Because he talks like an American, the doctors repatriate him to the States where he is housed with a New York family. After the war they all travel throughout Europe, searching for the women he still remembers in the hope of restoring his lost memory

A contract killer sees a chance to free himself from a tragic past.

Jean and Marise, young lovers forced from their homes, flee to Paris. Irrevocably separated there, their lives deviate into the slums and hard labor of low-class French society. All the while, the two desperately search for one another.

Lolette an exotic and spirited peasant girl lives In the small Spanish village of Juanguera . Although ardently courted by the native swains, and particularly a bandit called The Tiger, Lolette prefers Maurice Tabor, a French artist who has come to Juanguera to paint. Because he refuses to take her to Paris, Lolette accepts a gift of stolen jewels from The Tiger and follows Maurice to France.