Best movies like Four Loves

Three children living in a displacement camp in northern Uganda compete in their country's national music and dance festival.

For over 130 years till 1996, more than 100,000 of Canada's First Nations children were legally required to attend government-funded schools run by various Christian faiths. There were 80 of these 'residential schools' across the country. Most children were sent to faraway schools that separated them from their families and traditional land. These children endured brutality, physical hardship, mental degradation, and the complete erasure of their culture. The schools were part of a wider program of assimilation designed to integrate the native population into 'Canadian society.' These schools were established with the express purpose 'To kill the Indian in the child.' Told through their own voices, 'We Were Children' is the shocking true story of two such children: Glen Anaquod and Lyna Hart.

This is a true story about the relationship between a mother and her daughter, and their struggle to make it to the top in the music world. It is about hopes and dreams... about relationships and about growing up.

A Film Journey to the Soul of India documents the life of sitar master Ravi Shankar in the late 1960s and early 1970s, following him on his return to India to revisit his guru, Bengali multi-instrumentalist and composer, Baba Ustad Allauddin Khan. It further explores Shankar's life as a musician and teacher in the United States and Europe, initiating those in the West to the exceptional world that is Indian classical music and culture. Through rare and candid footage shot in both India and the United States, Raga sheds light on Shankar's influences and collaborations, from Allauddin Khan to his famed dancer brother Uday Shankar, to his associations with Western musicians Yehudi Menuhin and George Harrison. Fully narrated by Shankar himself, the film reveals music as the soul of India and of Shankar's life.

David Weaver makes his feature debut with this omnibus film in which each tale is told during different points during the 20th century, but in the same hotel room -- room 720. The film opens during the swinging '20s when a beautiful young woman, married against her will to a brutish thug of a man, endures a tension-fraught honeymoon. During the Depression segment, a mail-order bride from China meets her husband for the first time. Following the end of WWII, a soldier returns home to meet his girlfriend and his best friend. During the paranoia of the 1950s, a professor searches for his wife. During the 1980s, a lawyer has too much sex and debt, and during the dawn of the millennium, a woman comes to a newly refurbished room 720 to meet her Internet lover. Such acclaimed Canadian actors as Tom McCamus, Sandrine Holt, and Colm Feore star in this film, which was screened at the 2001 Toronto Film Festival.

Two young gentlemen living in 1890s England use the same pseudonym ("Ernest") on the sly, which is fine until they both fall in love with women using that name, which leads to a comedy of mistaken identities...

Living with her snobby family on the brink of bankruptcy, Anne Elliot is an unconforming woman with modern sensibilities. When Frederick Wentworth - the dashing one she once sent away - crashes back into her life, Anne must choose between putting the past behind her or listening to her heart when it comes to second chances.

Spending the summer at a Catskills resort with her family, Frances "Baby" Houseman falls in love with the camp's dance instructor, Johnny Castle, and nothing is ever the same for anyone in the Houseman family.

Ten women in Canada talk about being lesbian in the 1940s, 1950s, and 1960s: discovering the pulp fiction of the day about women in love, their own first affairs, the pain of breaking up, frequenting gay bars, facing police raids, men's responses, and the etiquette of butch and femme roles. Interspersed among the interviews and archival footage are four dramatized chapters from a pulp novel, "Forbidden Love".

A young Greek woman falls in love with a non-Greek and struggles to get her family to accept him while she comes to terms with her heritage and cultural identity.

A story about the complex connection with a brother who is based in Mexico, meant to be a metaphor of the relationship between neighboring countries America and Mexico.

Alaska: America's last great wilderness frontier. A land of primitive grandeur, of glaciers, mountains and ice-fields. And of ambitious cannery tycoon Zeb "Czar" Kennedy (Richard Burton) and rugged activist leader Thor Storm (Robert Ryan), two rough-hewn men whose bitter 40-year rivalry mirrored their powerful land's struggle for statehood.

In Mansfield Park, poverty-stricken Fanny Price is sent away to live with her wealthy uncle and aunt at Mansfield Park. As she struggles to adapt to her new lifestyle she begins to attract the attentions of suitors, learning about the sexual politics of high society along the way.

When Davis Green's alluring young cousin Alexis appears on his doorstep one night, he discovers that a side of his family has been kept secret from him. Against his father’s wishes, Davis travels to rural, upstate New York to meet his other cousins.

A cocky, arrogant young playboy is expelled from his American polo team shortly before the big match with England.

In 1955, Tobias Schneebaum disappeared into the depths of the Peruvian Amazon. He had no guide, no map, and only the vaguest of instructions: Keep the river on your right. A year later Schneebaum emerged from the jungle…naked, covered in body paint, and a modern-day cannibal. Titled after Schneebaum’s 1969 cult classic memoir about his formative experiences living in the Amazon, Keep The River On Your Right is the extraordinary stranger-than-fiction story of Schneebaum’s return to the jungle, 45 years after his original visit, to reunite with the very tribesmen he loved and who gave him nightmares for nearly half a century. A deeply affecting and searing portrait, sibling filmmakers Laurie and David Shapiro capture a man in utter conflict, a fearless adventurer, and one of the most charming, enigmatic, and perplexing men ever captured on screen.

On the set of Cleopatra, Hollywood's most beautiful star, Elizabeth Taylor, fell into the arms of one of the world's greatest actors, Richard Burton - and she didn't leave. Their subsequent white-hot, scandalous love affair gave rise to the paparazzi and they became the most hunted and photographed couple on earth. Their rocky, passionate, relationship, born in front of the cameras, was subsequently captured in a series of films, including The V.I.P.s and Who's Afraid of Virginia Woolf? The last of the great, extravagant stars, flaunting diamonds, yachts and private planes, they continually seized the headlines. They even divorced and married again - only to divorce again - but remain in each other's hearts. This Elizabeth Taylor - Richard Burton story is a no-holds barred account of their undying, but impossible love.

Patience Winslow is an impulsive heiress who marries a much-older man whom she really doesn't love. While honeymooning on her yacht without her new husband, Patience is marooned on a desert island with handsome Captain Edmunds. Her head full of notions that she's gleaned from radio dramas and pulp novels, Patience demands that she and Edmunds enter into an in-name-only marriage, observing the responsibilities and proprieties of matrimony without the sexual entanglements. Complications naturally arise.

Rugged cowgirl, Nell Hagen sets out to retaliate for the hanging of her father Judd, who ruled their valley with an iron fist before the natives revolted. She is accompanied by her brothers, Ritt and Kirby, a hump-backed half-wit, and their sensuous cousin Julie Ann. The family then robs a bank, kills two tellers, enacts their revenge before heading for the border where their own family drama gets really mean and nasty.

Shongram (struggle) is a romantic drama set during the 1971 liberation struggle of Bangladesh. A British Bengali on his death bed is interviewed by a daring London reporter, where four decades later, Karim is able to recall and finally share his past. We are transported to 1971, when Bangladesh was still East Pakistan and a young Karim (a Muslim) is in love with a beautiful Asha (a Hindu). The peaceful village life is suddenly interrupted by war and Karim must grow up fast to survive in an era where mass killings and abduction was common. He must also carry out his duty and revenge before he can finally search for Asha.

Based on a true story, a small-town Kazakh singer, Amre Kashaubayev, journeys to Paris to compete in an international singing competition at the 1925 Paris Expo. He meets American songwriter George Gershwin forming a beautiful and unlikely friendship. While Amre’s talent for singing opens up an exciting new world outside Kazakhstan, he is forced to choose between following his singing career and remaining loyal to his home country.

After facing an irresistible change, what is she? Still him? Two women with different personalities have unexpectedly become the best sisters - He Xizhen, Liu Wanting, who like the above students at the same time, but in fact Wen Haosheng has long noticed Liu Wanting, in the hope of his friend, Yu Ting When the twins entered the relationship, the three also formed an intimate triangular relationship until an accident caused Wan Ting to discover that she had a double sexuality, and at this moment she must choose to live as one of the genders. Wan Ting unexpectedly refused to let the twins and Xi Zhen get caught off guard. After many years, Xi Zhen and the twins appeared a pure-looking boy, Liu Ting.

An American banker goes to a small Balkan country looking to invest his bank's money and shore up the country's weak economy in order to maximize the return on their investment. Towards that end he befriends the country's king and they come up with a scheme to get the Crown Prince married, a prospect not particularly appealing to the Crown Prince--until he sees the beautiful cabaret dancer the pair has picked for him to marry.

A film about how a much-derided music actually changed the world. Between 1969 and 1979 disco was born through gay liberation, female desire in the age of feminism and led to the birth of modern club culture before taking the world by storm. This in turn led to the 'Disco Sucks' movement and the inevitable backlash. With contributions from Nile Rodgers, Robin Gibb, Kathy Sledge and Ian Schrager.

Award-winning director Patrick Forbes goes beyond the headlines to film the bitter battle to govern Britain after 2016’s referendum vote. Filmed over one extraordinary year, it’s a story of low politics, high ambition and bitter personal animosities – at stake the biggest decision the UK has taken for decades. Can the prime minister tame the judges, the opposition and finally the public to deliver Brexit? One thing everyone involved agrees on, get this wrong and, ‘we will see another even bigger seismic change in this country’s politics’.

Saddened about spending another Christmas alone, Ali meets Ginny, a quirky and spunky woman, at a diner on Christmas Eve. Ali tells Ginny that she was to be married on New Year's Eve last year, but over the course of the holidays she and her fiancé unexpectedly split. When Ali explains that she would do everything differently if she could go back in time, Ginny tells her that "sometimes people do get second chances." The following morning, Ali wakes up to find herself transported back to that Christmas before her planned wedding. While she sets out to avoid the mistakes of her past, she learns that changing the course of history is no easy task.

In God's Country is a modern day story of slavery. Young women ignored by the police and protected by "freedom of religion" are trapped in polygamous communities scattered throughout North America. Judith Joseph is one of them. Despite being raised under the watchful eyes of "God's Keepers" and knowing no other life, Judith realises she cannot watch her sixteen year old daughter succumb to the same fate she was born into. Desperate, with no other resources and no connections, Judith sets her house on fire and escapes with her five children. Alone, on the "outside", Judith is ill equipped to handle the challenges facing her, but she's determined to build a life.

Dancer SHEU Fang-yi’s career has been told through her modern dance dramas such as Sparrow, Stranger, Wall, and Martha GRAHAM‘s Heretic. Martha GRAHAM once said: “A dancer dies twice — once when they stop dancing, and this first death is the more painful.” At this intersection of her life, SHEU Fang-yi commemorates her glorious past two decades with a funeral, to farewell her past self, and to get ready to move toward her unknown future.

There are situations in which the love of close ones does not reach the limits achieved in personal development. Tenzin, who has grown up in a Tibetan community in Canada, has reached the milestone of his twenties and finds himself standing at a bewildering crossroads of life. The previously unwavering belief in fighting for the eternal preservation of the Tibetan people collapses when Tenzin’s brother decides to set himself on fire in the course of a protest held in China. How do you feel pride and gratitude for your brother’s suicide together with others? Unable to find answers in the fields of meaning of spirituality, Tenzin sets out to seek these in the madness of the modern culture.

This beautiful film about the immigrant experience is a San Francisco film about Eritrea. Sephora Woldu plays "Sephora" who, like the director, is an architecture student but also a filmmaker. She is pitching to her traditional mother a film she wants to make about a man who fled their home country and ended up in San Francisco. As a recently arrived immigrant, he is terribly homesick for his native Eritrea, but will not admit it due to unease towards speaking ill of the country; and more consciously in hesitance of admitting hard truths about his culture and himself. "It’s colorful and visually whimsical in a way that can only be described as if the Wizard of Oz went to Africa," said Woldu.

Do you look back on the optimism of the 1997-2001 era as a lost golden age, or do you see it as a period of naïvety, delusion and folly? There’s a lot of nostalgia for the nineties at the moment, especially from people too young to remember it who see the decade as a simpler, pre-internet time. Modern nostalgia often draws on corporate American-90s mall culture, but what about British culture? With I’ve Been Trying To Tell You – made to accompany the Saint Etienne album of the same name – director Alasdair McLellan evokes the era through the fog of memory. The resulting film, shot in locations from Grangemouth to Portmeirion to Southampton, is both beautiful and enveloping.

The story of a mysterious woman named Laura, who embarks on a journey to find her true love. The movie's soundtrack is set to four decades of classic rock. Scatman Crothers provides the voice of a living jukebox who narrates the story.

A powerful story of the son of America's most famous outlaw: Jesse James. Jesse, Jr. struggles to return to the town which his father lived. His love interest is Elizabeth Montgomery.

Brigitte Lin stars as a young girl on the cusp of becoming a woman...a problem for her mother, who thinks it's about time that her daughter got hitched! The dilemma: Brigitte is a tomboy, and more likely to wallop a suitor than wink at him. Luckily, the neighbor's son Alan Tang is returning from obtaining his nuclear physics degree, and seems to be the perfect catch. Mom sets her trap, and Brigitte and Alan are roped in, much to their dismay! Ever the canny young girl, Brigitte does her best to pawn Alan off on her brother's girlfriend...but her heart tells her ever so slightly that she might have made a mistake! Can she win Alan back?

This film depicts the conflict between the West and Eastern culture, the Northern and Southern ways of life and the traditional and modern concepts. It consists of six stories.