The career of the once successful classical portraitist, Kingdom Swann, has hit bad times. When a leading gallery rejects his work, he seems at the point of giving up. It is only the support of his housekeeper, Violet Askey, that keeps him going and it is she who encourages him to switch to photography. Soon Swann has developed a healthy (and respectable) business with portraits of naked women in classical and exotic settings. However, the nature of Swann's new work is open to misinterpretation and he finds himself at the centre of a scandal involving the misuse of his pictures by a SOHO pornographer, and the focus of a campaign by suffragettes against the expoitation of women. At the same time, he loses the support of the loyal Violet, who leaps to the wrong conclusion about Swann's relationship with one of his models. When Violet then becomes involved in the suffragette and amti-pornography movements, it seems all may be lost for Swann - both professionally...and personally.
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Inspiration
Audrey Munson (a real-life 'perfect' model for numerous Beaux-Arts sculptors) first appeared artistically nude as a sculptor's model, recreating classic artistic (nude) paintings in George Foster Platt's controversial film from the Mutual Film Corporation. In fact, the film told the story of her own life. This film has generally been regarded as the first non-pornographic American film to feature nudity. This was the first known film in which a leading actress stripped down to be naked, making her the first nude film star. (filmsite.org)
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