Gold of the Seven Saints

Marshall "Big Jim" Cole turns in his badge and heads to Wyoming with his family in order to settle on some land left him by a relative. He faces opposition both from a neighbor who wants that land for his own sons, and from a grizzly bear nicknamed "Satan" who keeps killing Cole's livestock.

Two Army officers, an alcoholic ex-Confederate soldier and a womanizing Mexican travel to Mexico on a secret mission to prevent a megalomaniacal ex-Confederate colonel from selling a cache of stolen rifles to a band of murderous Apaches.

Ex-army officer accidentally kills a woman's son, tries to make up for it by escorting the funeral procession through dangerous Indian territory.

John Russell, disdained by his "respectable" fellow stagecoach passengers because he was raised by Indians, becomes their only hope for survival when they are set upon by outlaws.

A trio of American adventurers marooned in rural Mexico are recruited by a beautiful woman to rescue her husband from Apaches.

In old-west Texas, the cavalry's horses can't take the heat. So the military sends them camels instead, and assigns one man to convince the unit that the camels are a good idea.

Chet Kasedon is after the Indians hidden gold mine but Chief Moya will not reveal it's location. He has also hired mining engineers Gale and Mortimer to locate the mine. When Gale sees Kasedon's cruelty to Moya, he switches sides.

When Apache chief Nanchez is captured by the cavalry, his white squaw and infant son are returned to civilization by Sergeant Hook, but Nanchez escapes custody and attempts to re-claim his son.

Telling the story of his early life in flashback, a former prospector (Joel McCrea, with flashback sequences featuring son Jody) explains his brutal massacre of a tribe of Indians. The only survivor (Marie Gahua) agrees to lead him to a secret gold mine.

James Arness rides again as Matt Dillon, the US Marshal he made popular in the 1955-75 TV series. In this movie he goes after a renegade Apache named Wolf (Joe Lara) who has taken his daughter captive. As a bargaining chip, Dillon helps two sons of Apache chief Geronimo out of the fort stockade and offers them in trade. Dillon is aided by an Army scout, Chalk Brighton (Kiley). Written by John Sacksteder

A sheriff and his posse set out to catch a murderer, but their mission proves more dangerous than anyone suspected after they become stranded in the desert and attacked by Apaches.

Two episodes from the TV series "Hondo" edited together and released as a feature.

After a massacre of an Indian village by the U.S army, a survivor, Yellow shirt (Ray Danton) goes after them for revenge. His journey becomes a deadly adventure. His life will be threatened by the hostility of the desert, snakes, hallucinations and of course his encounter with his enemies…

New Mexico Territory, August 1879. The few surviving members of a cavalry column, which has been relentlessly decimated by the Apaches, attempt to reach Fort Crain. On their way through a hostile land, the obsessive and ruthless Sergeant Vinson takes to the limit the battered will of the troopers under his command.

A young cavalry officer is assigned the job of bringing in a band of Apaches who have been terrorizing the countryside.

Branded is an American Western series which aired on NBC from 1965 through 1966, sponsored by Procter & Gamble in its Sunday night 8:30 p.m. Eastern Time period, and starred Chuck Connors as Jason McCord, a United States Army Cavalry captain who had been drummed out of the service following an unjust accusation of cowardice.

Broken Arrow is a Western series which ran on ABC-TV in prime time from 1956 through 1958 on Tuesdays at 9 p.m. Eastern time. Repeat episodes were shown by ABC on Sunday afternoons during the 1959–60 season. Selected repeats were then shown once again in prime time during the summer of 1960.

Cheyenne is an American western television series of 108 black-and-white episodes broadcast on ABC from 1955 to 1963. The show was the first hour-long western, and in fact the first hour-long dramatic series of any kind, with continuing characters, to last more than one season. It was also the first series to be made by a major Hollywood film studio which did not derive from its established film properties, and the first of a long chain of Warner Brothers original series produced by William T. Orr.

The Life and Legend of Wyatt Earp is a television western series loosely based on the life of frontier marshal Wyatt Earp. The half-hour black-and-white program aired for 229 episodes on ABC from 1955 to 1961 and featured Hugh O'Brian in the title role.

The tale of trail boss Gil Favor and his trusty foreman Rowdy Yates as they drives cattle across the old west. Along the way they meet up with adventure and drama.

The Rifleman is an American Western television program starring Chuck Connors as rancher Lucas McCain and Johnny Crawford as his son, Mark McCain. It was set in the 1880s in the town of North Fork, New Mexico Territory. The show was filmed in black-and-white, half-hour episodes. "The Rifleman" aired on ABC from September 30, 1958 to April 8, 1963 as a production of Four Star Television. It was one of the first prime time series to have a widowed parent raise a child.

Jim Hardie helps Wells Fargo agents battle the bad guys.

The series initially starred veteran movie supporting actor Ward Bond as the wagon master, later replaced upon his death by John McIntire, and Robert Horton as the scout, subsequently replaced by lookalike Robert Fuller a year after Horton had decided to leave the series. The series was inspired by the 1950 film Wagon Master directed by John Ford and starring Ben Johnson, Harry Carey Jr. and Ward Bond, and harkens back to the early widescreen wagon train epic The Big Trail starring John Wayne and featuring Bond in his first major screen appearance playing a supporting role. Horton's buckskin outfit as the scout in the first season of the television series resembles Wayne's, who also played the wagon train's scout in the earlier film.

Diego de la Vega, the son of a wealthy landowner, returns from his studies in Spain and discovers that Los Angeles is under the command of Capitan Monastario, a cruel man who relishes in the misuse of his power for personal gain. Knowing that he cannot hope to single-handedly defeat Monastario and his troops, Diego resorts to subterfuge. He adopts the secret identity of Zorro, a sinister figure dressed in black, and rides to fight Monastario's injustice.

The Tall Man is a half-hour American western television series about Sheriff Pat Garrett and the gunfighter Billy the Kid that aired seventy-five episodes on NBC from 1960 to 1962, filmed by Revue Productions.

The High Chaparral is an American Western-themed television series starring Leif Erickson and Cameron Mitchell which aired on NBC from 1967 to 1971. The series, made by Xanadu Productions in association with NBC Productions, was created by David Dortort, who had previously created the hit Bonanza for the network. The theme song was also written and conducted by Bonanza scorer David Rose, who also scored the two-hour pilot.

The lives of two families, one white American, one native American, become mingled through the momentous events of American expansion, between 1825 and 1890.

Two people with drastically different backgrounds and survival strategies take on some of the planet's most unforgiving terrain to demonstrate how the right skills and creative thinking can keep you alive in the most dangerous situations.

The lives of two childhood best friends, Bill and Epstein, in the late 1890s as they flock to the gold rush capital in the untamed Yukon Territory. This man-versus-nature tale places our heroes in a land full of undiscovered wealth, but ravaged by harsh conditions, unpredictable weather and desperate, dangerous characters including greedy businessmen, seductive courtesans and native tribes witnessing the destruction of their people and land by opportunistic entrepreneurs.

Gypsy Smith, is a gunfighter and a bounty hunter. When he leads the US army into a Cheyenne camp to capture a suspected Indian renegade, a long train of events begins that finally lead to that 'good day to die'. White Wolf, only a child, is one of the few survivors of the massacre of his tribe that day, and Gypsy brings him to live with the Maxwell family, where he grows up not fully Indian and not really white but a bit too close to Rachel, the Maxwell daughter. Gypsy now reappears, leading a group of Black settlers from the post-Civil War South to start a new life in a town of their own - Freedom in the Oklahoma Territory, its first black settlement. White Wolf (or Corby as a 'white' name') is now with his people, but all of these parts come back together in conflict, violence, loss, and Pyrric triumph.