Best movies like Homeland

Anson Page, a lawyer with Southern roots leaves New York, his wife and his kids for Georgia. His assignment is to investigate the case of Garvin Wales, a famous writer, now nearly blind and embittered, whose royalties have apparently never reached him. Back in his native South, Page finds himself immediately exposed to what he had fled : racial and class prejudices. But he also meets his former love, Dinah, now married to go-getter uncouth businessman Mickey Higgins. Will he find out whatever happened to 2,000 dollars in rights Wales did not cash? Will Dinah and Anson renew their love story?

Chester Binney, a wounded war veteran, erroneously believes he is carrying a silver plate in his head and must avoid all excitement. He returns to his hometown, and there his former employer, George Simmons, attempts to arrange a match between Chester (who is to inherit a fortune) and his daughter Ethel. Ethel, however, finds Chester unexciting as a lover; and to enliven the affair, the father invents a lurid past for the boy by displaying a signed photograph of Rita Renault, a famous movie star. Rita, accompanied by her jealous husband, Jack Shields, arrives in the town for a personal appearance. By chance, Jack discovers the photograph of Rita, presumably the property of Chester, and when he sees his wife kissing Chester, a running fight ensues.

To fulfill a dying mother's bequest for her daughter, the town pastor purchases the daughter a stylish hat, and gossip spreads through the town.

Darrin Hill, a slick-talking but down-on- his-luck NYC advertising exec, returns to his hometown in Georgia to claim the inheritance his aunt left him. But before Darrin can collect the money, he must fulfill his aunt's final wish -- to create a local choir.

Opera prima donna leaves the Metropolitan to form her own company with Tibbett as leading man. She leaves this company too which means Tibbett and company must carry on without her.

Loosely traces the life of tenor Enrico Caruso (1873-1921). He loves Musetta, in his home town of Naples, and then Dorothy, the daughter of one of the Metropolitan Opera's patrons. Caruso is unacceptable to both women's fathers: to one, because he sings; to Dorothy's, because he is a peasant. To New York patricians, Caruso is short, barrel chested, loud, emotional, unrefined. Their appreciation comes slowly. The film depicts Caruso's lament that "the man does not have the voice, the voice has the man": he cannot be places he wants to be, because he must be elsewhere singing, including the day his mother dies. Throughout, Mario Lanza and stars from the Met sing.

Magda (Young) rebels against the harsh treatment she receives from her stern father (Edward Kimball). She ultimately escapes from home with aspirations to become a singer. She is betrayed by Kellner (Edward Fielding), a friend of the family, but she also becomes a great success.

A black New York man returns to his southern hometown to investigate his father's lynching at the hands of a white mob.

An aspiring opera singer from Harlem teams up with a charismatic busker and a kindhearted hustler to share his voice with the world, and teaches his two newfound friends the importance of taking your destiny into your own hands. Anton (Gabriel Casseus) lives in Harlem with his aunt. He dreams of moving to Italy and becoming a famous opera singer, and though he's been blessed with a magnificent singing voice, his passion has made him an outsider in his neighborhood. Running away from home, Anton meets passionate street pianist Matthew (Christian Carmago) and together the two begin drawing large, appreciate crowds on the street. Working the crowd as they do their thing is Wes (Damon Wayans), whose natural charm always gets the cash flowing. And while life on the streets is never easy, Anton, Matthew, and Wes soon discover that by following their dreams, they may find a means of transforming their lives forever.

Little Delft, Michigan follows the customs of old-world Holland and is known for its Tulip Festival. The owner of the hotel insists that his seven daughters marry in order, from eldest to youngest.

Iris Lee is reared in the small town of Dalton by her deceased mother's friend, Martha Kane, and when she reaches adulthood, Martha's son Jim falls in love with her. When Iris fails to return his affections, Mrs. Kane treats her so coldly that Iris decides to leave the stuffy little village for the metropolis. On her journey, she accepts a ride with Jack Andrews, but after he attempts to kiss her, she leaps from the car and walks the rest of the way. While singing in the choir of a large metropolitan church, she is discovered by Jack's wealthy father Peter, who recommends her as a soloist. Light opera star Helen Manning, who has helped Iris to cultivate her voice, quarrels with her theatrical manager, and Iris is offered her position.

To inherit her father's company, socialite Ellen must first visit his small hometown, where she learns the value of hard work and helping others.

A group of people fight for their small town after vampires take over the world.

This 'prequel' to The Little Foxes tells how the ruthless members of the old-South Hubbard family got that way.

Rigoletto is a jester in the court of the Duke of Mantua. He has a hunch-back and he's rather unattractive, but he's good at his job of humiliating the courtiers for the amusement of the Duke. The courtiers, of course, are not amused. The Duke is a ladies man who feels his life would be meaningless if he couldn't chase every skirt he sees. In fact, we learn as the opera begins that he's recently been noticing a young lady every Sunday on her way to church, and he's vowed to have his way with her. What nobody realizes is that the girl is the jester's beloved daughter, Gilda, and that Gilda has seen the Duke every Sunday and is smitten with him. Suddenly Count Monterone appears at court, furious that the Duke has seduced his daughter. Rigoletto ridicules Monterone, the Duke laughs, and Monterone casts an awful curse on both of them. Later, the courtiers discover that Rigoletto is secretly living with Gilda...

A small-town girl who's made it big in New York as a fashion model returns home, only to find that her somewhat dotty uncle has mortgaged his boarding house to the hilt. In her efforts to help him keep his boarding house, she becomes involved with a handsome young minister and his superior, an older bishop.

In Junction 88, a small all-black community, pretty Lolly Simpkins loves gentle songwriter Buster Jenkins, who makes too little money to marry. Her father favors rival suitor Onnie, crude but with a better income. Buster's best chance comes when impresario Bob Howard, to whom he's sent songs, comes to town looking for him. But Bob is looking for a pseudonym, 'Hewlett Green', that nobody's ever heard of. Will Buster reveal himself? Meanwhile, a very jazzy church concert.

A famous opera singer is held hostage in South America by a guerrilla rebel group after performing at a Japanese businessman's lavish birthday party. Unexpected bonds are forged in the standoff that ensues.

Combining unprecedented access to Davis' vast personal archives with original interviews, this documentary reveals a startling portrait of one of Hollywood's most gifted and enigmatic stars.

Brent Carver stars as the swashbuckling Pirate King in the famous Stratford Festival's rollicking production of the Gilbert & Sullivan classic that pits British bobbles against unlikely pirates on the Cornish coast. Sullivan regarded this operetta - a hit ever since its first production in New York in 1879 - as the best comedy he composed. He even said of his collaborator, "The libretto is ingenious, clever, wonderfully fun in parts and sometimes brilliant in dialogue - beautifully written for music, as is all Gilbert does." Indeed, audiences will find the music every bit a match for the lyrics, with the genius of the score lying in its parody of grand opera. Filmed in 1985 at the world-famous Stratford Shakespeare Festival in Stratford, Ontario.

Big Town Girls have dating service jobs long enough to learn that a society matron needs a boxer to perform at a party. They talk a waiter into playing the part and a series of accidents and tricks sends him on a boxing career.

One of the first US born conductors to receive worldwide fame, Leonard Bernstein is an exceptional composer and certainly not only due to The West Side Story. Instead of concentrating exclusively on his most famous work, Thomas von Steinaecker sets out to paint a complete picture of Bernstein. Thus, the documentary focusses on the American’s less known later works and on three compositions in particular: his Mass, the musical 1600 Pennsylvania Avenue and the great final opera A Quiet Place. The film paints a vivid picture of the multitalented Bernstein, struggling with his role as composer and conductor, tackling the tension between successes and flops, between the politics of his time and his own liberal humanitarian claim. It looks back on Bernstein’s major achievements, such as his acclaimed conducting of Mahler and his involvement in the Young People’s Concerts, and it shows Bernstein’s work with young aspiring musicians as well as his political commitment.

Born in 1873 in a poor neighbourhood in Naples, Enrico Caruso conquered the world with his singing voice. At the age of 27 he got a contract at the Scala in Milan, and his already considerable popularity skyrocketed thanks to the invention of the gramophone. He sold millions of records, and garnered international acclaim. In 1903 he moved to New York to perform at the prestigious Metropolitan Opera, in the role of Radames. But his riches and fame attracted the attention of the Mafia, who started blackmailing him. He felt trapped by his fame and died at just 48 years old. Biographer Francesco Canessa, the music critic Jürgen Kesting and the composer Micha Hamel explain the ups and downs of the man behind the timeless Italian voice.

The legendary soprano Elisabeth Schwarzkopf stars in this acclaimed film of Richard Strauss' delightful opera, Der Rosenkavalier. This Salzburg Festival production of Strauss' great work toured the world, and this filmed version was hailed by The New York Times as "Superb." Schwarzkopf performs her signature role as Princess von Werdenberg, an aging beauty involved with a younger man, Octavian. But when Octavian agrees to assist Baron Ochs by delivering the Baron's proposal of marriage to the beautiful young Sophie, the messenger and bride-to-be fall in love with each other!

Cheeky Jette is a typical Berlin girl. Together with her mother, she performs couplets in a Berlin suburb theatre every night. Then, a young Austrian baron, who is worshipping Jette, enables her to audition for Königstädtisches Theater. Although she at first fails with an aria from an opera, Jette wins over the hearts of the board members with her fresh style when she performs a cheeky couplet that was written by Barsch, the stage manager of the suburb theater.

Ellie Hartman is an aspiring crafter working in her small town’s bakery making famous Christmas Kringles. When the new, big-city CEO Nick Carlingson visits the bakery, he arrives filled with modernization ideas destined to lay off many employees.

When a high school senior finds out from her parents that she must miss the town's winter dance in order to attend church, she successfully wishes their faith away, bringing disastrous consequences to her family and community. To restore their faith, she is led through a series of Christmas adventures that change her heart and those around her.

When Sadie's (Malone Thomas) boyfriend cancels their holiday plans, she decides to spend Christmas with her parents back in her hometown, only to find out they've sold the family's beloved chocolate store to a stranger who knows nothing about chocolate. Begrudgingly, her father convinces her that she'd be the obvious choice to help teach the new owner everything she knows about chocolate. In the middle of planning the perfect retirement party for her parents, she discovers that not everything has to be perfect. And sometimes, when you least expect it, you find love.

Widower, Mark Jansen, owns and runs the local newspaper for the Midwest town he grew up in. As he struggles to make ends meet, his daughter takes his happiness into her hands by going down to the famous wishing well their little town is known for, and wishing for just that - his happiness. Shortly after, a glamorous woman appears in town by the name of Cynthia Tamerline. Lead by Mark's daughter, Cynthia makes a trip to the well herself and casts a wish. When she wakes up the next morning, she finds that she has been transported to an alternate universe that ultimately changes her forever.

A man who loves an aspiring opera singer is prepared to sacrifice everything to help her with her career, even though he knows she doesn't love him.

This production was originally staged for the Pepsico Summerfare Festival, The International Performing Arts Festival of the State University of New York at Purchase. Leaving the lyrics in their original Italian, acclaimed American director Peter Sellars transports Wolfgang Amadeus Mozart's "Don Giovanni" to a modern-day metropolis, nestling the opera's beloved characters among the brownstones of New York City's Harlem. Sellars's contemporary retelling of a classic musical tale is one of three performances in a Mozart series that also includes "Le Nozze di Figaro" and "'Così Fan Tutte."

Franz Woyzeck, a lowly soldier stationed in a mid-nineteenth century provincial German town, is the father of an illegitimate child by his mistress Marie.

Live from ROH 1985. Giordano's Andrea Chenier is one of the greatest of verismo operas, full of heart-stopping big tunes and powerful emotional situations. If it is not as well-known as it should be, it is because in summary it sounds a little too like Puccini's Tosca: there is a tussle between political opponents over a woman, an attempt to save a condemned man, a tenor aria about writing poetry on the eve of execution. The difference is that Gerard (Giorgio Zancanaro) is not a villain like Scarpia, he is an idealist whom the French Revolution has betrayed as much as it has his rival the poet Chenier (Placido Domingo). His temptation to abuse his power to seduce the virtuous Maddalena (Anna Tomowa-Sintow) is a momentary one, though its consequences are terrible. There is a streak of post-Wagnerian decadence in much of this--Maddalena is at least as much in love with death as she is with Chenier, and the final love duet has a deeply sinister aspect. -- From Amazon.co.uk

When a successful woman returns to her hometown to revive her family's Christmas festival, she meets a dashing stranger who's volunteered to help organize the event. Sparks begin to fly between them, but little does she know that he's really a prince in disguise, longing to find the true spirit of the holidays. It will take a Christmas miracle of royal proportions for their hearts to meet as one.

Over the course of a year, film follows Vancouver Pride Society president Ken Coolen to various international Pride events, including Poland, Hungary, Russia, Sri Lanka and others where there is great opposition to pride parades. In North America, Pride is complicated by commercialization and a sense that the festivals are turning away from their political roots toward tourism, party promotion and entertainment. Christie documents the ways larger, more mainstream Pride events have supported the global Pride movement and how human rights components are being added to more established events. In the New York sequence, leaders organize an alternative Pride parade, the Drag March, set up to protest the corporatization of New York Pride. A parade in São Paulo, the world's largest Pride festival, itself includes a completely empty float, meant to symbolize all those lost to HIV and to anti-gay violence.