Best movies like HE

A mysterious visitor spends the night at an apartment belonging to a young engaged couple and their friend. Over the course of the night and the following day he sleeps with all three roommates and then disappears, leading to conversations about God, life and filmmaking.

Set against the backdrop of a decaying Midwestern town, a murder becomes the focal point of three people who work in a doll factory.

A 24-hour compendium of time-themed film clips, all synched to the time that appears on the clocks and watches within.

An exiled magician finds an opportunity for revenge against his enemies muted when his daughter and the son of his chief enemy fall in love in this uniquely structured retelling of the 'The Tempest'.

A creation myth realized in light, patterns, images superimposed, rapid cutting, and silence. A black screen, then streaks of light, then an explosion of color and squiggles and happenstance. Next, images of small circles emerge then of the Sun. Images of our Earth appear, woods, a part of a body, a nude woman perhaps giving birth. Imagery evokes movement across time. Part of the Dog Star Man series of experimental films.

This art experiment by Andy Warhol captures the simple act of a man eating mushrooms. This one-man show starring Robert Indiana presents the actor slowly eating some mushrooms, having an enjoyable time not only with the food but also with a friendly cat that from time to time comes to see what the man is doing.

Experimenting in hypnotic regression to past lives, Dr. Edmund Redding of the Cowan Institute in Pasadena has discovered that Ann Taylor is a reincarnated Aztec woman. Via her recovered memories, she is able to lead Redding and his associates to a hidden chamber in the Great Pyramid of Yucatan, where they hope to find the lost treasure of the Aztecs. Instead, they find two mummified bodies - one of a modern man, quite dead, and the other of an ancient Aztec, quite alive. They are able to return safely to Pasadena with both finds, but a rival professor, Janney, kills Redding and steals the body of the modern man-mummy. This he subjects to a resurrection experiment, which works - only the mummy proves to be a werewolf. Two supernatural menaces roam the city that night. This film is composed of footage from two unrelated Mexican horror movies, LA CASA DEL TERROR and LA MOMIA AZTECA, plus new footage shot in the U.S. by Jerry Warren.

Journalism student Simon Tate thinks it's strange when four students at the university suddenly die in "unrelated" accidents. When his friend, Dr. Benjamin Roanic, becomes the prime suspect and is suddenly murdered, Simon sets out to prove his innocence. He soon discovers the students were Roanic's test subjects in a secret drug test program, and had been cured of AIDS. He is forced to run for his life, when a pharmaceutical company tries to prevent him from revealing the truth behind "Phase IV".

A vampire posing as a priest creates a cult of blood thirsty humans and is responsible for a number of killings beginning with a massacre at a church.

This short experimental film tells the story of a man who comes to Hollywood to become a star, only to fail and be dehumanized. He is identified by the number 9413 written on his forehead.

Disguised as an educational film. Stereo purports to be a report on the "Canadian Academy of Erotic Inquiry's" experiments to induce telepathy in eight experimental subjects. It follows the effects of the experiment using the theoretical framework of the parapsychologist Luther Stringfellow. The film is virtually silent except for commentary by the experimenters.

Collection of short films the summaries of which include; a foreign man moving to Italy, getting married and having a child; a four split scene short involving plot-less images of old people with television sets for heads, a beautiful woman having sex, and overall confusion; and an old man reminiscing over his youth.

An attempt to bring the work of surrealist artists to a wider public. The plot is that of an average Joe who can conjure up dreams that will improve his customer's lives. This frame story serves as a link between several avant-garde sequences created by leading visual artists of their day, most of whom were emigres to the US during WWII.

James Houghland, inventor of a new method by which television signals can be instantaneously sent anywhere in the world, refuses to sell the process to television companies, who then send agents to acquire the invention any way they can. On the night of his initial broadcast Houghland is mysteriously murdered in the middle of his demonstration and it falls to Police Chief Nelson to determine who the murderer is from the many suspects present.

A lonely widower finds a mysterious video on his computer that leads him to an abandoned town occupied by an ominous entity.

An Irish filmmaker grapples with the legacy of his estranged father, the late documentarian Arthur MacCaig, through MacCaig's decades-spanning archive of the conflict in Northern Ireland. Drawing on over 30 years of unique and never-seen-before footage, 'The Image You Missed' is an experimental essay film that weaves together a history of the Northern Irish 'Troubles' with the story of a son's search for his father. In the process, the film creates a candid encounter between two filmmakers born into different political moments, revealing their contrasting experiences of Irish nationalism, the role of images in social struggle, and the competing claims of personal and political responsibility.

Against a plain, unchanging blue screen, a densely interwoven soundtrack of voices, sound effects and music attempt to convey a portrait of Derek Jarman's experiences with AIDS, both literally and allegorically, together with an exploration of the meanings associated with the colour blue.

Jane is the subject of a twisted science experiment where she is placed in a parallel world and is forced to find a way to either alter her reality or be stuck in a time-loop, destined to repeat the same test over and over again, with no memory of her doing it before. But with each 'reset' she starts to retain fragments of memory. With clues pointing to the mysterious Wytness Quantum Research Centre, she tries to find a way out. (The film was shot entirely on an iPhone during the UK’s first lockdown.)

Wolf, a young métis hunter living on the mountain. While hunting deep in the woods he discovers Crane, an older man with a mysterious past and the scars to prove it. Wolf nurses him back to health. Over time their bond gets deeper and they fall in love. When outsiders begin to show up looking for Crane, blood begins to flow. Cornered by an army of crooked cops, Wolf and Crane work together to boobie trap the mountain, taking them out one at a time until they come face-to-face with the man who pulls the strings…. Bretten Hannam’s debut feature is an ambitious action/thriller with outstanding performances from Justin Rain (Defiance) and Festival favourite Glen Gould (Rhymes for Young Ghouls, Charlie Zone).

Some Must Watch While Some Must Sleep is a hypnotic and oneiric cinematic poem composed from footage Michael Higgins shot on the road across Alberta and BC, Canada. Photographed on Super 8mm and using hand-processed film techniques to create an unworldly zone between sleep and wakefulness, it looks at three characters and the film’s material that connects them. It is a film that invites the viewer to sleep with the film’s protagonists, to drift across into the dream world of the film’s material and lose touch with their current surroundings.

Nearly 15 years in the making, Chris Sullivan's Consuming Spirits is a meticulously constructed tour de force of experimental animation. Shooting frame by frame in 16mm, Sullivan seamlessly blends together a range of techniques—cutout animation, pencil drawing, collage, and stop-motion animation—into a distinct, signature visual style. In the process, he constructs a hypnotic, layered narrative, a suspenseful gothic tale that tracks the intertwined lives of three kindred spirits working at a local newspaper in a Midwestern rust belt town. The accumulation of these images builds to a great atmospheric effect, achieved through an adroit combination of inventive set design, ever-shifting visual perspectives, fluid camera movements, a vivid color palette, and a haunting music track. Sullivan succeeds in creating, with great artistry, a hermetic, self-contained world emanating from his own unique and vivid imagination. (Jon Gartenberg, Tribeca Film Festival)

Part period melodrama, part film noir, part 50s road movie "JOSHUA TREE, 1951" is a portrait of screen legend and outsider icon James Dean as you have never seen him before.

A utopian re-visioning of the Kronstadt Uprising of 1921, featuring film history's first cast of over 100 transgender actors, paints a portrait of formerly pro-Soviet sailors at the Kronstadt naval garrison who rebelled against the perceived failures of the new Bolshevik state.

The Angelic Conversation is a lyrical, haunting film about a young man’s search for love in a dreamlike landscape. Its tone is set by the juxtaposition of slow moving homo-erotic images and opaque landscapes through which two men take a journey into their own desires. Offscreen, Dame Judi Dench recites a sequence of Shakespeare's sonnets that counterpoint the action. Jarman called it, “My most austere work, but also the closest to my heart.”

Earth. Wind. Fire. Water. Sacrifice. In Animal Kingdom a ritual carves a dimension that melds character, object, landscape and the very tactile makeup of the film itself into one mutating, symphonic mass of spell casting, storytelling, living and dying. An explosive account of cinema as witchcraft.

'Dalla nube alla resistenza (From the Cloud to the Resistance ) (1978), based on two works by Cesare Pavese, falls into the category of History Lessons and Too Early, Too Late as well. It, too, has two parts—a twentieth-century text and a text regarding the myths of antiquity, each set in the appropriate landscape. Pavese's The Moon and the Bonfires looks back on the violent deaths of Italian anti-Fascist resistance fighters; Dialogues with Leucò is a series of dialogues between heroes and gods, connecting myth and history and returning to an ambiguous stage in the creation of distinctions, such as that between animal and human, which are fundamental to grammar and language itself. Such a juxtaposition of political engagement with profoundly contemplative issues such as myth, nature, and meaning points to the characters of Empedocles and Antigone in the Hölderlin films.' (From "Landscapes of resistance. The German Films of Danièle Huillet and Jean-Marie Straub" by Barton Byg)

65 shots making up a cryptically alluded-to narrative: a lesbian couple's Midwest travels, a hitchhiking young man's journeys, the story of a man who may be having an affair.

TRAILERS unites the most personal and experimental aspects of underground filmmaking with a scope that is as cosmically vast as a science fiction epic. Rashidi’s ongoing exploration into the nature of cinema sees a group of characters adrift in space, each locked into their own sexual rituals while a cataclysm of universal proportions unfolds. Humanity has become a mysterious burlesque show for alien eyes: the gaze of the film camera. This visionary spectacle uses multiple formats and visual textures in weaving an erotic anti-narrative suspended in its own space and time.

Dreamwood narrates the oniric quest of a modern argonaut in a mysterious island located somewhere on the borders of the unconscious.

There is no escape… From one side of the globe to the other, there is no escaping the faces, the visions, the ever-watchful camera. There is no escaping the mask, there is no escaping the resonating echoes of images and sounds that cross each other over time. There is no escaping the cinema. There is no escaping the terrors of the mind. “A mysterious loner, perhaps a poet, journeys through a series of uncanny surrealistic landscapes with an unclear purpose. His adventure is divided into three sections. The main theme of this experiment is to compare the eerier qualities of different landscapes and interpose the characters within them, elaborating the project’s ongoing preoccupation with extracting sinister moods from ordinary settings. In a way, these can be seen as experimental horror films in which an atmosphere of dread is evoked and sustained without the expected narrative trappings.”

A man (James Devereaux) sits on a park bench talking to the camera, trying to weave together a thought that won’t cohere while commenting on passers-by, his ‘guests’… Mysterious images intervene, overturning the serenity of the park-bench monologue. Rouzbeh Rashidi’s feature proves as engaging as it is elusive.

In this film a lone figure wanders through a mysterious wilderness while hounded by spectres and unseen forces. This is a solitary journey, a path of exile and hardship that leads beyond the abyss to where reality loses its mask of concreteness and shows its true fluid face.

In Passing is a collaboration between seven different filmmakers from around the world in response to Jesse Richards' 2008 Remodernist Film Manifesto.

“A Darkness Swallowed opens on a pair of faded photographs showing an old dented car, one with a child standing beside it and the other without. Speaking in voice-over, Bromberg references a past event, one that will forever haunt her although it occurred before her birth. The film then sinks downward, dipping below the surface of the rational world to mine the seemingly infinite layers of the past stored within the fleshy entrails, chalky bones, sinewy spider webs and gnarled ligaments of both the body and the Earth. Noises – of clanging metal, bells, heartbeats and jazz music, to name only a few – combine to create a dense sound environment, a seemingly immense, three-dimensional space for contemplation." – Holly Willis, L.A . Weekly

A relationship between a man and a woman discloses during the course of the film.