French Cinema Mon Amour

Jazz is my Native Language: A Portrait of Toshiko Akiyoshi is a 1983 documentary film by Renee Cho about the jazz pianist, composer, arranger and big band leader Toshiko Akiyoshi.

The deep conversation between a Japanese architect and a French actress forms the basis of this celebrated French film, considered one of the vanguard productions of the French New Wave. Set in Hiroshima after the end of World War II, the couple -- lovers turned friends -- recount, over many hours, previous romances and life experiences. The two intertwine their stories about the past with pondering the devastation wrought by the atomic bomb dropped on the city.

The film is based on 'Fikrimin Ince Gulu', a novel by Adalet Agaoglu, which depicts a first generation gurbetci/guest-worker returning home. It covers his land journey in short bursts from Germany to the Turkey's west border - and extensively from thereon to his village close to Ankara - capital of Turkey. He begins his journey purchasing a second hand yellow Mercedes - possibly his first car - using his meager savings working as a laborer. Offering deep insight into the mind of a manual laborer Bayram (Ilyas Salman) making his first trip back home, resorting to flashbacks in highlighting Bayram's motivation and experiences from his childhood right up to the events leading to his first departure from Turkey to Germany.

In 1967, during the making of “La Chinoise,” film director Jean-Luc Godard falls in love with 19-year-old actress Anne Wiazemsky and marries her.

Gaza, today. Sixty-year-old fisherman Issa is secretly in love with Siham, a woman who works at the market with her daughter Leila. When he discovers an ancient phallic statue of Apollo in his fishing nets, Issa hides it, not knowing what to do with this mysterious and potent treasure. Yet deep inside, he feels that this discovery will change his life forever. Strangely, his confidence starts to grow and eventually he decides to approach Siham.

A young girl from Rouen dreams about directing movies with Julia Roberts. Overprotected by her mother, she hopes to join a prestigeous cinema school in New York City, but nothing happens as expected, and her dreams are cruelly broken. Denying her fate, she leaves France to New York City, with her nutty-aunt's help, dreaming to give her screenplay to Julia Roberts herself.

Over a 50-year career and more than a hundred movies, filmmaker John Ford (1894-1973) forged the legend of the Far West. By giving a face to the underprivileged, from humble cowboys to persecuted minorities, he revealed like no one else the great social divisions that existed and still exist in the United States. More than four decades after his death, what remains of his legacy and humanistic values in the memory of those who love his work?

Jackie Chan is a true icon of Asian and Chinese culture. Over a 45-year-long career, he has carved a niche for himself as an actor, stuntman, director, and screenwriter, but also singer and formidable businessman. After starring in almost 200 films, Chan has reconciled fans of genre film and Hollywood blockbusters, whilst bridging the gap between Asian and Western cinema. Through film excerpts, archive footage and images, and an offbeat approach inspired by the visual codes of the golden age of kung fu films, this documentary will take a look back at the creation of a popular hero who has come to be an icon for China, and the entire Asian continent.

How did a young artist at the beginning of the 20th century, rejected by the Academy of Fine Arts in Germany because she was a woman, always seen in the shadow of her companion, Vassily Kandinsky, become an eminent painter in an unprecedented artistic movement? With the support of several contributors and personal writings, Gabriele Münter - Pionnière de l'art moderne, retraces the life of one of the most illustrious figures of the German expressionist movement of the Blue Rider and draws up the portrait of a singular artist, whose work, intimate and human, testifies to the complexity of her time as much as that of her own existence.

A documentary about the history of the Free Cinema movement, made by one of it's greatest proponents, Lindsay Anderson, to commemorate British Film Year in 1985. Produced by Kevin Brownlow and David Gill. Unlike Richard Attenborough's celebratory episode of the same series, or Alan Parker's more aggressive show, which was balanced between celebrating the greats and attacking Parker's bugbears, Greenaway and Jarman and the BFI, Anderson's show accentuates the negative, painting an image of a British cinema in terminal artistic decline and trashing the ambitions and approach of British Film Year itself. It's mordantly funny and very savage.

At the close of Jacques Chirac's life, politician Jean-Louis Debré has wished to make a film to celebrate his friend, to tell the story of their friendship and professional understanding, and to make an intimate portrait of the former President of France through the accounts of a few very close friends. Thanks to Jean-Louis Debré's presence, Claude Chirac and some of Jacques Chirac's closest friends, famous or unknown, agreed to talk to the camera, sometimes for the first time, to evoke their untold-before memories and tell about the moments that bonded the two men for a lifetime.

Jeanne is traveling to Romania to celebrate her bachelorette party with her friends when she meets Nino and her family. They are worlds away from one another, yet for the two of them it is the beginning of a passionate and timeless summer.

Cet Amour-là is an intimate portrait of a legendary love affair. Set against the beauty of the Breton seaside, it is also a film that revels in the insights that Marguerite Duras' writing affords.

The story starts where the tale ends: Snow White wakes up to the age of sexuality and discovers a world where the dwarves have become tall, and her Prince Charming is deprived of charisma. And, most terrible of all, her mother is incomparably more sexy.

A powerful, affecting drama that spans the five years following the invasion of Iraq in 2003. Follow the lives of three soldiers and friends as they deal with the war in Iraq and life back home.

Have Gun – Will Travel is an American Western television series that aired on CBS from 1957 through 1963. It was rated number three or number four in the Nielsen ratings every year of its first four seasons. It was one of the few television shows to spawn a successful radio version. The radio series debuted November 23, 1958. The television show is presently shown on the Encore-Western channel. Have Gun – Will Travel was created by Sam Rolfe and Herb Meadow and produced by Frank Pierson, Don Ingalls, Robert Sparks, and Julian Claman. There were 225 episodes of the TV series, 24 written by Gene Roddenberry. Other contributors included Bruce Geller, Harry Julian Fink, Don Brinkley and Irving Wallace. Andrew McLaglen directed 101 episodes and 19 were directed by series star Richard Boone.

The Super Milk Chan Show, known in Japan as OH! Super Milk Chan, is an anime comedy about a foul-mouthed girl named Milk P. Chan, who is entrusted by the President of Everything to defend the world, even though she can do very little besides making popular culture references. Its American slogan, as a result, became "Wholesome? Probably not. Good for you? Definitely." Super Milk Chan is produced in Japan by Studio Pierrot. The North American DVD release by A.D. Vision features two different English-dubbed versions: a straight translation of the Japanese version and an Americanized version with western pop culture references and short live-action skits featuring ADV voice cast members.

Why is the English spoken by Maine lobstermen so different from thatscene from the broadcast spoken by cowboys in Texas? Does Spanish pose a threat to English as the dominant language in America? And what on earth do yins, wickety wack, ayuh, catty whompus, and stomping it clean mean? Robert MacNeil travels cross-country to answer these questions and examine the dynamic state of American English – a language rich with regional variety, strong global impact and cultural controversy.

A unique portrait of how art and activism for black people in film are indivisible from race and cinema.

The Great American Dream Machine was a weekly satirical variety television series, produced in New York City by WNET and broadcast on PBS from 1971 to 1973. The program was hosted by humorist and commentator Marshall Efron. The show centered around skits and satirical political commentary. The hour and a half long show usually contained at least seven different current event topics. In the second season, the show was trimmed down to an hour. Other notable cast members included Chevy Chase. Contributors included Albert Brooks and Andy Rooney. Some of the skits would later be revamped for the movie The Groove Tube. There were also occasional short films presented on the show, most of them "experimental" or documentaries about artistic endeavours. Some of these were subtitled.

The Five is an American talk show on Fox News Channel featuring a rotating panel of contributors who discuss current political issues and pop culture. The show premiered in July 2011, replacing the Glenn Beck program, and airs on weekdays at 5:00 p.m. ET with replays at 2:00 a.m. ET. On October 3, 2011, after successful ratings and high popularity, Fox News announced that The Five would become the permanent 5p.m. series, as the program was previously announced to last only during the summer. The Five is currently the second-most-watched program in all of cable news in the United States, placing only behind The O'Reilly Factor.

Rebecca and Romain are finding it very difficult to become parents. So when Mickaël, Romain's brother, moves in just opposite and announces that he's about to become a father, the tension rises. Particularly as he appears to abuse his partner, who then disappears following an argument.

Joy Reid conducts one-on-one conversations with politicians and newsmakers while addressing provocative political issues both inside and outside of the beltway. Reid, who is also a best-selling author and public speaker, joined MSNBC in 2011 as a contributor. Drawing from her decades-long experience in politics, passion for addressing the intersection of race, justice and culture, as well as her signature tenacious interviewing style, Reid kicks off MSNBC’s primetime lineup by delving into American politics as they unfold.

Louis Theroux reflects on 25 years of documentaries, featuring brand new conversations between him and his most memorable contributors.

Polka Dot Door was a long-running Canadian children's television series produced by the Ontario Education Communications Authority from 1971–1993. PDD was created and developed by a team of employees from TVOntario hired and led by original series producer-director, Peggy Liptrott. Significant contributors to the creation and development of the series in 1971 included Executive Producer Dr. Vera Good who laid the conceptual foundation of the show, Educational Supervisor, Marnie Patrick Roberts, Educational Consultant L. Ted Coneybeare, Script Writers/Composers, Pat Patterson and Dodi Robb, Animator Dick Derhodge and Dr. Ada Scherman, a professor at the prestigious Institute of Child Study in Toronto who was consulted in the early stages of PDD's development and is responsible for giving the show its name.

Daily soap featuring the fictional residents of the village of Cwmderi.

Can man's best friend be trained to fly a plane? Featuring some of the cutest, most adorable contributors ever seen in a factual entertainment series, 'Dogs Might Fly' is an extraordinary series that will inform, entertain and amaze as it sets out to see if a dog can actually fly a plane.