Best movies like Glamarus

"Touring makes you crazy," Frank Zappa says, explaining that the idea for this film came to him while the Mothers of Invention were touring. The story, interspersed with performances by the Mothers and the Royal Symphony Orchestra, is a tale of life on the road. The band members' main concerns are the search for groupies and the desire to get paid.

Computer programmer/beekeeper Jacob gets a "television" implanted in his brain by a race of telekinetic bees, which causes him to experience severe hallucinations.

A vivid, dynamic Southern coming-of-age drama, takes place in the transitional space between high school and college, when life seems to be all questions and no answers, and the future is scarily wide open. Set in and around a Charleston, SC Baptist church, weaving through this ensemble piece are three main characters - Brea, an introspective pastor's daughter experiencing debilitating doubt, the hyperactive Laura, Brea's best friend and a devout believer, and Tim, the open-hearted son of a single father, confronting his homosexuality for the first time. Tensions and buried feelings abound, as colleges are chosen and adults behave badly, as Brea, Laura and Tim attempt to hang onto what they have, all the while yearning to break free.

A girl gets in a car accident and wanders through the woods, encountering all kinds of nightmarish things.

Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.

Semi-autobiographical story of Conrad Rooks, who travels to France to undergo a drug-withdrawal cure. Flashbacks to the beginings of psychedelia in San Fran. Though initially confusing, as Rooks blends drug-illusion with reality, and cuts color with black-and-white and monochrome tinted shots, "Chappaqua" is conventionally constructed with a beginning, middle, and end.

This psychedelic tour of life after death is seen entirely from the point of view of Oscar, a young American drug dealer and addict living in Tokyo with his prostitute sister, Linda. When Oscar is killed by police during a bust gone bad, his spirit journeys from the past -- where he sees his parents before their deaths -- to the present -- where he witnesses his own autopsy -- and then to the future, where he looks out for his sister from beyond the grave.

A young boy and his friends face off against a mysterious grave robber known only as the Tall Man, who keeps a mysterious arsenal of terrible weapons with him.

After a catastrophic global war, a young filmmaker awakens in the carnage and seeks refuge in the only other survivor: an eccentric, ideologically opposed figure of the United States military. Together, they brave the toxic landscape in search of safety... and answers.

The exploration of the effects of an unexpected catastrophe, known as VUE (violent unknown event) through the bios of 92 survivors.

Two friends named Gerry become lost in the desert after taking a wrong turn. Their attempts to find their way home only lead them into further trouble.

Geeky teenager David and his popular twin sister, Jennifer, get sucked into the black-and-white world of a 1950s TV sitcom called "Pleasantville," and find a world where everything is peachy keen all the time. But when Jennifer's modern attitude disrupts Pleasantville's peaceful but boring routine, she literally brings color into its life.

The Committee, starring Paul Jones of Manfred Mann fame, is a unique document of Britain in the 1960s. After a very successful run in London’s West End in 1968, viewings of this controversial movie have been few and far between. Stunning black and white camera work by Ian Wilson brings to life this “chilling fable” by Max Steuer, a lecturer (now Reader Emeritus) at the London School of Economics. Avoiding easy answers, The Committee uses a surreal murder to explore the tension and conflict between bureaucracy on one side, and individual freedom on the other. Many films, such as Total Recall, Fahrenheit 451 and Camus’ The Stranger, see the state as ignorant and repressive, and pass over the inevitable weaknesses lying deep in individuals. Drawing on the ideas of R.D. Laing, a psychologically hip state faces an all too human protagonist.

In this surrealistic and free-form follow-up to the Monkees' television show, the band frolic their way through a series of musical set pieces and vignettes containing humor and anti-establishment social commentary.

Vietnam vet Jon Rubin returns to New York and rents a rundown flat in Greenwich Village. It is in this flat that he begins to film, 'Peeping Tom' style, the people in the apartment across the street. His obsession with making films leads him to fall in with a radical 'Black Power' group, which in turn leads him to carry out a bizarre act of urban terrorism.

Mike O'Donoghue's parody of "Mondo Cane" showcases curious performers, strange musicians, celebrity mutations and unusual short films, including Thomas Alva Edison's "Elephant Electrocution". In the tradition of films like Groove Tube (1974), The Kentucky Fried Movie (1977), and Saturday Night Live.

A boy shoots his father and flies out the window. A man falls in love with a fellow inmate in prison. A doctor accidentally ingests his experimental sex serum, wreaking havoc on the community.

A movie that starts out with the "Man in the Mirror" music video, it then changes to a montage of video clips of Michael's career. Next comes a parody of his Bad video by children, and then Michael is chased by fans in a fantasy sequence. 2 more videos are shown, and then a movie in which Michael plays a hero with magical powers. In it he is chased by drug dealer Mr. Big and saves three children. Videos included in the movie are "Smooth Criminal" and "Come Together".

An impotent husband with a fanatical desire to father children, forces his wife to undergo a dangerous experiment. This results in the birth of a multitude of monstrous THINGS.

Renee wakes up one morning in the middle of the desert with blood on her hands. She cannot remember why she is there, how she got there or with whom she came. Her quest to uncover forgotten events leads her on a journey of discovery where reality and memory collide and people are not what they seem.

An ordinary man (played by Tim Morton) lives a dull life till his friend Chet (played by Jimmy Kustes) comes over to stay for a few days. His friend ropes him to various schemes and generally makes a bunch of faux pas. His girlfriend (played by Johanna Sims) mostly runs around without alerting him of her whereabouts. He escapes his dull day-to-day existence by watching the TV show New Cops and dreaming various scenarios involving him being the President of the United States and Chet serving as his adviser. Chet recommends they hire detective Flaherty (played by David Maloney) to investigate a book heist at the local library.

Follow a small group of elderly “Peeping Toms” through the shadows and margins of an unfamiliar world. Crudely documented by the participants themselves, we follow the debased and shocking actions of a group of true sociopaths the likes of which have never been seen before. Inhabiting a world of broken dreams and beyond the limits of morality, they crash against a torn and frayed America.

Two clans of deranged males make the mistake of stalking four young women they assume to be easy prey, only to find out that at the stroke of midnight the tables will be turned and all hell will break loose.

A nearly wordless visual narrative intercuts two main stories and a couple of minor ones. A woman, perhaps the Madonna, brings forth her baby to a crowd of intrusive paparazzi; she tries to flee them. Two men who are lovers marry and are arrested by the powers that be. The men are mocked and pilloried, tarred, feathered, and beaten. Loose in this contemporary world of electrical-power transmission lines is also Jesus. The elements, particularly fire and water, content with political power, which is intolerant and murderous.

A 30-year-old man, who has been in a coma since birth, is finally restored to consciousness by a breakthrough brain operation. Although physically an adult, the man is "reborn" in the eye of an infant; the doctors caring for him must teach him to walk, talk and prepare for life in the outside world. Tension builds as he escapes from the hospital, wanders among people who do not realize his identity, and is hunted by the police.

Julie, a teen who died from a PCP overdose in the early '70s, searches from beyond the grave for her younger brother Bob, who now in the '90s is an obese watch seller suffering with sucrose intolerance.

The world has ended. All that is left behind are individual beauty cults, groups of girls seeking safety and identity in numbers. Basing their bond on hair color and giving themselves strangely evocative gang names, the blond Phayrays (King Kong), the brunette Satanas (Faster Pussycat, Kill! Kill!), and the wicked, redheaded Tempests (as in Storm, the stripper) are constantly battling the brutish cavemen roaming the afterworld ruins and looking for potential dye job converts. Only one group tries to incorporate all follicle factions. They are the Superstarlets.

A psychologist takes a group of patients into the desert for unorthodox therapy only for them to be picked off by an unseen maniac.

Two Texas gardeners, who object to Northern attitudes and lifestyles, venture northward to cut lawns, trim hedges, and murder and mutilate Northern Yuppies.

The Angelic Conversation is a lyrical, haunting film about a young man’s search for love in a dreamlike landscape. Its tone is set by the juxtaposition of slow moving homo-erotic images and opaque landscapes through which two men take a journey into their own desires. Offscreen, Dame Judi Dench recites a sequence of Shakespeare's sonnets that counterpoint the action. Jarman called it, “My most austere work, but also the closest to my heart.”

Set against the gorgeous landscape of Armenia, Here chronicles a brief but intense relationship between an American satellite-mapping engineer (Foster) and an expatriate photographer (Azabal) who impulsively decide to travel across the remote countryside. As their trip comes to an end, the two must decide where to go from Here

A combat simulation becomes a surreal battle for survival and sanity when an experimental drug therapy goes wrong for two traumatised assassins.

After a silent, masked individual encounters a man with a television for an arm; horror, euphoria and madness ensue.

In this film a lone figure wanders through a mysterious wilderness while hounded by spectres and unseen forces. This is a solitary journey, a path of exile and hardship that leads beyond the abyss to where reality loses its mask of concreteness and shows its true fluid face.

A young junkie emerges half dead out of a toxic river not knowing where he is or how he got there. His name is Hunter, and he can't possibly imagine the nightmarish reality he is about to face...and why. The landscape is a diseased post-apocalyptic Los Angeles populated by cannibalistic mutants, heavily armed survivalists and a terror-stricken citizenry that dares not wander the streets at night. This literal "hell on Earth" is controlled by Vincent, a genocidal madman who is even worse than he seems...a monstrous, ages-old vampire that has transformed the city into a human blood-farm and slaughterhouse. As Hunter battles to stay alive amidst the homicidal carnage and bloody spectacle of daily life, nothing could prepare him for his encounter with Vincent, the terrifying truth of his own existence, and a vampiric journey of lust, power and addiction that can only lead to utter horror and annihilation!