Best movies like George M!

A film of the life of the renowned musical composer, playwright, actor, dancer and singer George M. Cohan.

Aspiring director Corky St. Clair and the marginally talented amateur cast of his hokey small-town musical production go overboard when they learn that Broadway theater agent Mort Guffman will be in attendance.

In 1995, ABC presented a telemovie version of the Broadway musical Bye Bye Birdie produced by RHI Entertainment. It starred Seinfeld's Jason Alexander and Vanessa Williams of Desperate Housewives. While this version remained mostly faithful to the original musical (Michael Stewart remains the only credited author of this version), several songs were added and re-arranged, and dialogue was slightly rewritten to smoothly facilitate the musical changes. The musical revolves around an Elvis Presley-type rocker who's about to join the Army. To mark the occasion, his manager's secretary arranges for him to kiss a random fan goodbye on The Ed Sullivan Show. Bye Bye Birdie earned four Tony awards in 1961, including Best Musical and Best Actor in a Musical for its original star, Dick Van Dyke. In addition to Alexander and Williams, ABC's production starred Tyne Daly, George Wendt, Chynna Phillips and Mark Kudisch.

Inside the Kit Kat Club of 1931 Berlin, starry-eyed singer Sally Bowles and an impish emcee sound the clarion call to decadent fun, while outside a certain political party grows into a brutal force.

An ex-theater actor is given one more chance to star in a musical yet his alcoholism may prevent it from happening.

Presenting the tale of American founding father Alexander Hamilton, this filmed version of the original Broadway smash hit is the story of America then, told by America now.

On the cusp of his 30th birthday, Jonathon Larson, a promising young theater composer, navigates love, friendship, and the pressures of life as an artist in New York City.

A temperamental Broadway producer trains an untutored actress, but when she becomes a star, she proves a match for him.

Mavis (Liza Minnelli) was a chorus line dancer on Broadway. Just as she was on the verge of getting more prominent roles, she fell in love. Her full-of-himself boyfriend moved them to Buffalo, far from the theater scene. As a musician, he plays with a band in the local clubs, often with the very talented Mavis singing at his elbow. But, they are just two bit players, mostly because of his total lack of ambition. On the side, Mavis runs a dance studio for ordinary folks. In her classes, among others, are a lovely nurse, a librarian, a lady with an overbearing husband, a lady with an unemployed son, a bossy middle aged housewife (Julie Walters) and a lone, divorced, very shy male. The studio pianist is a strong-willed senior (Shelley Winters). One day, a woman who operates a more prominent dance school in Buffalo invites Mavis and her class to perform a number in a charity dance recital.

Calvin Jones is a cowboy who wants to invest in a Broadway play. Joe Lehman's secretary Ruth learns that her boss is attempting to swindle Jones and pulls a successful coup d'etat producing a play that she stars in.

On July 31, 1970, in Las Vegas, Nevada, Elvis Presley staged a triumphant return to the concert stage from which he had been absent for almost a decade. His series of concerts broke all box office records and completely reenergized the career of the King of Rock ‘n’ Roll.

Two rural teens sing and dance their way through a forbidden romance and a dangerous travelling carnival.

The origin story behind one of Broadway's most beloved musicals, Fiddler on The Roof, and its creative roots in early 1960s New York, when "tradition" was on the wane as gender roles, sexuality, race relations and religion were evolving.

A fledgling producer finds himself at odds with his workers, financiers and his greedy ex-wife when he tries to produce live musicals for movie-going audiences.

Things get tough for Carol and her showgirl pals, Trixie and Polly, when the Great Depression kicks in and all the Broadway shows close down. Wealthy songwriter Brad saves the day by funding a new Depression-themed musical for the girls to star in, but when his stuffy high-society brother finds out and threatens to disown Brad, Carol and her gold-digging friends scheme to keep the show going, hooking a couple of millionaires along the way.

Ambitious stage mother Rose Hovick wants desperately for her daughter, June, to become the vaudeville star she never was. With the help of savvy but kind-hearted agent Herbie Sommers, Rose realizes her aspirations for June, but when her new star rebelliously elopes, June's shy sister, Louise, reluctantly steps into the spotlight, transforming herself into the legendary burlesque star Gypsy Rose Lee.

Gertrude Lawrence rises to stage stardom at the cost of happiness.

Bill Miller is an unsuccessful Broadway performer until his handlers convince him to enhance his act with a stooge—Ted Rogers, a guy positioned in the audience to be the butt of Bill's jokes. After Ted begins to steal the show, Bill's girlfriend and his pals advise him to make Ted an equal partner.

Molly and Terry Donahue, plus their three children, are The Five Donahues. Youngest son Tim meets hat-check girl Vicky and the family act begins to fall apart.

The road-show troupe of a top Broadway show go cross-country while taking the audience along on the on-stage scenes as well as what happens and is happening back stage of the production. The spectacular dancing ensembles and colorful costumes and pulchritude on-stage offers a contrasting background to the drabness of the backstage, where joy, sorrow, tragedies, deception, and romance are intertwined.

Fly-by-night producers dodge bill collectors while trying for one big hit.

Three movie genres of the 1930s, boxing films, WWI aviation dramas, and backstage Broadway musicals, are satirized using the same cast.

Emery Slade was one of the brightest stars in Hollywood in 1932, but by 1949 his career has hit the skids. Fortunately, he is able to convince studio head Melville Crossman to cast him in the adaptation of a hit Broadway show. Crossman has one condition: Slade must travel to New York and convince the female star of the stage production to join the film. Slade goes, but, when he eyes the winsome Julie Clarke, he hatches a different scheme.

On the set of a playwright's new project, a love triangle forms between his wife, her ex-lover, and the call girl-turned-actress cast in the production.

Josh and Dinah Barkley are a successful musical-comedy team, known for their stormy but passionate relationship. Dinah feels overshadowed by Josh and limited by the lighthearted musical roles he directs her in. So she decides to stretch her skills by taking a role in a serious drama, directed by another man.

The Anthony Newley/Leslie Bricusse London and Broadway musical hit Stop the World, I Want to Get Off is given literal treatment in this filmization. Newley stars as Littlechap, whose allegorical rise to success is countered by the instability of his private life. Like the play, the film is staged impressionistically, with Newley decked out in mime makeup and periodically stopping the action to address the audience, and with all the women in his life -- German, American and "Typically English" -- played by a single actress (Millicent Martin, taking over from the stage version's Anna Quayle). In Wizard of Oz fashion, the play itself is lensed in color, while the brief prologue, showing the actors preparing for their performance, is in black-and-white. The production includes such standards (and perennial audition pieces) as What Kind of Fool Am I? and Gonna Build a Mountain.

A tangled web of affairs is weaved around actress, Desirée Armfeldt, and the men who love her: a lawyer by the name of Fredrik Egerman and the Count Carl-Magnus Malcom. When the traveling actress performs in Fredrik's town, the estranged lovers' passion rekindles.

A man watching a musical show at the Windmill theatre is shot apparently from the stage. The cast continues the performance so that the detective can solve the murder.

In 1978 Jeff Wayne composed and produced one of the most ground-breaking and bestselling musical works of all time. In 2006 Jeff Wayne's Musical Version of The War of The Worlds took to the stage with audiences and critics hailing it as one of the most innovative combinations of music, technology and live performance. Now in 2013 The New Generation production is launched . With an all-star cast including Liam Neeson, Marti Pellow, Jason Donovan, Kaiser Chiefs' Ricky Wilson, Jetblack's Will Stapleton and Wicked's Kerry Ellis, plus stunning new 3D holography and a 3-ton 35ft Martian Fighting Machine, it's truly a musical multi-media extravaganza. Filmed Live at London's O2 Arena, Jeff Wayne's Musical Version of The War of The Worlds is a show not to be missed!

A definitive portrait of Princess Diana, marking what would have been her 60th birthday, piecing together her incredible journey from being a teenage Pimlico nursery assistant to finding her voice as the Princess of Wales.

7,000 passengers are stranded in the small town of Gander, Newfoundland after all flights into the US are grounded on September 11, 2001. Filmed live on stage at the Gerald Schoenfeld Theater in New York City.

The musical uses the premise of a mysterious performance troupe, led by a Leading Player, to tell the story of Pippin, a young prince on his search for meaning and significance. In 1981, a stage production of Pippin was videotaped for Canadian television. The stage production was directed by Kathryn Doby, Bob Fosse's dance captain for the original Broadway production, and David Sheehan directed the video adaptation, with Roger O. Hirson in charge of the music. Ben Vereen returned for the role of Leading Player, while William Katt played the role of Pippin. However, this version was a truncated adaptation and several sections of the play were cut. An extended version running 135 minutes is also available.

This Pirates of Penzance is primarily a historical document, part of the Broadway Theater Archive television series. It presents, with some inevitable, tiny technical shortcomings, a live 1980 performance in Central Park, not the 1983 movie of the same name that also starred Linda Ronstadt and Kevin Kline. Those who remember that film, which had the benefit of retakes and editing, a lavish production budget, and the spaciousness of a Hollywood studio, may find this video less polished. On its own terms, it is nonetheless thoroughly enjoyable.

Based on Davis' 1961 play Purlie Victorious (which was later translated into the 1963 film Gone Are the Days! and which included all of the original Broadway cast, including Ruby Dee, Alan Alda, Beah Richards, and Godfrey Cambridge), Purlie is a musical with a book by Ossie Davis, Philip Rose, and Peter Udell, lyrics by Udell, and music by Gary Geld. It won two Tony Awards and was also nominated for Best Musical. This 1981 television adaptation is directed by Rudi Goldman and stars Broadway cast members Guillaume, Moore, Hemsley, and Hopkins, with Brandon Maggart as Cotchipee, Clarice Taylor as Idilla, and Don Scardino as Charlie. The production won a CableACE Award.

The second television adaptation of Once Upon a Mattress was broadcast on December 12, 1972, on CBS. This production, videotaped in color, included original Broadway cast members Burnett, Gilford and White, and also featured Bernadette Peters as Lady Larken, Ken Berry as Prince Dauntless, Ron Husmann as Harry, and Wally Cox as The Jester. It was directed by Ron Field and Dave Powers. Again, several songs were eliminated and characters were combined or altered. Since the parts of the Minstrel and the Wizard were cut from this adaptation, a new prologue was written with Burnett singing "Many Moons Ago" as a bedtime story.

New Faces was a musical revue with songs and comedy skits tied together by a quirky plot. It ran on Broadway for nearly a year in 1952 and was then made into a motion picture in 1954. It helped jump start the careers of several young performers including Paul Lynde, Alice Ghostley, Eartha Kitt, Carol Lawrence, performer/writer Mel Brooks (as Melvin Brooks), and lyricist Sheldon Harnick. The film was basically a reproduction of the stage revue with a thin plot added. The plot involved a producer and performer (Ronny Graham) in financial trouble and is trying to stave off an angry creditor long enough to open his show. A wealthy Texan offers to help out, on the condition that his daughter be in the show.

Two couples work through their issues in this backstage Broadway musical.

A Broadway show is forced to bow to the whims of a talentless, whacky, but rich, Broadway actress with a contract.

While touring a museum, Rodney Hatch, an unremarkable barber, places an engagement ring intended for his girlfriend on the hand of a statue of Venus, the goddess of love and beauty. From Mount Olympus, Venus witnesses the event and decides to visit Rodney on Earth by magically inhabiting the statue. Hilarity ensues when she starts to fall in love with Rodney and competes with his girlfriend for his attentions. This television version of Kurt Weill's successful Broadway musical is much more faithful to the stage version than the 1948 Ava Gardner film, which changed the story considerably and cut most of the songs.

This intimate documentary explores the life and career of the stage legend Stephen Sondheim through six of his best-known songs.

Relive the dazzling show stopping songs, dances and production numbers from some of your favorite Broadway musicals. Great Broadway Musical Moments from The Ed Sullivan Show brings you legendary musical entertainment performed by a galaxy of great Broadway stars like Ethel Merman in "Annie Get Your Gun," John Raitt in "Oklahoma!," Julie Andrews in "Camelot," and more! This exciting event includes exclusive interviews with legends Shirley Jones, Joel Grey, and Rex Reed.

This concert, recorded to celebrate the 25th anniversary of the landmark musical Les Miserables, gathers the casts of the show's 2010 original production at the Queen's Theatre, the 1985 original production by the London company, and the 2010 production at the Barbican together for one performance. Together with talents like Michael Ball, Hadley Fraser, and John Owen-Jones, the performers present the play's musical numbers in a semi-theatrical style, fully costumed and with all the emotion of the musical's heyday.

An all-star cast performs the music of one of the greatest composers of our time... Stephen Sondheim. Anxiously anticipated by the myriad fans of the legendary composer, Putting It Together marked the return of Carol Burnett to the Broadway musical stage for the first time in over 35 years. Stephen Sondheim has won a record seven Tony Awards for his songwriting, and the Pulitzer Prize for Sunday in the Park with George. His Broadway smash shows and movies include Gypsy, A Funny Thing Happened on the Way to the Forum, Sweeney Todd, Dick Tracy, and West Side Story. This Cameron Mackintosh stage production was captured live in performance during its Broadway run and recorded in high definition with a widescreen format using ten cameras and over 40 microphones.

Broadway dancing star Adele Dorey who, overworked and exhausted, suddenly ups and leaves New York in favor of a country village. But when promoter Bobby Lewis (Egan) of the barnstorming Gay Girlies Burlesque Company arrives in town, he picks an incognito Adele among all the pretty village girls to star in his new show. On a lark, Adele introduces her maid Jane (Louise Fazenda) as her mother and accepts a contract. When Adele's identity is finally revealed, the slumming star apologizes for her deception by offering Bobby a Broadway job.

Television played a key role in the legendary Liberace career making him a household word to millions and the medium's first matinee idol. "Leapin' Lizards, It's Liberace!" video taped in 1978 was his first major television special from Las Vegas. "Leapin' Lizards, It's Liberace!" gives us a spoofed view of a typical day in the life of Mr.Showmanship, before he was off to "work" at the Las Vegas Hilton Hotel in his mirrored Rolls Royce. There is a view of the magnificent Liberace Las Vegas Villa, from bedroom to piano motif swimming pool. After arriving at the Hilton showroom, guest star Debbie Reynolds, Liberace's favorite movie star and performer, joins him on stage for a salute to the Broadway musical, "Annie," complete with Sandy the Dog.

Musical version of the Robert Louis Stevenson story about a doctor who conducts an experiment on himself that results in his bringing out the dark, murderous side of his inner self, "Mr. Hyde".

Abridged version of the classic Cole Porter musical as broadcast live on the Hallmark Hall of Fame series on NBC

Ain't Misbehavin' is the televised version of the 1978 Tony Award-winning Broadway sensation celebrating the music, life and times of Thomas "Fats" Waller — featuring 29 songs written or inspired by him. The telecast won Emmy Awards for Nell Carter and André De Shields.

Dames at Sea is a musical with book and lyrics by George Haimsohn and Robin Miller and music by Jim Wise. The musical is a parody of large, flashy 1930s Busby Berkeley-style movie musicals in which a chorus girl, newly arrived off the bus from the Midwest to New York City, steps into a role on Broadway and becomes a star. It originally played Off-Off-Broadway in 1966 at the Caffe Cino and then played Off-Broadway, starring newcomer Bernadette Peters, beginning in 1968 for a successful run. The television version was broadcast on the Bell System Family Theater on NBC on November 15, 1971. The cast had extra chorus girls and boys, and there were full production numbers, turning into the very thing it was spoofing. Ann Miller was singled out for praise, especially when "she was allowed to tap out her brassy...temperamental star..."

A musical television special chronicling the early career of playwright George M. Cohan, focusing primarily on his vaudeville years as part of his family singing group "The Four Cohans."