Best movies like French Cinema Mon Amour

The Universal Language is a new documentary from Academy Award-nominated director Sam Green (The Weather Underground). This 30-minute film traces the history of Esperanto, an artificial language that was created in the late 1800s by a Polish eye doctor who believed that if everyone in the world spoke a common tongue, humanity could overcome racism and war. Fittingly, the word “Esperanto” means “one who hopes.” During the early 20th century, hundreds of thousands of people around the world spoke Esperanto and believed in its ideals. Today, surprisingly, a vibrant Esperanto movement still exists. In this first-ever documentary about Esperanto, Green creates a portrait of the language and those who speak it today that is at once humorous, poignant, stirring, and ultimately hopeful.

Before immigrating to the West, Abdallah travels to the coastal city of Nouadhibou, Mauritania, to visit his mother. Although he grew up there, Abdallah feels anything but at home in his old neighborhood: He can no longer speak the local dialect, and he wears western clothes that immediately cast him as an outsider. But, as Abdallah spends time with a young boy and an elderly electrician, he can't help but feel a sense of loss for the life he's abandoning.

A 20th-century prostitute (Dominique Sanda) arranges for her lover (Michele Placido) to wed a wealthy, dying millionairess (Isabelle Huppert) in Venice.

Essay documentary explores eroded emulsions and images for lost vestiges of lesbian and gay culture. First feature by a pioneer of lesbian cinema, Hammer weaves gay and lesbian couples with footage that unearths the forbidden and invisible history of a marginalized people.

This feature documentary gives voice to various English-speaking groups in Montréal and other places in Québec as they react to the October Crisis of 1970, when Québec nationalism took a violent turn. A British diplomat had been kidnapped, a Québec cabinet minister murdered. The troops were brought in as a safeguard. This film is a vigorous reflection of the discussions and analyses of the situation that went on wherever people gathered, voicing attitudes and fears, sympathies and concerns.

Jazz is my Native Language: A Portrait of Toshiko Akiyoshi is a 1983 documentary film by Renee Cho about the jazz pianist, composer, arranger and big band leader Toshiko Akiyoshi.

The deep conversation between a Japanese architect and a French actress forms the basis of this celebrated French film, considered one of the vanguard productions of the French New Wave. Set in Hiroshima after the end of World War II, the couple -- lovers turned friends -- recount, over many hours, previous romances and life experiences. The two intertwine their stories about the past with pondering the devastation wrought by the atomic bomb dropped on the city.

While watching for a planet that may collide with earth, scientists stationed in Scotland are approached by a visitor from outer space.

Genial, bumbling Monsieur Hulot loves his top-floor apartment in a grimy corner of the city, and cannot fathom why his sister's family has moved to the suburbs. Their house is an ultra-modern nightmare, which Hulot only visits for the sake of stealing away his rambunctious young nephew. Hulot's sister, however, wants to win him over to her new way of life, and conspires to set him up with a wife and job.

A magician produces a living portrait of himself.

Claude Berri plays himself as he relates his own experiences through youth and adolescence. His father owns a profitable fur shop. Initially, Claude's father hopes his son will take over the fur shop, but he later gives in to Claude's desire to become involved in filmmaking.

The film is based on 'Fikrimin Ince Gulu', a novel by Adalet Agaoglu, which depicts a first generation gurbetci/guest-worker returning home. It covers his land journey in short bursts from Germany to the Turkey's west border - and extensively from thereon to his village close to Ankara - capital of Turkey. He begins his journey purchasing a second hand yellow Mercedes - possibly his first car - using his meager savings working as a laborer. Offering deep insight into the mind of a manual laborer Bayram (Ilyas Salman) making his first trip back home, resorting to flashbacks in highlighting Bayram's motivation and experiences from his childhood right up to the events leading to his first departure from Turkey to Germany.

In 1967, during the making of “La Chinoise,” film director Jean-Luc Godard falls in love with 19-year-old actress Anne Wiazemsky and marries her.

In 1818, Mary Shelley wrote Frankenstein; or, The Modern Prometheus, a powerful and timelessness novel which eternal theme is nothing other than man's quest for the secret of life. Since then, the Creature became a pop culture icon, overshadowing the novel and Doctor Frankenstein himself.

Gaza, today. Sixty-year-old fisherman Issa is secretly in love with Siham, a woman who works at the market with her daughter Leila. When he discovers an ancient phallic statue of Apollo in his fishing nets, Issa hides it, not knowing what to do with this mysterious and potent treasure. Yet deep inside, he feels that this discovery will change his life forever. Strangely, his confidence starts to grow and eventually he decides to approach Siham.

A young girl from Rouen dreams about directing movies with Julia Roberts. Overprotected by her mother, she hopes to join a prestigeous cinema school in New York City, but nothing happens as expected, and her dreams are cruelly broken. Denying her fate, she leaves France to New York City, with her nutty-aunt's help, dreaming to give her screenplay to Julia Roberts herself.

The US writer Stephen King (Portland, Maine, 1947) has been one of the world's best-selling authors for decades. How can the overwhelming success of his numerous works be explained? Perhaps by the boundless inventiveness of his literature? And what else is behind the longevity of his astonishing career?

Over a 50-year career and more than a hundred movies, filmmaker John Ford (1894-1973) forged the legend of the Far West. By giving a face to the underprivileged, from humble cowboys to persecuted minorities, he revealed like no one else the great social divisions that existed and still exist in the United States. More than four decades after his death, what remains of his legacy and humanistic values in the memory of those who love his work?

Jackie Chan is a true icon of Asian and Chinese culture. Over a 45-year-long career, he has carved a niche for himself as an actor, stuntman, director, and screenwriter, but also singer and formidable businessman. After starring in almost 200 films, Chan has reconciled fans of genre film and Hollywood blockbusters, whilst bridging the gap between Asian and Western cinema. Through film excerpts, archive footage and images, and an offbeat approach inspired by the visual codes of the golden age of kung fu films, this documentary will take a look back at the creation of a popular hero who has come to be an icon for China, and the entire Asian continent.

Enjoy the smooth voice and cool rhythms of legendary American recording artist Nat "King" Cole with this music set, which includes popular hits like "Mona Lisa," "Save the Bones for Henry Jones," "Shine On Harvest Moon," "Sweet Lorraine" and more. The first African-American to host a television variety show, Cole sold millions of records throughout the course of his career and continues to possess enduring popularity worldwide.

How did a young artist at the beginning of the 20th century, rejected by the Academy of Fine Arts in Germany because she was a woman, always seen in the shadow of her companion, Vassily Kandinsky, become an eminent painter in an unprecedented artistic movement? With the support of several contributors and personal writings, Gabriele Münter - Pionnière de l'art moderne, retraces the life of one of the most illustrious figures of the German expressionist movement of the Blue Rider and draws up the portrait of a singular artist, whose work, intimate and human, testifies to the complexity of her time as much as that of her own existence.

30 ans, l'âge des responsabilités... Martin s'apprête à partir en vacances avec sa femme Ariane et sa fille Cerise, 4 mois... C'est alors qu'il croise Constance, son ex, son amour de jeunesse, elle-même flanquée de deux marmots. C'est décidé : on passera quelques jours ensemble, au soleil, dans la maison familiale. Comme au bon vieux temps.

A documentary about the history of the Free Cinema movement, made by one of it's greatest proponents, Lindsay Anderson, to commemorate British Film Year in 1985. Produced by Kevin Brownlow and David Gill. Unlike Richard Attenborough's celebratory episode of the same series, or Alan Parker's more aggressive show, which was balanced between celebrating the greats and attacking Parker's bugbears, Greenaway and Jarman and the BFI, Anderson's show accentuates the negative, painting an image of a British cinema in terminal artistic decline and trashing the ambitions and approach of British Film Year itself. It's mordantly funny and very savage.

In his home studio and revisiting old haunts in Shepherds Bush and Battersea, Pete Townshend opens his heart and his personal archive to revisit 'the last great album the Who ever made', one that took the Who full circle back to their earliest days via the adventures of a pill-popping mod on an epic journey of self-discovery. But in 1973 Quadrophenia was an album that almost never was. Beset by money problems, a studio in construction, heroin-taking managers, a lunatic drummer and a culture of heavy drinking, Townshend took on an album that nearly broke him and one that within a year the band had turned their back on and would ignore for nearly three decades. Contributors include: Pete Townshend, Roger Daltrey, Ethan Russell, Ron Nevison, Richard Barnes, Irish Jack Lyons, Bill Curbishley, John Woolf, Howie Edelson, Mark Kermode and Georgiana Steele Waller.

The two decades following the Russian revolution are marked by a gang of young people who profoundly influenced Russian Cinema. This artistic revolution was led by directors, actors, technicians and poets. They are the characters and voices of our film. The Soviet Actress, Ada Voistik, and its camrades tell us the story of this unique period, through the images of soviet fic-tional works produced between 1917 and 1934. We can thus catch a glimpse of their fight for a new society, where creative freedom was of utmost im-portance. A utopia which will be brought down by an authoritarian power impacting cinema as much as the rest of society.

Delphine Seyrig, an extraordinary woman and actress, died on October 15, 1990. From "Last Year at Marienbad" by Alain Resnais to "India Song" by Marguerite Duras, she played in 34 films for cinema, 13 films for television and 33 plays. Jacqueline Veuve, filmmaker and friend of Delphine Seyrig, wanted to break the silence that has fallen on her memory by making a documentary that traces with emotion and subjectivity the life of the mythical actress, the fierce feminist but also the simple friend.

The life and work of the brilliant German filmmaker Volker Schlöndorff, a cross-border artist who, by leaving Germany and making the whole world his place of work, acquired the objective perspective necessary to portray his country's society better than anyone else while providing a unique and original point of view on the troubled history of the European continent.

At the close of Jacques Chirac's life, politician Jean-Louis Debré has wished to make a film to celebrate his friend, to tell the story of their friendship and professional understanding, and to make an intimate portrait of the former President of France through the accounts of a few very close friends. Thanks to Jean-Louis Debré's presence, Claude Chirac and some of Jacques Chirac's closest friends, famous or unknown, agreed to talk to the camera, sometimes for the first time, to evoke their untold-before memories and tell about the moments that bonded the two men for a lifetime.

Jeanne is traveling to Romania to celebrate her bachelorette party with her friends when she meets Nino and her family. They are worlds away from one another, yet for the two of them it is the beginning of a passionate and timeless summer.

Cet Amour-là is an intimate portrait of a legendary love affair. Set against the beauty of the Breton seaside, it is also a film that revels in the insights that Marguerite Duras' writing affords.

The story starts where the tale ends: Snow White wakes up to the age of sexuality and discovers a world where the dwarves have become tall, and her Prince Charming is deprived of charisma. And, most terrible of all, her mother is incomparably more sexy.

Amours décolorées is a cinematographic poem to the glory of Mariola San Martin, model, stylist, dancer and Spanish photographer.

Motivated by the pursuit of angel-hood, the boy Enoch sacrifices his friends and family to a prospective uranium deposit, Coles Hill, Virginia. An ensemble of hypnotic instruments and choir weave together, intersect, and thread sonic and visual information in an unconventional approach to silent film.