Movie Documentary Mystery
A young man travels to the Andean mountains to understand the origin of man and the reason of his existence.
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Made in Argentina
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Ni con Dios ni con El Diablo
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El Demonio de los Andes, directed by Palito Ortega Matute, is based on the Andean myth of the Jarjacha, a demonic character set on destroying everyone it comes across. The legend of the Jajacha has been passed down from generation to generation. Ortega Matute spoke to people who were told about it by their parents, who had been told the tale by their parents. He also listened to accounts from people who say they’ve seen the demon with their own eyes.
Postales
In the streets of Cusco, Peru, the lives of an American businessman and his family become irreversibly intertwined with those of a rural Peruvian family struggling day to day to survive. As the construction of a new hotel is finalized, both families are faced with the realities of our shifting world and the unexpected encounters that will change them forever.
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Three women of vastly differing ages and origins cope with life in three distinct regions of Peru. Eva, a young girl from the lush tropics of the Amazonian jungle, experiences a sexual awakening by way of a forbidden relationship with her uncle. Victoria, a wealthy socialite from Lima, suffers a terrible secret that renders her inner life as gray and melancholic as the city surrounding her. Zoraida, an elderly peasant from a destitute village in the Andean Mountains, confronts her worst fears in the wake of the unexpected return of her estranged son. Three unconnected regions, three introverted women, three stories of discovery shaped by three different geographies, societies and climates of the same fragmented country.
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The police detective Waldo, of immersed and circumspect disposition and temper, investigates several crimes associated with indigenous rituals that occur in some regions of the Peruvian Andes. There we find a boy and a girl who are about to enter puberty and begin to interact with certain mythical beings, a supernatural belief very common in many Andean villages. A sinister character, pretending to be on a mission of faith, but imbued with religious dogmatism and intolerance, interrupts this peaceful scene as he casts an ominous shadow over these ancient Peruvian beliefs. Although Waldo's boss considers him inferior and distrusts his methods (a form of discrimination), the policeman continues his efforts to capture the "Extirpator of Idolatries.¨ At the same time, Waldo will resolve his own inner conflict which has troubled him all his life.
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