Historia del 900

They are both alone. They need each other but, at the same time, they despise each other. Siblings Marcos and Susana are unable to heal the old wounds festering within them after the death of their mother. When Susana sells their mother's flat, she deprives her brother of the home where he had cared for their mother his whole life. Marcos's need to start living again surfaces when his sister forces him to leave Buenos Aires for Uruguay.

On a trip to Paris Sally meets Pablo, a tango dancer. He starts teaching her to dance then she returns to London to work on some "projects". She visits Buenos Aires and learns more from Pablo's friends. Sally and Pablo meet again but this time their relationship changes, she realises they want different things from each other. On a trip to Buenos Aires they cement their friendship.

Buenos Aires, November 2001. Argentina is embroiled in crisis, with the Peso plunging deeper and deeper. Julio Färber, the charismatic bandoneon player of the "Vecinos de Pompeya," a five-piece working-class tango band, is trying to keep his head above water, but every month he is earning less and less from their gigs as well as from the traditional shoe shop he inherited from his father. At the very moment he takes the decision to leave his beloved Buenos Aires forever, it clearly appears that life is conspiring against him: overnight, the government freezes all bank accounts in the whole country, preventing Julio from purchasing the flight tickets and sparking violent protests throughout the town. And Mariela, a witty young woman and feisty cab driver, bumps into his car at full speed, damaging Julio's last possession of value before stealing his heart.

Jim Conrad, a reluctant hitman, is ordered to Buenos Aires to complete one last contract. The task becomes complicated when the intended victim proves to be a well-protected man accompanied by a beautiful mistress who has caught Conrad's eye.

A woman's voice says she was wife to Renzo Franchi and Carlos Gardel (1890-1935), Argentina's great tango singer. People say she's crazy. Her story unfolds. Buenos Aires, 1933: Juana Romero, a seamstress who lives for the music of Gardel, dumps her boyfriend Gustavo for Renzo, a singer who looks like Gardel. She insists that his trio performs Gardel's tangos, which leads to Renzo recording a Ford commercial when Gardel himself is overbooked. The trio, with Joanna in tow, goes on an ill-fated tour of points north. The couple breaks up: she goes home and he tries to get to New York. Fate steps in, and once again he's called upon to pose as Gardel. Then, legend and a bracelet take over. Written by

The action occurs in Abasto Market in Buenos Aires, Argentina. A grown up single woman marries a mafia man who promised her he would change. After they've married, his past come to ruin the wife's life.

After the end of the military dictatorship in Argentina in 1983, Floreal is released from prison. Instead of returning to his wife, he wanders through the night of Buenos Aires. He meets some people from his past–most of which are only imaginary–and remembers the events of his imprisonment.

Ricardo Fuentes (Carlos Gardel) leaves Buenos Aires after loosing in horse races to go to Barcelona, where he plans to open a tango bar, a new concept of tango dance show and dance saloon. On the ship he meets Laura Montalván (Rosita Moreno) who happens to be a thief working with a thief pal. Ricardo watches them robbing a lady's bracelet aboard but decides not to report them because he has fallen in love with Laura. Once in Barcelona, he opens the tango bar but Laura's partner tells him he sold the bracelet and now needs to recover it to avoid both Laura and him going to jail.

o Jorge Cedrón this was an act of wistful and political affirmation. He could not explain why he made it, but stated: «It necessary to make it». The outcome, never screened publicly in Argentina, is of a joyous creative freedom, a musical collage here the history of tango and its roots get interwoven with Argentine political history. A Buenos Aires street reconstructed in Ariane Mnouchkine 's theatre, a European old man who can play the tunes the bandoneón was made for, but who does not know the tango, a friends gathering at Antonio Seguí's studio, the music of Cuarteto Cedrón, hobbyhorses and a disconcerted Indian are some of the many elements combined by the film-maker in this singular, unique work.

¡Tango! follows a formula established by Carlos Gardel with films such as Luces de Buenos Aires (The Lights of Buenos Aires, 1931) in which a melodramatic story is interspersed with tango songs. However, the film had less dialog and more music, making it more like a musical revue. This format would be copied by many subsequent films. The plot is derived from tango songs. Many of these songs tell of the seduction of an innocent slum girl by a rich man who promises her a glamorous life, but who abandons her when her looks fade. The stylized and sentimental plot of ¡Tango! revolves around a young man who is abandoned by his girlfriend for an older rich man and is heartbroken. The film follows his misfortunes.

Helena is a talented singer in Buenos Aires. Just as she and her band get a residency at a prestigious theater in the city, the boyfriend she's mad about coldly announces that he doesn't love her any more. The film is punctuated by intense bursts of tango. Every song moves the story along, providing an insight into the characters and access to the protagonist's feelings: nostalgia, passion, sadness, and joy in turn. The lyrical and musical wealth of tango, brilliantly performed by Eugenia Ramírez Miori, unites the two stories, past and present. 'La cantante de tango' is a poignant auteur film about a woman trying to get back on her feet after a devastating break-up.

Franco kills a tango singer, and the weight of his guilt pushes him to search for information about his victim. His quest leads him into an unknown and fascinating world, a true and deep place where the tango is still alive, habitat of the last real and authentic bohemian artists in Buenos Aires.

Luisa Soler, a young and wealthy lawyer, travels to the province of Buenos Aires with her aunt Totona and there she meets a humble composer of tangos, Martín Salazar. The meeting between them creates confusion for his girlfriend and, after several moments of tension and strong arguments, Martin asks Luisa to clarify the situation with her fiancée. But when the lawyer decides to do something, it changes for both of them. Both realize that they love each other and that, beyond the different lives they lead, they will fight to be together.

Three Argentines who live in Paris and dream of returning to Buenos Aires but lack resources for the passage, find their opportunity when a landowner, a business man and his daughter arrive in Paris. In a game of rigged poker the three anchors obtain the money for the passages from the newcomers; it happens however that the employer has made an embezzlement and will go to jail if he does not return the money. The character represented by Parravicini, who is the true father of his adopted daughter, gives him the money won to solve his problem and the three remain in Paris to see them in an end with the best poetry of Romero crossing a bridge under the mist , silent, once again anchored but with the happy sadness of recovered self-esteem.

A group of friends in their 30's meet at a bar in Buenos Aires everyday. They used to hang here as students, laughing at the world, and now they still dream of changing the world from the cafe's table. Unable discuss politics or football, the only thing they can talk about is women. When one of their friends commits suicide, a female from his past shows up to confront old feelings.

A musically talented teenager returns to her native Buenos Aires with her father, Herman, after living in Europe for several years, navigating the trials and tribulations of growing up.

During the year 2000, Ricardo, Pollo, Walter and Chiqui occupied a house in the Buenos Aires neighborhood of Congreso. The four young people forge a strong friendship that leads them to go through different stories of crime, drugs and social marginalization.

A traditional sagebrush saga based on two novels ("Sackett" and "The Daybreakers") by Louis L'Amour. It focuses on the three Sackett brothers in New Mexico after the Civil War, seeking their fortunes, avenging a family killing, driving cattle, and fighting for law and order.

The series revolves around Gabo, a soccer-loving teenager who, upon receiving a scholarship from the prestigious Sports Academic Institute (IAD) of Buenos Aires, will see his dream of playing at Los Halcones Dorados, the renowned amateur team of the school, and also his longing to become a professional footballer.

A young working-class man comes from Misiones (an Argentinian province) to Buenos Aires, with a fighting rooster, looking for his brother, and gets involved with low life characters, who introduce him to a world of crime.

She was working in a bridal shop in Lanús, Buenos Aires 'Til her boyfriend kicked her out in one of those crushing scenes What was she to do? Where was she to go? She was out on her fanny... So over the highway from Lanús to the Iraola's door She was there to sell makeup, but the father saw more She had style! She had flair! She was there That's how she became The Nanny! Who would've guessed that the girl we've described Was just exactly what the doctor prescribed? Now the father finds her beguiling, watch out Teté! And the kids are actually smiling, such joie de vivre! She's the lady in red when everybody else is wearing tan... The Flashy girl from Lanús, the nanny named Flor!

Hours before denouncing Argentina’s president Cristina Fernandez de Kirchner of negotiating impunity of Iranians possibly involved in the AMIA bombing in 1994, prosecutor Alberto Nisman was found dead in his apartment in Buenos Aires.

Three students have taken their lives in the last six months in a school in Greater Buenos Aires and Guillermo Reyes, the rector of the school, calls the prestigious psychoanalyst Francisco...

It is the golden age of gangs, and one of the darkest times for the police, who are controlled by a group of millionaire commissioners sharing in the illicit businesses of Buenos Aires.

Two socially-awkward thirty-somethings and a young con woman start a rock band that takes the Buenos Aires music scene by storm.

As an heiress to her family’s business empire, Sofía lives an opulent life free of responsibilities and commitments. But when her father passes away, Sofía is forced to return to her birthplace, Buenos Aires, to confront her rivalry with her two brothers and her father's secrets. In facing her complicated family legacy, Sofía sets out to prove that she’s more than a spoiled party girl.

The series interspersed the most significant historical events of the southern country with the comings and goings of a family living in the suburbs of Buenos Aires.

A middle-class young man joins the "brava bar" of a soccer club in the Buenos Aires suburbs, Argentina, and manages to ascend within the criminal structure until he reaches a place of leadership that he could never find in his own environment.

The series follows Rudy along the canals of St. Petersburg, Russia, to the Taj Mahal in India, into the jungles of Thailand's Golden Triangle and inside the tango halls of Buenos Aires.

Pete Firman and Alistair Cook, ace magicians and good friends, lead us on a mysterious tour of magic from Last Vegas to Madrid, Los Angeles to New York and Paris to Buenos Aires. On Pete and Alistair's road trip, we meet their heroes as they reveal secrets of the world's most legendary tricks.