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A 24-hour compendium of time-themed film clips, all synched to the time that appears on the clocks and watches within.

A creation myth realized in light, patterns, images superimposed, rapid cutting, and silence. A black screen, then streaks of light, then an explosion of color and squiggles and happenstance. Next, images of small circles emerge then of the Sun. Images of our Earth appear, woods, a part of a body, a nude woman perhaps giving birth. Imagery evokes movement across time. Part of the Dog Star Man series of experimental films.

James Houghland, inventor of a new method by which television signals can be instantaneously sent anywhere in the world, refuses to sell the process to television companies, who then send agents to acquire the invention any way they can. On the night of his initial broadcast Houghland is mysteriously murdered in the middle of his demonstration and it falls to Police Chief Nelson to determine who the murderer is from the many suspects present.

A lonely widower finds a mysterious video on his computer that leads him to an abandoned town occupied by an ominous entity.

Jane is the subject of a twisted science experiment where she is placed in a parallel world and is forced to find a way to either alter her reality or be stuck in a time-loop, destined to repeat the same test over and over again, with no memory of her doing it before. But with each 'reset' she starts to retain fragments of memory. With clues pointing to the mysterious Wytness Quantum Research Centre, she tries to find a way out. (The film was shot entirely on an iPhone during the UK’s first lockdown.)

Some Must Watch While Some Must Sleep is a hypnotic and oneiric cinematic poem composed from footage Michael Higgins shot on the road across Alberta and BC, Canada. Photographed on Super 8mm and using hand-processed film techniques to create an unworldly zone between sleep and wakefulness, it looks at three characters and the film’s material that connects them. It is a film that invites the viewer to sleep with the film’s protagonists, to drift across into the dream world of the film’s material and lose touch with their current surroundings.

Nearly 15 years in the making, Chris Sullivan's Consuming Spirits is a meticulously constructed tour de force of experimental animation. Shooting frame by frame in 16mm, Sullivan seamlessly blends together a range of techniques—cutout animation, pencil drawing, collage, and stop-motion animation—into a distinct, signature visual style. In the process, he constructs a hypnotic, layered narrative, a suspenseful gothic tale that tracks the intertwined lives of three kindred spirits working at a local newspaper in a Midwestern rust belt town. The accumulation of these images builds to a great atmospheric effect, achieved through an adroit combination of inventive set design, ever-shifting visual perspectives, fluid camera movements, a vivid color palette, and a haunting music track. Sullivan succeeds in creating, with great artistry, a hermetic, self-contained world emanating from his own unique and vivid imagination. (Jon Gartenberg, Tribeca Film Festival)

Part period melodrama, part film noir, part 50s road movie "JOSHUA TREE, 1951" is a portrait of screen legend and outsider icon James Dean as you have never seen him before.

Earth. Wind. Fire. Water. Sacrifice. In Animal Kingdom a ritual carves a dimension that melds character, object, landscape and the very tactile makeup of the film itself into one mutating, symphonic mass of spell casting, storytelling, living and dying. An explosive account of cinema as witchcraft.

TRAILERS unites the most personal and experimental aspects of underground filmmaking with a scope that is as cosmically vast as a science fiction epic. Rashidi’s ongoing exploration into the nature of cinema sees a group of characters adrift in space, each locked into their own sexual rituals while a cataclysm of universal proportions unfolds. Humanity has become a mysterious burlesque show for alien eyes: the gaze of the film camera. This visionary spectacle uses multiple formats and visual textures in weaving an erotic anti-narrative suspended in its own space and time.

Dreamwood narrates the oniric quest of a modern argonaut in a mysterious island located somewhere on the borders of the unconscious.

There is no escape… From one side of the globe to the other, there is no escaping the faces, the visions, the ever-watchful camera. There is no escaping the mask, there is no escaping the resonating echoes of images and sounds that cross each other over time. There is no escaping the cinema. There is no escaping the terrors of the mind. “A mysterious loner, perhaps a poet, journeys through a series of uncanny surrealistic landscapes with an unclear purpose. His adventure is divided into three sections. The main theme of this experiment is to compare the eerier qualities of different landscapes and interpose the characters within them, elaborating the project’s ongoing preoccupation with extracting sinister moods from ordinary settings. In a way, these can be seen as experimental horror films in which an atmosphere of dread is evoked and sustained without the expected narrative trappings.”

A man (James Devereaux) sits on a park bench talking to the camera, trying to weave together a thought that won’t cohere while commenting on passers-by, his ‘guests’… Mysterious images intervene, overturning the serenity of the park-bench monologue. Rouzbeh Rashidi’s feature proves as engaging as it is elusive.

In Passing is a collaboration between seven different filmmakers from around the world in response to Jesse Richards' 2008 Remodernist Film Manifesto.

A relationship between a man and a woman discloses during the course of the film.

A stand-up comedian and his three offbeat friends weather the pitfalls and payoffs of life in New York City in the '90s. It's a show about nothing.

Dr. Gregory House, a drug-addicted, unconventional, misanthropic medical genius, leads a team of diagnosticians at the fictional Princeton–Plainsboro Teaching Hospital in New Jersey.

See Dr. Steve learn about restaurants, spend time with his family, conquer his fears, and more. Featuring guest appearances by Jan Skylar, Wayne Skylar, and David Liebe Hart.

Nick Swardson's Pretend Time was a TV sketch comedy show created by and starring comedian and actor Nick Swardson. The show premiered on Tuesday, October 12, 2010, at 10 p.m. EST on Comedy Central and ran for two seasons, with the final first-run episode airing November 16, 2011.

John Oliver's New York Stand-Up Show is a stand-up comedy television series that currently airs on Comedy Central in the United States. Hosted by British comedian John Oliver, who is best known for his work on The Daily Show, the show features new material by both up-and-coming and established comedians. Each episode features four performers, including the headliner but not Oliver.

John Berger's Ways of Seeing changed the way people think about painting and art criticism. This watershed work shows, through word and image, how what we see is always influenced by a whole host of assumptions concerning the nature of beauty, truth, civilization, form, taste, class and gender. Exploring the layers of meaning within oil paintings, photographs and graphic art, Berger argues that when we see, we are not just looking - we are reading the language of images.

It's the 1960s. The height of the Cold War. The rural town of Granite Flats, Colorado, suddenly becomes a hotbed for mystery and intrigue. Almost a year after Hershel Jenkins was released from jail, mystery is still a permanent resident in Granite Flats, Colorado. From small concerns plaguing the citizens of the small town to ongoing FBI investigations, Arthur, Timmy, and Madeline are eager to put their developing detective skills to the test. Their sleuthing goes further than ever before, and they may be biting off more than they can chew. And as it turns out, sleuthing is a family affair. The parents of all three miniature detectives have dipped their toes in the water. Chief Sanders works side by side with the FBI to find a citizen who is disloyal to the country, Beth is embroiled in the center of experimental work at the hospital, and the Doctors Andrews are the masterminds behind the shady experiments. This season, everyone has got a secret and nobody is ready to admit it.

The First Georgians: The German Kings Who Made Britain, will present the revealing and surprising story of Britain in the reigns of George I and George II (1714-60) – the age of the ‘German Georges’. In 1714, Britain imported a new German royal family from Hanover, headed by Georg Ludwig (aka George I) - an uncharismatic, middle-aged man with a limited grasp of English. Lucy Worsley will reveal how this unlikely new dynasty secured the throne – and how they kept it. An intimate and close-up portrait of these German kings of Britain, the series will follow George I, his son George II, and their feuding family as they slowly established themselves in their adopted kingdom - despite ongoing threats from invading Jacobites and a lukewarm initial response from the British public.

American Heroes Channel's new series Gunslingers reveals the infamous tales of survival and courage from the Wild West. Exposing little-known facts about America’s first villains and heroes, the six-part series features the stories of Wyatt Earp, Billy the Kid, Jesse James, Wild Bill Hickok, John Wesley Hardin and Tom Horn. Juxtaposed with vivid reenactments, expert commentary is layered throughout each episode to ensure the authenticity and historical accuracy of each story. Contributors include: David Milch, the creator of Deadwood; Bob Boze Bell, the executive editor of True West Magazine; and actor Kurt Russell (Tombstone).

This series reveals worlds never seen before; stunning CGI animation peels back the layers, revealing alien landscapes of fragile lava caves, roiling plasma seas, cosmic platinum mines, and the hungry black hole at the center of our galaxy – cosmological wonders that play a surprising role defining our place in the universe.

The prodigiously talented Gleason became a TV icon after he joined CBS from DuMont, where his work on `Calvalcade of Stars' had established many of his trademark characters, including Reginald Van Gleason III, the Poor Soul and Ralph Kramden, featured here, along with Art Carney, in `Honeymooners' sketches. The Emmy-winning mix also featured guest stars, musical comedy, the glitzy June Taylor Dancers and Frank Fontaine's Crazy Guggenheim character.

When overscheduled teenager Jake Armstrong and his two best friends are accidentally exposed to an experimental chemical, they become Stretch Armstrong and the Flex Fighters, a team of unlikely superheroes who expand beyond the confines of their lives and embark on a series of adventures.

Explores the furious post-9/11 pace of immigration police work in Canada, revealing individual investigators staggering in the blur of competing urgencies. The series pulls back the layers of bureaucracy to reveal the priorities and the police work behind individual cases involving illegals, following their progress through investigation, detention, and deportation.

An unprecedented, sweeping portrait of New Yorkers as they rebuild and rebound, from a devastating terrorist attack through the ongoing global pandemic, weaving together visual imagery and first-hand accounts from a variety of New Yorkers.

Joel Dommett hosts a high octane game show, where two families battle against each other in a thrilling game with a uniquely challenging twist. With an impressive prize of a whopping £20,000, the contestants will have to answer questions hidden within a montage of moving images. To win the cash, the contestants will have to shout the answers displayed on TV screens. For every category that they get right they move further up the money ladder but the pressure is on, as the families will have to bank as much cash as possible and avoid crashing out altogether.