Gigot

This film, originally made for tv, stars William H. Macy as a mute superintendent of a apartment building that is falling apart who becomes the unwilling guardian to a young girl with a bit of an attitude. The film is an updated and Americanized version of the 1962 feature film Gigot starring Jackie Gleason, who also wrote the original story.

Anthony Hancock gives up his office job to become an abstract artist. He has a lot of enthusiasm, but little talent, and critics scorn his work. Nevertheless, he impresses an emerging very talented artist. Hancock proceeds to con the art world into thinking he is a genius.

Nine years later, Jesse travels across Europe giving readings from a book he wrote about the night he spent in Vienna with Celine. After his reading in Paris, Celine finds him, and they spend part of the day together before Jesse has to again leave for a flight. They are both in relationships now, and Jesse has a son, but as their strong feelings for each other start to return, both confess a longing for more.

Starting his new job as an instructor at a New England school for the deaf, James Leeds meets Sarah Norman, a young deaf woman who works at the school as a member of the custodial staff. In spite of Sarah's withdrawn emotional state, a romance slowly develops between the pair.

A pool boy and a gardener turn an empty mansion into a home for women who belong to the world's oldest profession.

Rags follows the story of Charlie Prince, an orphan living with his acerbic and unloving stepfather and spoiled, simple-minded stepbrothers. Charlie's dream is to be a singer, and while he is vocally talented and can write music, he can't seem to catch a break. Kadee Worth, on the other hand, is the daughter of music mogul Reginald Worth and is an international pop phenomenon. While the world knows her as a glamorous superstar, she is secretly frustrated with singing other people's songs and wearing clothes other people choose for her. Kadee wants the world to hear and see her true talent. Despite every obstacle that gets thrown in their way, once Charlie and Kadee find one another, they each finally get what they have been looking for – a voice, a stage, an audience and each other.

The story of a family troupe of English actors who travel around the towns and villages in India giving performances of Shakespearean plays. Through their travels we see the changing face of India as the old is replaced by the new, Maharajas become hotel owners, sports become more important than culture and the theater is replaced by Bollywood movies. Based on the travels of Geoffrey Kendal with his daughter Felicity Kendal.

A man rents a room in a couple's house and roams the streets at night looking for victims to skin, while constantly being followed by a junkie he mutilated who is now looking for revenge.

Aspiring writer (with no talent) gets a job on a TV commercial, falls for an advertising executive.

Lucille Ball stars with the Great One, Jackie Gleason, combining their comedic talents for the first time in a trio of comedy-dramas centered on the various aspects of marriage.

A fur trapper takes a mute girl as his unwilling wife to live with him in his remote cabin in the woods.

In this comedy, set during the Nazi occupation of France, Peter Sellers plays most major male parts, so he stars in nearly every scene, always bumbling in inspector Clouseau-style.

Amnesty decided not to present a benefit show in 1978 in order to consider how to make better use of the performing talent so favourably disposed to assist it in raising funds. Peter Luff left Amnesty in 1978 and the organisation's new fund-raising officer, Peter Walker, was deputed to work with Lewis on reconfiguring the show to raise more money and greater awareness of Amnesty. Lewis proposed to Cleese that in addition to the comedy performances the show should feature some contemporary rock musicians. Cleese delegated this responsibility to Lewis who recruited Who guitarist Pete Townshend to perform, as well as New Wave singer-songwriter Tom Robinson.

Following the success of the 1979 show and the financial benefits accruing to Amnesty from the spin-off movie, TV special and record albums – Cleese, Lewis and Walker planned the next show to be a more spectacular event. Cleese focused on broadening the comedic talent to be presented at the show. In addition to the Amnesty show stalwarts drawn from the Oxbridge/Monty Python/Beyond The Fringe orbit, he invited newcomers such as Rowan Atkinson’s colleagues from the BBC TV show Not the Nine O'Clock News including Pamela Stephenson and Griff Rhys Jones; comedian Victoria Wood and regional comic Jasper Carrott. Lewis secured a return appearance by Billy Connolly and a debut appearance by "alternative" comedian Alexei Sayle who Lewis had recently discovered and was managing. Building on the success of Pete Townshend's 1979 appearance Lewis recruited other rock musicians to perform at the 1981 show including Sting, Phil Collins, Eric Clapton, Jeff Beck, Donovan and Bob Geldof.

Suspecting that her husband might be having an affair, a wife plots to catch him in the act.

This sketch show specialises in parodies of movies, shows and commercials. Special guest stars join them in the comedy sketches with crazy results.

Historical reenactments from A-list talent as told by inebriated storytellers. A unique take on the familiar and less familiar people and events from America’s great past as great moments in history are retold with unforgettable results.

MADtv is an American sketch comedy television series originally inspired by Mad magazine. The one-hour show aired Saturday nights on Fox.

The Smothers Brothers Comedy Hour is an American comedy and variety show hosted by the Smothers Brothers and initially airing on CBS from 1967 to 1969.

The show where everything's made up and the points don't matter. Not a talk show, not a sitcom, not a game show, Whose Line Is It Anyway? is a completely unique concept to network television. Four talented actors perform completely unrehearsed skits and games in front of a studio audience. Host Drew Carey sets the scene, with contributions from the audience, but the actors rely completely on their quick wit and improvisational skills. It's genuinely improvised, so anything can happen - and often does.

A half hour, politically incorrect sketch comedy show that showcased the talents of veteran performers John Byner and Bob Einstein as Super Dave Osbourne.

Steven Toast, an eccentric middle-aged actor with a chequered past, spends more time dealing with his problems off stage than performing on it.

The prodigiously talented Gleason became a TV icon after he joined CBS from DuMont, where his work on `Calvalcade of Stars' had established many of his trademark characters, including Reginald Van Gleason III, the Poor Soul and Ralph Kramden, featured here, along with Art Carney, in `Honeymooners' sketches. The Emmy-winning mix also featured guest stars, musical comedy, the glitzy June Taylor Dancers and Frank Fontaine's Crazy Guggenheim character.

Hollywood Wives tells the stories of several women in Hollywood, from powerful talent agents and screenwriters to vivacious screen vixens and young, innocent newcomers.

An insider's look at the reckless, romantic, funny, and often poignant lives of a committed group of "roadies," who live for music and the de facto family they've formed along the way.

An attempt by NBC to emulate the success of the CBS hit The Twilight Zone, this hour-long anthology series showcased different actors, stories and creative talent each week.

Tired of being the comedic sidekick, Kevin Hart gets his wish when a famous director offers him his dream – to be a leading man action star – but there’s a catch: Kevin must first train at the world’s greatest action star school, run by a lunatic.

After influencing global events for centuries, a secret society faces a dangerous threat from within. Can a Canadian reporter save them — and the world?

The Journal Editorial Report is a weekly American interview and panel discussion TV program on Fox News Channel, hosted by Paul Gigot, editorial page editor of The Wall Street Journal. Prior to moving to Fox News, the show aired on PBS for 15 months, ending on December 2, 2005. Opening with a newsmaker of the week, Gigot usually interviews a guest for the first half of the program, asking questions related to the writings of the guest or a current event of interest to the guest. Following the guest segment, the program becomes a panel discussion of Wall Street Journal editorial writers giving their opinions on the political, economic, and cultural issues of the current week. The final segment labeled Hits and Misses lets the panelists comment on the best and worst stories or events of the week. The program is broadcast Saturdays at 2:00 p.m. and 11:00 p.m. and Sundays at 6:00 a.m. The transcript of each show appears on OpinionJournal.com on the following Monday. The political point of view of the panel is primarily libertarian, reflecting the "free markets and free people" philosophy of the editorial page of the Wall Street Journal.