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"Touring makes you crazy," Frank Zappa says, explaining that the idea for this film came to him while the Mothers of Invention were touring. The story, interspersed with performances by the Mothers and the Royal Symphony Orchestra, is a tale of life on the road. The band members' main concerns are the search for groupies and the desire to get paid.

"The Urethra Chronicles II: Harder, Faster. Faster, Harder" is blink-182's (Travis Barker, Tom DeLonge and Mark Hoppus) follow-up to the very popular and very funny "The Urethra Chronicles." On this video, you'll get even more hilarious antics from blink-182 and be treated to live concert footage from the band's 2001 tour, outtakes, a previously unreleased version of "Stay Together for the Kids," a Barker solo and more.

Corrine Burns retreats far into plans for her band, The Fabulous Stains, after her mother's death.

The filmed account of a large Canadian rock festival train tour boasting major acts. In the summer of 1970, a chartered train crossed Canada carrying some of the world's greatest rock bands. The Grateful Dead, Janis Joplin, The Band, Buddy Guy, and others lived (and partied) together for five days, stopping in major cities along the way to play live concerts. Their journey was filmed.

Terry and Dean are lifelong friends who have grown-up together: shotgunning their first beers, forming their first garage band, and growing the great Canadian mullet known as "hockey hair". Now the lives of these Alberta everymen are brought to the big screen by documentarian Ferral Mitchener in an exploration of the depths of friendship, the fragility of life, growing up gracefully and the art and science of drinking beer like a man.

Director Christopher Guest reunites the team from "Best In Show" and "Waiting for Guffman" to tell the story of '60s-era folk musicians, who, inspired by the death of their former manager, get back on the stage for one concert in New York City's Town Hall.

"This Is Spinal Tap" shines a light on the self-contained universe of a metal band struggling to get back on the charts, including everything from its complicated history of ups and downs, gold albums, name changes and undersold concert dates, along with the full host of requisite groupies, promoters, hangers-on and historians, sessions, release events and those special behind-the-scenes moments that keep it all real.

A look at New York's dynamic punk rock scene through the lens of the ground-breaking Lower East Side club started by eccentric Hilly Kristal in 1973 which launched thousands of bands.

The film follows a petty rock band called the Winners, consisting of vocalist Joey Winner, bassist Jennifer, guitarist Tyler, drummer Sam, and French-Canadian roadie Hugo, along with their sleazy manager Jeff, as they tour across Canada and the USA after Jennifer is turned into a vampire by Queeny. Meanwhile, a vampire hunter who is afraid of the dark named Eddie Van Helsing quickly chases them down.

A rather incoherent post-breakup Sex Pistols "documentary", told from the point of view of Pistols manager Malcolm McLaren, whose (arguable) position is that the Sex Pistols in particular and punk rock in general were an elaborate scam perpetrated by him in order to make "a million pounds."

Electric Apricot is a spoof of jam bands centered around the band, Electric Apricot, in the style of "This Is Spinal Tap"

When a punk band scores their first tour, life on the road proves tough when they are joined by a man-eating demon as a roadie.

The story of music legend Terri Hooley, a key figure in Belfast's punk rock scene. Hooley founded the Good Vibrations store from which a record label sprung, representing bands such as The Undertones, Rudi and The Outcasts.

The true-life story of Darby Crash, who became an L.A. punk icon with his band The Germs. Along with Lorna Doom, Pat Smear, and Don Bolles, Darby Crash completely transformed the L.A. punk scene, while sacrificing everyone he loved, his career, and ultimately his life.

Rude Boy is a semi-documentary, part character study, part 'rockumentary', featuring a British punk band, The Clash. The script includes the story of a fictional fan juxtposed with actual public events of the day, including political demonstrations and Clash concerts.

This sketch show specialises in parodies of movies, shows and commercials. Special guest stars join them in the comedy sketches with crazy results.

The trials and tribulations of a two man, digi-folk band who have moved from New Zealand to New York in the hope of forging a successful music career. So far they've managed to find a manager (whose "other" job is at the New Zealand Consulate), one fan (a married obsessive) and one friend (who owns the local pawn shop) -- but not much else.

The story about a teenage boy that emotionally torments his sister so that she will write the ultimate lyrics for his garage band.

Josie and the Pussycats is an American animated television series, based upon the Archie Comics comic book series of the same name created by Dan DeCarlo. Produced for Saturday morning television by Hanna-Barbera Productions, sixteen episodes of Josie and the Pussycats aired on CBS during the 1970-71 television season, and were rerun during the 1971-72 season. In 1972, the show was re-conceptualized as Josie and the Pussycats in Outer Space, sixteen episodes of which aired on CBS during the 1972-73 season and were rerun the following season. Reruns of the original series alternated between CBS, ABC, and NBC from 1974 through 1976. This brought its national Saturday morning TV run on three networks to six years. Josie and the Pussycats featured an all-girl pop music band that toured the world with their entourage, getting mixed up in strange adventures, spy capers, and mysteries. On the small-screen, the group consisted of level-headed lead singer and guitarist Josie, intelligent tambourinist Valerie, and air-headed blonde drummer Melody. Other characters included their cowardly manager Alexander Cabot III, his conniving sister Alexandra, her cat Sebastian, and muscular roadie Alan.

Micky, Mike, Peter, and Davy are four young men in mid-1960s LA, members of a struggling country-folk-rock band looking for their big break amid madcap encounters with a variety of people straight out of TV and movie central casting, with full knowledge that their existence is part of a weekly television series

Satirical sketch comedy set and filmed in Portland, Oregon that explores the eccentric misfits who embody the foibles of modern culture.

MTV's acclaimed music series showcases today's top artists and rising stars in the industry performing acoustic versions of their songs.

A documentary series about pop and rock albums that are considered the best or most distinctive of a well-known band or musician or that exemplify a stage in the history of music.

An insider's look at the reckless, romantic, funny, and often poignant lives of a committed group of "roadies," who live for music and the de facto family they've formed along the way.

An anarchic, laugh-out-loud music comedy following a Muslim female punk band called Lady Parts, tracking the highs and lows of the band members as seen through the eyes of Amina Hussein — a geeky doctorate student who is recruited to be their unlikely lead guitarist.

The story of a band of spotty, noisy, working-class kids with “no future,” who shook the boring, corrupt Establishment to its core, threatened to bring down the government and changed music and culture forever.

The three-part documentary series, compiled from over 60 hours of unseen footage, captures the warmth, camaraderie, and creative genius that defined the legacy of music’s most iconic foursome. The series also includes – for the first time in its entirety – The Beatles’ final performance at London’s Savile Row.

In 1977, Daisy Jones & The Six were on top of the world. Fronted by two charismatic lead singers — Daisy Jones and Billy Dunne — the band had risen from obscurity to fame. And then, after a sold-out show at Chicago's Soldier Field, they called it quits. Now, decades later, the band members finally agree to reveal the truth.

The BBC Radio 2 Electric Proms was an October music festival in London run by the BBC for five years, 2006–2010, with each event broadcast domestically on both radio and television.

After a successful Canadian run as Second City TV on Global and SCTV on CBC, the cast packed up and moved to America (theoretically) when NBC offered them a timeslot under the title SCTV Network 90. With them, they brought their unique, quirky characters, their personalities, and the shows they had appeared on. Dick Blasucci had begun writing for the cast in their second series, SCTV, and joined them here, serving as a recurring straight man for the characters. Tony Rosato and Robin Duke wrote scripts at the beginning of the show as they had before, until quickly leaving to write and perform for Saturday Night Live. The appeal of SCTV Network 90, however, doesn't only come from the writing, but from the sheer wit of its legendary stars.