Best movies like House of Horror

A film producer is found murdered on a ship, and among the suspects are a young woman whose mother was mistreated by him and his recently fired electrician.

The Vagabond Queen is a 1929 British comedy film directed by Géza von Bolváry and starring Betty Balfour, Glen Byam Shaw and Ernest Thesiger. It was the final film directed in Britain by Bolváry before he returned to Germany. A young woman takes the place of a Princess who is a target for an assassination. This film was released in May 1929 as a silent film and re-released with synchronized music and sound effects in August 1930.

A good-natured cowboy who is romancing the new schoolmarm has a crisis of conscience when he discovers his best friend is engaged in cattle rustling.

Women They Talk About is a part-talkie Vitaphone film, with talking, music and sound effects sequences, starring Irene Rich, directed by Lloyd Bacon and produced and distributed by Warner Bros. It is considered to be a lost film.

No Defense is a 1929 romantic drama directed by Lloyd Bacon and starring Monte Blue. It was a silent film with part talking and sound-effects by the Vitaphone Company. It was distributed by Warner Brothers.

With unpaid actors and staff, the stage show Phantom Sweetheart seems doomed. To complicate matters, the box office takings have been robbed and the leading lady refuses to appear. Can the show be saved?

Outcast is a 1928 silent film drama produced and distributed by First National Pictures. It was directed by William A. Seiter and stars Corinne Griffith, often considered one of the most beautiful women in film. This story had been filmed in 1917 as The World and the Woman with Jeanne Eagels. In 1922 a Paramount film of the same name with Elsie Ferguson reprising her stage role was released. Both films were based on a 1914 play, Outcast, by Hubert Henry Davies which starred Ferguson. The Seiter/Griffith film was an all silent with Vitaphone music and sound effects. In the sound era, the story was filmed once again as The Girl from 10th Avenue starring Bette Davis.

A masked criminal who dresses like a giant bat terrorizes the guests at an old house rented by a mystery writer.

Mr. Snookie steals an umbrella and then, while trying to help a woman to cross a puddle, the Tramp appears and intervenes.

This first cinematic version of the classic book is a part-talkie, although the only surviving print is silent (housed in the George Eastman House, Rochester, NY). It is a straight-forward telling of the intermingled lives of a group of strangers doomed to die in a collapsing bridge accident. The Art Direction, paltry and unremarkable, surprisingly won an Oscar over the far more remarkable work nominated in THE IRON MASK. The special effect scene of the lovers plummeting with the bridge into the chasm is unforgettable and remarkably done.

Gold digging blonde Lorelei and her brunette friend Dorothy are searching for rich husbands. This film is believed lost.

Vitaphone production reels #2471-2478; third Warner Bros. feature film - the first being The Jazz Singer and the second Tenderloin - to include talking sequences, along with the by now usual Vitaphone musical score and sound effects. A copy of this film survives at the Library of Congress in Washington, D.C., but the sound disks are lost.

Playboy Teddy Ward wants to marry Jeannie King, an artist, but his father wants him to marry Loris Lane, but tells Teddy he can marry whom he pleases if he will make the Mountain Inn a profitable operation. Teddy agrees, and with the support of his friends arranges an ice-boat race with a $10,000 prize to the winner. A problem arises when his father refuses to pay such an amount. Teddy thinks one of his friends will win the race and refuse the prize, but champion racer "Duke" Slade shows up and Teddy knows he will take the money. Some movie stars show up and, while using their own names, are definitely not playing "Self" in this fictional film.

A writer rents what he believes is a deserted lodge in order to complete his novel. But then six other people show up one-by-one, each for reasons of their own.

For the ventriloquist Gabbo his wooden dummy Otto is the only means of expression. When he starts relying more and more on Otto, he starts going mad.

A New York tramp falls in love with the mayor's amnesiac girlfriend after rescuing her from a suicide attempt.

Fifi, a dusky, sultry Senegalese spy, uses her wiles to get information out of two American army soldiers, Ham and Eggs, in France during World War I.

Buster Keaton is a bank teller who becomes involved with a hold-up, counterfeiters, and a theatrical troupe posing as spooks in a haunted house.

Four heirs to a family fortune are summoned to appear at the family estate for the reading of the will, where they meet the estate's staff, which includes a nurse, a crazed doctor, and a sinister handyman.

It is the story of Ted Lewis, popular band leader and clarinettist. The music for the film was written by Harry Akst and Grant Clarke, except for "St. Louis Blues" by W. C. Handy and "Tiger Rag". The film's title comes from Lewis's catchphrase "Is everybody happy?" The film's soundtrack exists on Vitaphone discs preserved at the UCLA Film and Television Archive, but the film itself is considered a lost film, according to the Vitaphone Project website. A five minute clip from the film can be found on YouTube.

On a volcanic island near the kingdom of Hetvia rules Count Dakkar, a benevolent leader and scientist who has eliminated class distinction among the island's inhabitants. Dakkar, his daughter Sonia and her fiance, engineer Nicolai Roget have designed a submarine which Roget pilots on its initial voyage just before the island is overrun by Baron Falon, despotic ruler of Hetvia. Falon sets out after Roget in a second submarine and the two craft, diving to the ocean's floor, discover a strange land populated by dragons, giant squid and an eerie undiscovered humanoid race.

Funloving Pearl White, working in a garment sweatshop, gets her big chance when she "opens" for a delayed Shakespeare play...with a comic vaudeville performance. Her brief stage career leads her into those "horrible" moving pictures, where she comes to love the chaotic world of silent movies, becoming queen of the serials. But the consequences of movie stardom may be more than her leading man can take

The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.

A Mandarin hypnotises his partner's daughter to locate hidden bonds.

A train operator's obsession with being on time leads to tragedy for his family.

Released in both sound and silent versions, this ten-chapter serial starred former cowboy ace Jack Perrin and chapterplay veteran Louise Lorraine. One of a group of Americans steals the Jade Box, which holds the secret of invisibility; a murderous Oriental cult wants it back and tracks them down.

An expedition sets out through the jungle to find a missing explorer, but stumbles upon an ancient Mayan temple that houses a giant ape.

A young couple moves into a neighbourhood obsessed with the frightening silent movie history that took place 80 years before. As the boyfriend also becomes obsessed, it becomes apparent that something more is happening.

Now hear this. The studio that gave the cinema its voice offered 1929 audiences a chance to see and hear multiple silent-screen favorites for the first time in a gaudy, grandiose music-comedy-novelty revue that also included Talkie stars, Broadway luminaries and of course, Rin-Tin-Tin. Frank Fay hosts a jamboree that, among its 70+ stars, features bicyclers, boxing champ Georges Carpentier, chorines in terpsichore kickery, sister acts, Myrna Loy in two-strip Technicolor as an exotic Far East beauty, John Barrymore in a Shakespearean soliloquy (adding an on-screen voice to his legendary profile for the first time) and Winnie Lightner famously warbling the joys of Singing in the Bathtub. Watch, rinse, repeat!

A press sheet printed in Exhibitors Herald and Moving Picture World in 1928 put forth the suggestion that “people in the need of a good hearty laugh should take this opportunity of getting it” by seeing a newly released comedy by Warner Bros., suggestively entitled Beware of Married Men. Since director Archie Mayo (The Petrified Forest) helmed this feature during the dying days of the silent era, the studio sought to enhance its commercial viability by embellishing the shot-silent picture with a synchronized music and effects soundtrack using the Vitaphone sound-on-disc system. Ultimately, these efforts went for naught, as the picture failed at the box office and quickly disappeared from theaters.

Soap-opera about a social-climbing Jewish man and his old-world parents who are heartbroken by his rejection of them. Young Morris Goldfish follows his immigrant father into business. His ruthless business practices cause him to become a big success, and he moves the family to Park Avenue. They go, but were happier back on the East Side. Morris is ashamed of this parents and his humble origins, but learns in the end that there is more to life than money.

John Chapman and his beautiful wife Willie have just moved into a seaside village on the North Carolina coast. But they quickly discover that their quaint new house already has a long-standing tenant. Built 200 years ago by a philandering sea captain, the house is residence to the spirit of Arabella, an abandoned lover with an insatiable, centuries-old lust and a viciously jealous nature. Spirit Lost welcomes you to the dark side of Ghost - an erotic tale of the supernatural.

A young man of society wants to make an expedition to Africa, but his fiancée asks him for help about one of her fathers guests shortly before his planed departure. Her suspects about that guest were serious, this man tries to steal one of her fathers rubin, and she and her fiance are kidnapped and brought to a house, where strange things happen. The whole thing becomes a nightmare under the direction of a mysterious Mr. Satan.

Philandering actor Richard Hardell is murdered at a movie studio. His jealous wife Blanche, his director Rupert Borka, and a girl he mistreated, Helen MacDonald, all have substantial reasons for having wanted him dead.

On board a yacht sailing from India to Britain, the owner of the vessel is murdered by one of the passengers. (This film was produced both in full sound and silent versions, the latter for theaters that had not yet been wired for sound.)

The Redeeming Sin (1929) is a crime drama part-talking silent film with Vitaphone music and sound effects. It was produced and distributed by Warner Bros. and stars Dolores Costello. This film is currently a lost film.

The Isle of Lost Ships is a 1929 talking film released in an alternative silent version with a Vitaphone track of effects and music. It was produced by Richard A. Rowland and distributed by Warner Bros..

Silent cowboy western starring Tom Mix, Bernard Bolden, Dorothy Dwan, Barney Furey, Albert J. Smith, and Ernest Wilson. Also, note that this is a "lost" film, which means that no surviving copies are thought to exist.

Rafi arrives in the city in search of Pervaneh who was taken by the Sultan. He is joined by Hassan the confectioner. Rafi is captured by the Sultan, but Hassan leads a surprise attack on the palace and the lovers are united.

A Silent film comedy directed by Ray Enright.

The ring master is plotting to get the circus owner done away with in a lion cage so he can take over.

An uptight society aunt sends her too sexy niece to college so she can land a man.

Among the pieces featured in Fragments are the final reel of John Ford's The Village Blacksmith (1922) and a glimpse at Emil Jannings in The Way of All Flesh (1927), the only Oscar®-winning performance in a lost film. Fragments also features clips from such lost films as Cleopatra (1917), starring Theda Bara; The Miracle Man (1919), with Lon Chaney; He Comes Up Smiling (1918), starring Douglas Fairbanks; an early lost sound film, Gold Diggers of Broadway (1929), filmed in early Technicolor, and the only color footage of silent star Clara Bow, Red Hair (1928). The program is rounded out with interviews of film preservationists involved in identifying and restoring these films. Also featured is a new interview with Diana Serra Cary, best known as "Baby Peggy", one of the major American child stars of the silent era, who discusses one of the featured fragments, Darling of New York (1923).

Broadway dancing star Adele Dorey who, overworked and exhausted, suddenly ups and leaves New York in favor of a country village. But when promoter Bobby Lewis (Egan) of the barnstorming Gay Girlies Burlesque Company arrives in town, he picks an incognito Adele among all the pretty village girls to star in his new show. On a lark, Adele introduces her maid Jane (Louise Fazenda) as her mother and accepts a contract. When Adele's identity is finally revealed, the slumming star apologizes for her deception by offering Bobby a Broadway job.

After selling his business in Iowa, Eli Granger and his family move to an exclusive Scarsdale area in New York, where by chance he occupies a house adjacent to Horace Divine, a wealthy businessman with whom he made his business transaction...

An outlaw with a Heart of Gold sacrificing his own life for the happiness of two young people in love.

This Zane Grey adaptation stars square-jawed Jack Holt as a lawman going undercover to ferret out a notorious cattle rustler.

The setting is the Old West town of Paradise, Nevada, where a young woman, Mercedes Murphy (played by Louise Glaum), co-owns and operates a combination saloon and dance hall called the Red Hen with her business partner, Slick Barney (played by Jack Richardson). Her little half-sister, Olive "Live" Sumner (played by Mildred Harris), who is crippled, lives with her and she makes every effort to protect the child. A tough, but good-hearted businesswoman, Mercedes shows a tender side at home with Live. Her partner, Slick, and a cowboy called the Heller (played by John Gilbert), who has a heart of gold, are both interested in Live.

Three young filmmakers set out on a quest to shoot an investigative documentary about an old upstate New York mansion that has been vacant since 1929.

The last of the impetuous Varicks, Lady Helen Haden is married to Sir Bruce Haden, a brute who treats her shamefully. She falls in love with Ned Thayer, a young American, but refuses to divorce her husband because of the attendant scandal and disgrace. Sir Bruce gains possession of a love letter written to Ned by Lady Helen and divorces her. Ned goes to Africa, and Lady Helen comes to the United States, where she encounters Rudolph Solomon, an art collector who wants her to become his mistress. The noblewoman at first refuses, but when her money runs out, she agrees to the proposal and attends a party at his home. Ned, who has learned of the divorce, comes looking for Helen and meets her at Solomon's party. Lady Helen is so humiliated and ashamed that she rushes from the house and throws herself in front of an automobile.