In this musical, a songwriter goes to court to claim the rights to his song that was stolen by an unscrupulous music publisher. He brings his girlfriend with him. Also going to court are the Jubilee singers, hillbillies, and some cowboys and Indians who demonstrate that the composer wrote his song by rearranging four folk tunes. He wins his song back and $50,000 in damages. Songs include: "Heading Home," "Roll Along Prairie Moon," "Tender Is the Night," "You're My Thrill," "I'm Bound for Heaven," and "The Army Band."
Ted Lewis Virginia Bruce Harry Stockwell Ted Healy Nat Pendleton Addison Richards Donald Cook George McFarland Robert McWade Henry Kolker Robert Gleckler Richard Tucker Bert Roach Tyler Brooke Ferdinand Gottschalk May Beatty Charles Lane Gertrude Astor Marjorie Beebe Brooks Benedict Herman Bing Ralph Brooks Nat Carr Jack Cheatham Sally Conlin Edward Cooper Frank Darien James Donlan Billy Dooley Lester Dorr Otto Fries Billy Gilbert Florence Gill Sherry Hall Lew Harvey David S. Horsley Esther Michelson Harold Miller Gene Morgan William Newell Dennis O'Keefe Elizabeth Pendleton Fred Sanborn Tiny Sandford Fred Santley Muggsy Spanier Larry Steers Henry Sylvester Maidel Turner Minerva Urecal Monte Vandergrift Douglas Williams
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Rhythm Inn
A bandleader, desperate to get his band's instruments out of hock, promises the pawnshop clerk--an aspiring songwriter--that he'll let the band's female singer do the clerk's songs at a local club if he will let the band "borrow" their instruments at night. The clerk's girlfriend, however, thinks that the band singer is after more than her boyfriend's songs.
Alexander's Ragtime Band
Classical violinist, Roger Grant disappoints his family and teacher when he organizes a jazz band, but he and the band become successful. Roger falls in love with the band's singer, Stella, but his reluctance to lose her leads him to thwart her efforts to become a solo star. When the World War separates them in 1917, Stella marries Roger's best friend and, when Roger returns home after the war, an important concert at Carnegie Hall brings the corners of the romantic triangle together.
Brazil
Brazil is perhaps the best of the handful of US films made by Brazilian singing sensation Tito Guizar. In typical screwball-comedy fashion, the plot is set in motion by authoress Nicky Henderson, who has hit the best-seller charts with her latest tome, Why Marry a Latin? While researching her next book in Rio De Janeiro, she finds out "why" when she meets handsome songwriter Miguel Soares. Upon learning about Nicky's book, Miguel decides to teach her a few lessons in the affairs of the heart. Edward Everett Horton is also on hand, twittering his way through the role of a well-meaning buttinsky. Thanks to the "Good Neighbor" policy of the 1940s, South American musicals were a glut on the market, but Brazil was good enough on its own merits to pay its way at the box office.
Under Your Spell
A famous singer, bored with music and fans, goes to live in Mexico. His manager sends a woman to bring him back. They fall in love.
Get Yourself a College Girl
A young music student faces expulsion after her instructors learn she is moonlighting as a pop-music writer.
Children of Pleasure
A successful songwriter, dazzled by high society, falls for a society girl who is just playing around.
Hit Parade of 1943
When amateur songwriter Jill Wright moves from the Midwest to New York City, she is dismayed to discover that Rick Farrell, the owner of Miracle Publishing Co., has claimed as his own the song she submitted to his company. One of the many films made at Republic with a year attached to the "Hit Parade" title, which came from the "Hit Parade" radio program sponsored by Lucky Strike cigarettes.
Meet the Boy Friend
A heartthrob singer, Tony Paige, also known as "America's Boyfriend" decides to wed a Swedish actress. His manager doesn't want this because he is afraid of Tony losing female fans so he takes up a 300 hundred thousand dollar insurance policy if Tony does in fact wed. Tony soon meets a girl name June Delaney on a bus who doesn't swoon over him like other girls. He falls for her but doesn't know her true identity.
Good Morning, Judge
A songwriter is sued for libel, and when he gets to court he discovers that his girlfriend is the plaintiff's attorney.
Sing While You Dance
Susan Kent, hoping to establish herself as a song-plugger, tries to obtain a second song from a young songwriter, Johnny Crane, after his first song becomes a hit. While pursuing her objective, she falls in love with Johnny, and lands in jail, but she acquires the song, the job, and Johnny.
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Flight of the Conchords
The trials and tribulations of a two man, digi-folk band who have moved from New Zealand to New York in the hope of forging a successful music career. So far they've managed to find a manager (whose "other" job is at the New Zealand Consulate), one fan (a married obsessive) and one friend (who owns the local pawn shop) -- but not much else.
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L.A. Law is an American television legal drama series that ran for eight seasons on NBC from September 15, 1986, to May 19, 1994. Created by Steven Bochco and Terry Louise Fisher, it contained many of Bochco's trademark features including a large number of parallel storylines, social drama and off-the-wall humor. It reflected the social and cultural ideologies of the 1980s and early 1990s, and many of the cases featured on the show dealt with hot-topic issues such as abortion, racism, gay rights, homophobia, sexual harassment, AIDS, and domestic violence. The series often also reflected social tensions between the wealthy senior lawyer protagonists and their less well-paid junior staff. The show was popular with audiences and critics, and won 15 Emmy Awards throughout its run, four of which were for Outstanding Drama Series.
Night Court
Night Court is an American television situation comedy that aired on NBC from January 4, 1984 to May 31, 1992. The setting was the night shift of a Manhattan court, presided over by the young, unorthodox Judge Harold T. "Harry" Stone. It was created by comedy writer Reinhold Weege, who had previously worked on Barney Miller in the 1970s and early 1980s.
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Sex&Drugs&Rock&Roll
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Naughty But Nice
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