Best movies like Good Night, Buenos Aires

The story of Santos Pérez, the man who murdered caudillo Facundo Quiroga in 1835.

On a trip to Paris Sally meets Pablo, a tango dancer. He starts teaching her to dance then she returns to London to work on some "projects". She visits Buenos Aires and learns more from Pablo's friends. Sally and Pablo meet again but this time their relationship changes, she realises they want different things from each other. On a trip to Buenos Aires they cement their friendship.

A dangerous love affair inspires a director to create the most spectacular and boldly seductive dance film ever made. 1998 Oscar Nominee Best Foreign Language Film.

"The young Susan seems doomed to a life of toil. She lives with her faither in a lodging house and together they earn their living by dancing as a tango couple in a seedy nightclub. Since mother left them, the two have had an incestuous relationship. Father is on the booze. When his alcoholism eventually lands him in jail, Susan decides to become a prostitute: it is the only way she can earn enough money to get her father out of jail. She meets another prostitute, Lili, who personifies everything that Susan is afraid of: physical decay and failure. Despite this fear, a bond develops between the two women. When Susan gets an influential lover, it looks as if she will be able to escape her sad existance. But her past continues to haunt her." - IFFR

A woman's voice says she was wife to Renzo Franchi and Carlos Gardel (1890-1935), Argentina's great tango singer. People say she's crazy. Her story unfolds. Buenos Aires, 1933: Juana Romero, a seamstress who lives for the music of Gardel, dumps her boyfriend Gustavo for Renzo, a singer who looks like Gardel. She insists that his trio performs Gardel's tangos, which leads to Renzo recording a Ford commercial when Gardel himself is overbooked. The trio, with Joanna in tow, goes on an ill-fated tour of points north. The couple breaks up: she goes home and he tries to get to New York. Fate steps in, and once again he's called upon to pose as Gardel. Then, legend and a bracelet take over. Written by

A Young man from a wealthy family hide them his attraction for tango culture of arrabal. In a milonga he fell in love with Mirella and he have a knife fight with all others guapos that want her, he won. Time pass and Mirella became a mistress but this situation is unstable because of the society prejudices.

A neighborhood hairdresser suddenly becomes a boxing champion and abandons his girlfriend to get engaged to a star.

After a period of sorrow, Fernando de Arellano, a rich businessman who has recently lost his young wife Blanca from a serious ilness, meets Mónica, who looks identical to her.

This musical celebration charts the lives and careers of some of the biggest selling acts in Irish rock, punk and pop from Van Morrison and Thin Lizzy to The Undertones and U2. From the pioneers of the showbands touring in the late 50s through to the modern day, the film examines their lineage and connections and how the hardcore, rocking sound of Belfast merged with the more melodic, folky Dublin tradition to form what we now recognise as Irish rock and pop.

A woman has a chance to free herself from an oppressive past when she meets a man with whom she re-discovers her passion for tango. But before she can move on she has to accept some uncomfortable truths.

Love, passion, disappointment, pain and sadness shape this love triangle between Aniceto, Francisca and Lucía, played by dancers Hernán Piquín, Natalia Pelayo and Alejandra Baldón.

Giorgio, a young soldier, is in love with the married Clara and becomes her lover. But they are separated when Giorgio is posted far away, where he meets the unhappy, unhealthy, and unattractive Fosca, who develops a passionate love for Giorgio and tries to make him love her. This rendition of Stephen Sondheim's Tony Award-winning musical was recorded on the stage with it's original all-star Broadway cast. Originally broadcast as part of "American Playhouse" on PBS (season thirteen, episode six).

The Peralta brothers work in the countryside the Alto Paraná. There they will meet subhuman working conditions. Finally, the workers rise and harshly punish their exploiters.

Ricardo Fuentes (Carlos Gardel) leaves Buenos Aires after loosing in horse races to go to Barcelona, where he plans to open a tango bar, a new concept of tango dance show and dance saloon. On the ship he meets Laura Montalván (Rosita Moreno) who happens to be a thief working with a thief pal. Ricardo watches them robbing a lady's bracelet aboard but decides not to report them because he has fallen in love with Laura. Once in Barcelona, he opens the tango bar but Laura's partner tells him he sold the bracelet and now needs to recover it to avoid both Laura and him going to jail.

Adapting its title and theme from Thomas De Quincey's murder text, this long-overdue return to narrative cinema by the great British filmmaker Peter Whitehead is based around a mesmerizing psycho-geographical exploration of modern day Vienna. The film incorporates a record of the subversive underbelly of the city into a poetic meditation on conspiracy theory, ecoterrorism, time and cinema, retracing the story of The Third Man. Adapted from a trilogy of Whitehead's own Nohzone novels, the objective and subjective becomes blurred as the film director merges with the fictional detective in a journey into the murky activities of covert counter-insurgency groups. Kaleidoscopic in intent, the film mixes Noh theatre, Victorian novels, Vienna after the war, opium, domain names and Jacob's ladder "pitched twixt Heaven and Charring Cross".

The lives, loves and vicissitudes of a group of circus performers in the Argentine Pampas around the turn of the century are played out in this drama with songs.

Contrary to the principles of his mother and sister, a boy falls in love with a woman of light life.

A film star enjoys a romance with the daughter of a puppeteer, but his criminal past threatens to ruin it.

The life, hardships, love affairs, triumphs and failures of the world-renowned tango singer Carlos Gardel.

Romance - with its ruptures and reunions - between a girl and a boy who want to succeed with the tango.

Accidental meeting between a pop-music superstar and a politician's daughter turns into a big romance... but class distinctions, and scandal in the family.

A woman feels abandoned by her husband and children.

¡Tango! follows a formula established by Carlos Gardel with films such as Luces de Buenos Aires (The Lights of Buenos Aires, 1931) in which a melodramatic story is interspersed with tango songs. However, the film had less dialog and more music, making it more like a musical revue. This format would be copied by many subsequent films. The plot is derived from tango songs. Many of these songs tell of the seduction of an innocent slum girl by a rich man who promises her a glamorous life, but who abandons her when her looks fade. The stylized and sentimental plot of ¡Tango! revolves around a young man who is abandoned by his girlfriend for an older rich man and is heartbroken. The film follows his misfortunes.

In the Buenos Aires of 1900, a man seeks to avenge the death of his brother, killed at the exit of a fight.

Helena is a talented singer in Buenos Aires. Just as she and her band get a residency at a prestigious theater in the city, the boyfriend she's mad about coldly announces that he doesn't love her any more. The film is punctuated by intense bursts of tango. Every song moves the story along, providing an insight into the characters and access to the protagonist's feelings: nostalgia, passion, sadness, and joy in turn. The lyrical and musical wealth of tango, brilliantly performed by Eugenia Ramírez Miori, unites the two stories, past and present. 'La cantante de tango' is a poignant auteur film about a woman trying to get back on her feet after a devastating break-up.

A sailor and a tango singer fall in love. To protect her, the man takes her to live with his family. But before embarking, he is robbed, and the circumstances accuse the girl of being an accomplice of the criminals.

Group of tango musicians picks up an aspiring young chanteuse at one of their whistle stop engagements; film focuses on their collective path to stardom, romantic conflicts between the woman and two guys in the band and some peripheral crime-drama stuff.

A young man starts working as a laborer in his father's shipyards and discovers a series of injustices.

Three Argentines who live in Paris and dream of returning to Buenos Aires but lack resources for the passage, find their opportunity when a landowner, a business man and his daughter arrive in Paris. In a game of rigged poker the three anchors obtain the money for the passages from the newcomers; it happens however that the employer has made an embezzlement and will go to jail if he does not return the money. The character represented by Parravicini, who is the true father of his adopted daughter, gives him the money won to solve his problem and the three remain in Paris to see them in an end with the best poetry of Romero crossing a bridge under the mist , silent, once again anchored but with the happy sadness of recovered self-esteem.

The attitudes of different people to the fact of going to the movies.

Coffee Masters is a documentary by Miguel Kohan, produced by Lita Stantic, Gustavo Santaolalla and Walter Salles. It tells the story of great tango of the old guard who, summoned by a rock musician, proposing a record to demonstrate its validity. This adventure, full of memories, humor and poignant moments, culminating with a presentation of the Masters at the Teatro Colon.