Best movies like Godard Mon Amour

This movie is a “stupid, stupid idea.”

A unique, carefully handpicked, selection of the best movies like Godard Mon Amour Starring Louis Garrel, Stacy Martin, Bérénice Bejo, Micha Lescot, and more. If you liked Godard Mon Amour then you may also like: 2 or 3 Things I Know About Her, Vivre Sa Vie, Weekend, Nightmares in Red, White and Blue, Once More and many more popular movies featured on this list. You can further filter the list even more or get a random selection from the list of similar movies, to make your selection even easier.

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2 or 3 Things I Know About Her

As the city of Paris and the French people grow in consumer culture, a housewife living in a high-rise apartment with her husband and two children takes to prostitution to help pay the bills.

Vivre Sa Vie

Twelve episodic tales in the life of a Parisian woman and her slow descent into prostitution.

Weekend

A supposedly idyllic weekend trip to the countryside turns into a never-ending nightmare of traffic jams, revolution, cannibalism and murder as French bourgeois society starts to collapse under the weight of its own consumer preoccupations.

Nightmares in Red, White and Blue

An exploration of the appeal of horror films, with interviews of many legendary directors in the genre.

Once More

Louis is a family man, with a wife and young daughter, who discovers in mid-life that he is gay.

The Joy of Learning

Night after night, not long before dawn, two young adults, Patricia and Emile, meet on a sound stage to discuss learning, discourse, and the path to revolution. Scenes of Paris's student revolt, the Vietnam War, and other events of the late 1960s, along with posters, photographs, and cartoons, are backdrops to their words. Words themselves are often Patricia and Emile's subject, as are images, sounds, and juxtapositions.

All the Boys Are Called Patrick

A pickup artist/womanizer named Patrick inadvertently pursues two young women who happen to be roommates.

The Bakery Girl of Monceau

Early new wave effort from Rohmer, which was the first of his six moral tales. It concerns a young man who approaches a girl in the street, but after several days without seeing her again, he becomes involved with the girl in the local bakery. Eventually, he has to choose between them when he arranges dates with them on the same day.

Band of Outsiders

Cinephile slackers Franz and Arthur spend their days mimicking the antiheroes of Hollywood noirs and Westerns while pursuing the lovely Odile. The misfit trio upends convention at every turn, be it through choreographed dances in cafés or frolicsome romps through the Louvre. Eventually, their romantic view of outlaws pushes them to plan their own heist, but their inexperience may send them out in a blaze of glory -- which could be just what they want.

Breathless

A small-time thief steals a car and impulsively murders a motorcycle policeman. Wanted by the authorities, he attempts to persuade a girl to run away to Italy with him.

Charlotte and Her Boyfriend

This short features a man who is visited by his ex-lover. The moment she arrives, the man starts his constant barrage of speech; the woman doesn't say much. She just mocks the man and pretends she isn't listening. She pulls faces at him and larks about; while the man is trying his best to get her back in his life, then in the next sentence he says he hates her.

La Chinoise

A small group of French students are studying Mao, trying to find out their position in the world and how to change the world to a Maoistic community using terrorism.

The Dreamers

When Isabelle and Theo invite Matthew to stay with them, what begins as a casual friendship ripens into a sensual voyage of discovery and desire in which nothing is off limits and everything is possible.

Pierrot le Fou

Pierrot escapes his boring society and travels from Paris to the Mediterranean Sea with Marianne, a girl chased by hit-men from Algeria. They lead an unorthodox life, always on the run.

Day for Night

A committed film director struggles to complete his movie while coping with a myriad of crises, personal and professional, among the cast and crew.

Contempt

A philistine in the art film business, Jeremy Prokosch is a producer unhappy with the work of his director. Prokosch has hired Fritz Lang to direct an adaptation of "The Odyssey," but when it seems that the legendary filmmaker is making a picture destined to bomb at the box office, he brings in a screenwriter to energize the script. The professional intersects with the personal when a rift develops between the writer and his wife.

Masculin Féminin

Paul, a young idealist trying to figure out what he wants to do with his life, takes a job interviewing people for a marketing research firm. He moves in with aspiring pop singer Madeleine. Paul, however, is disillusioned by the growing commercialism in society, while Madeleine just wants to be successful. The story is told in a series of 15 unrelated vignettes.

The Story of My Wife

A sea captain makes a bet in a cafe with a friend that he will marry the first woman who walks in.

Garden of Eden

A young American writer completes his service in WWI and travels across Europe with his wife and her attractive Italian girlfriend. Based on the novel by Ernest Hemingway.

Going to Pieces: The Rise and Fall of the Slasher Film

This historical and critical look at slasher films, which includes dozens of clips, begins with Halloween, Friday the 13th, and Prom Night. The films' directors, writers, producers, and special effects creators comment on the films' making and success. During the Reagan years, the films get gorier, budgets get smaller, and their appeal wanes. Then, Nightmare on Elm Street revives the genre. Jump to the late 90s, when Scream brings humor and TV stars into the mix.

Struggle in Italy

The film reveals how and why a supposedly revolutionary Italian girl has in fact fallen prey to bourgeois ideology.

Anaïs in Love

Anaïs is thirty and broke. She has a lover, but she’s not sure she loves him anymore. She meets Daniel, who immediately falls for her. But Daniel lives with Émilie – whom Anaïs also falls for.

Tonight or Never

Laurent is theatrical director, his girl Valerie an aspiring actress. Their relationship begins to fracture when Valerie doesn’t get the role in Laurent’s play.

Tout Va Bien

A strike at a French sausage factory contributes to the estrangement of a married filmmaker and his reporter wife.

An Impossible Love

A chronicle of the unconditional love between a mother and her daughter, from 1958 to the present day, which is endangered by an unsteady and manipulative father.

The Married Woman

In an exploration of love and adultery, a woman is conflicted between her husband, her lover and herself.

Slice and Dice: The Slasher Film Forever

A celebration of slasher cinema - from PSYCHO to the present day, with a focus on highlighting many of the genre's forgotten cult classics, deconstructing how to survive a slice and dice movie and meditating upon why it is almost always a final girl and rarely a final guy... this is a documentary which is designed for both the biggest fan of "mad maniac" movies and the person who may only have seen HALLOWEEN and SCREAM. Either way, this is a documentary that proves the SLASHER FILM is truly FOREVER!

Six in Paris

Six vignettes set in different sections of Paris, by six directors. St. Germain des Pres (Douchet), Gare du Nord (Rouch), Rue St. Denis (Pollet), and Montparnasse et Levallois (Godard) are stories of love, flirtation and prostitution; Place d'Etoile (Rohmer) concerns a haberdasher and his umbrella; and La Muette (Chabrol), a bourgeois family and earplugs.

Pirate TV

It all began when camcorders replaced cameras. Making TV programs then became within everyone's reach. Jean-Lou, Yasmina, Victor, Clara, Adonis, and the others didn't only want to create their own television channel, they above all wanted to make a revolution. Thus Télé Gaucho was born, as anarchic and provocative as the main channels were conformist and reactionary. Five years of mayhem, brutal pirate TV demonstrations, drunken parties, and thwarted love.. And that was my idyllic interlude.

Godard Cinema

Jean-Luc Godard is cinema, its quintessence. Just turned 91, he has made more than 140 films. We hate him as much as we worship him. Where does his aura come from? From legendary films of course, but also from Godard himself.

Love and Anger

Five short stories with contemporary settings. In New York, people are indifferent to derelicts sleeping on sidewalks, to a woman's assault in front of an apartment building, and to a couple injured in a car crash. A man, stripped of his identity, dies in bed with actors expressing his agony. A cheerful, innocent young man walking a city street in a time of war pays a price for this innocence. A couple talks about cinema while it watches another couple talk of love and truth on the eve of one character's return to Cuba. Striking students take over a university classroom; an argument follows about revolution or incremental change.

Vladimir and Rosa

Jean-Luc Godard's and Jean-Pierre Gorin's interpretation of the Chicago Eight / Chicago Seven trial, which followed the 1968 Democratic National Convention protest activities. Judge Hoffman becomes the character Judge Himmler (played by Ernest Menzer) and the defendants become a microcosms of the French Revolution.

Wind from the East

A politically oriented film in which images suggestive of a mock western are accompanied by an attack on all cinematic conventions to date and a debate on the nature and possibility of revolutionary cinema.

Paul Sanchez Is Back!

The reappearance of notorious criminal Paul Sanchez becomes an obsession for a young police officer who will do anything to catch him.

The Big Dream

Italy, 1968. Aspiring actor Nicola enrolls in the police to pay for his studies, ending up undercover among college students protesting the government, the Vietnam War and the values of their parents' generation. However, he complicates his mission by falling for Laura, a bourgeois girl dreaming of a better world.

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