Galateya

Inspired by My Fair Lady, this interpretation of Pygmalion is about a sexologist who attempts to transform Misty from a hooker into sensuous instrument of passion. Misty's big test is to seduce a homosexual artist, but during her training the relationship between Misty and her doctor grows.

The assistant stage manager of a small-time theatrical company is forced to understudy for the leading lady at a matinée performance at which an illustrious Hollywood director is in the audience scouting for actors to be in his latest "all-talking, all-dancing, all-singing" extravaganza.

Jonathan Reeves is tasked with infusing more contemporary styles and modernism into the American Ballet Academy, and enlists his top choreographers Charlie, Cooper and Tommy to recruit dancers to compete at a camp where the winners will be selected to join the Academy. Bella Parker, who has always lived in the shadow of her hugely successful sister Kate, finally gets her chance to step into the limelight as one of the dancers recruited for the camp.

A group of dancers congregate on the stage of a Broadway theatre to audition for a new musical production directed by Zach. After the initial eliminations, seventeen hopefuls remain, among them Cassie, who once had a tempestuous romantic relationship with Zach. She is desperate enough for work to humble herself and audition for him; whether he's willing to let professionalism overcome his personal feelings about their past remains to be seen.

Ensemble drama centered around a group of ballet dancers, with a focus on one young dancer who's poised to become a principal performer.

A snobbish phonetics professor agrees to a wager that he can take a flower girl and make her presentable in high society.

The action in this lavishly produced film takes place at an oddly ark-shaped mansion during World War I, and in spirit (although not in story) it reflects the play which inspired it, the ferociously antiwar Heartbreak House by George Bernard Shaw. A large group of family and friends have gathered at this country house to dance, drink, and converse. Their conversation, in particular, is adorned with erudite literary references and quotations. Despite their apparent refinement, their preoccupations are simple: sex and violence. Disquieting images break the tranquility of the vacationers' inappropriate idyll: some of these include documentary footage of starving African children, images (both real and re-enacted) of George Bernard Shaw going about his daily life, and a corpse coming to life on an autopsy table, only to cheapen that miracle by scolding a group of women. The music used in the film ironically points to its disturbing message and is uniformly anachronistic.

A successful aging dancer takes a young female protegee.

In the spring of 1913, Parisian businessman Gabriel Astruc opens a new theater on the Champs Elysées. The first performance is the premiere of Igor Stravinsky's 'The Rite of Spring', danced by the Ballet Russes. The rehearsal process is extremely fraught: the orchestra dislike Stravinsky's harsh, atonal music; the dancers dislike the 'ugly' choreography of Vaslav Nijinsky. The volatile, bisexual Nijinsky is in a strained relationship with the much older Sergei Diaghilev, the Ballet Russes' charismatic but manipulative impresario. Public expectation is extremely high after Nijinsky's success in 'L'apres-midi d'un faune'. Finally, 'The Rite of Spring' premieres to a gossip-loving, febrile, fashion-conscious Parisian audience sharply divided as to its merits.

Perhaps the most popular ballet video ever released, this version of Tchaikovsky's beloved work stars one of the most famous classical dance partnerships of all time, Rudolf Nureyev and Margot Fonteyn. Nureyev choreographed this production for the Vienna State Opera Ballet. Two icons of 20th-century dance in magnificent form. Ballet authority John Lanchbery, former music director of the Sadler's Wells and Royal Ballet companies, as well as of American Ballet Theatre and Australian Ballet, conducts the Vienna Symphony Orchestra in Tchaikovsky's enchanting score.

Frederick Ashton's La Fille mal gardée (The Wayward Daughter) is one of the choreographer's most joyous and colourful creations. Inspired by his love for the Suffolk countryside, the ballet is set on a farm and tells a story of love between Lise, the daughter of Widow Simone, and Colas, a young farmer. It contains some of Ashton's most stunning choreography, most strikingly in the series of energetic pas de deux that express the youthful passion of the young lovers, performed here by Natalia Osipova and Steven McRae. The ballet is laced with exuberant good humour, and elements of national folk dance, from dancing chickens and a maypole dance to a Lancashire clog dance for Widow Simone, performed by Philip Mosley.

Based on George Bernard Shaw's PYGMALION, the story concerns a professor of phonetics who attempts to teach a zombie woman to be a proper English Lady.

The old actor dreams of a leading role for his young talented daughter. However, she is opposed by a powerful diva of the troupe with a terrible character and great connections. After a series of efforts of the characters and hilarious misunderstandings, the old man's dream come true.

Sara joins Julliard in New York to fulfill her and her mother's dream of becoming the Prima ballerina of the school. She befriends her roommates, Zoe and Miles, who teach hip-hop classes. She has ballet classes with the rigid and famous Monique Delacroix that she idolizes - Monique requires full commitment, discipline and hard work from her students. When Miles, who is a composer, invites Sara to help him compose the music for the dance choreography Sara's passion for hip-hop is sparked and she also falls in love with Miles. When she is assigned to perform Giselle in an important event, she feels divided between the technique of the ballet and the creative work offered by Miles.

An animated medley of music, art, and dance ingeniously designed to introduce young children to masterpieces of these arts. This creative kaleidoscope of color, motion and music features a diapered baby 'conductor' who leads an all-animal orchestra through short musical pieces, played before a rapt animal audience.

The Doodlebops' characters are members of a children's band, The creators of The Doodlebops are Cookie Jar executive Michael Hirsh and musical director Carl Lenox. Jamie Waese is the producer and director of the TV series. David Connolly is the choreographer. Andrea Nevitt is the Line Producer. Gord McLennan is the Technical Producer. Ian Harvey is the Senior Editor.

The story of the romantic and creative partnership between Bob Fosse and Gwen Verdon. He was a filmmaker and one of theater's most influential choreographers and directors; she was the greatest Broadway dancer of all time. Together, they changed the face of American entertainment — at a perilous cost.

The Partridge Family is an American television sitcom series about a widowed mother and her five children who embark on a music career.

Dancers selected in open auditions across America take part in a rigorous competition designed to best display their talents, training and personalities to a panel of judges and viewers as they strive to win votes and avoid elimination.

Linda La Hughes (Kathy Burke) shares a flat with Tom Farrell (James Dreyfus). Linda is overweight, loudmouthed and not particularly attractive. She thinks she's gorgeous and irrestible, however. She's also sex mad and obsessed with men. Tom is an aspiring actor. He's got an agent, but finds it difficult to get parts. He doesn't like Linda much, in spite of (or perhaps because of) the fact that they share a flat. She isn't completely comfortable with his homosexuality, perhaps because she finds it difficult to live with a man who doesn't find her sexually attractive.

Faking It was a television programme originating on Channel 4 which has spawned various international remakes, including a United States version which began in 2003 on the TLC network. Devised by Stephen Lambert of RDF Media, the programme's original concept was "a modern-day Pygmalion", referring to the George Bernard Shaw play in which flower girl Eliza Doolittle is trained to appear like an aristocrat.The series ended on Boxing day 2006 with faker Sharon Pallister transforming from cleaner to burlesque performer and featured Wayne Sleep, Miss Immodesty Blaize and Dita von Teese

Howard Goodall examines the work of The Beatles, Cole Porter, Bernard Herrmann and Leonard Bernstein.

John Berger's Ways of Seeing changed the way people think about painting and art criticism. This watershed work shows, through word and image, how what we see is always influenced by a whole host of assumptions concerning the nature of beauty, truth, civilization, form, taste, class and gender. Exploring the layers of meaning within oil paintings, photographs and graphic art, Berger argues that when we see, we are not just looking - we are reading the language of images.

Claire, a talented but emotionally troubled dancer, joins a company in New York City, and soon finds herself immersed in the tough and often cutthroat world of professional ballet. The dark and gritty series will unflinchingly explore the dysfunction and glamour of the ballet world.

An anthology series of various plays and dramatic performances.

Documentary series tracking the dreams and worries of Wrexham, a working-class town in North Wales, UK, as two Hollywood stars (Rob McElhenney and Ryan Reynolds) take ownership of the town’s historic yet struggling football club.

Carolyn Taylor embarks on a quest to choreograph the perfect full length pairs figure skating routine to Whitney Houston's "I Have Nothing" motivated by a teenaged obsession for the 1988 Calgary Olympics (but with no skating knowledge or ability).

The Voice of Firestone is a long-running radio and television program of classical music. The show featured leading singers in selections from opera and operetta. Originally titled The Firestone Hour, it was first broadcast on the NBC Radio network on December 3, 1928 and was later also shown on television starting in 1949. The program was last broadcast in 1963.

Three American men and twelve international women are brought together on a remote paradise island for the chance to find romance. And here's the twist: neither the women nor the men speak English and can't use translators.