Best movies like Independent's Day

With Babies and Banners: Story of the Women's Emergency Brigade is a 1979 documentary film directed by Lorraine Gray about the General Motors sit-down strike in 1936–1937 that focuses uniquely on the role of women using archival footage and interviews. It provides an inside look at women's roles in the strike. The film was one of the first to put together archival footage with contemporary interviews of participants and helped spur a series of films on left and labor history in the US utilizing this technique. The film was also important in helping bring into view the history of American women being active in the public sphere, particularly in union and labor actions. The film was, further, ground breaking because it was produced and directed by women. It was nominated for an Academy Award for Best Documentary Feature.

A 1950s used-car salesman (Patrick Warburton) wants to make a low-budget film about a trucker who accidentally runs down a child.

An exploration of the appeal of horror films, with interviews of many legendary directors in the genre.

Follows a struggling movie studio that's willing to do anything to make some money - even if it means ruining their reputation, and running the movie industry into the ground.

Alternately hilarious and horrifying, Overnight chronicles one man's misadventures of making a Hollywood movie. It starts out as a rags to riches story as Troy Duffy, a Boston-bred bartender, sells his first screenplay for The Boondock Saints.

In this film made over ten years, filmmaker Barbara Sonneborn goes on a pilgrimage to the Vietnamese countryside where her husband was killed. She and translator (and fellow war widow) Xuan Ngoc Nguyen explore the meaning of war and loss on a human level. The film weaves interviews with Vietnamese and American widows into a vivid testament to the legacy of war.

Robert Altman's life and career contained multitudes. This father of American independent cinema left an indelible mark, not merely on the evolution of his art form, but also on the western zeitgeist. With its use of rare interviews, representative film clips, archival images, and musings from his family and most recognizable collaborators, Altman is a dynamic and heartfelt mediation on an artist whose expression, passion and appetite knew few bounds.

With archive film clips and interviews, this brief look at a frequently overlooked historical period of filmmaking acts as an introduction rather than a complete record. It features interviews with some of the genre's biggest stars, like Fred Williamson, Pam Grier, and Richard Roundtree. Director Melvin Van Peebles discusses the historical importance of his landmark film Sweet Sweetback's Baadasssss Song. For a contemporary perspective, the excitable Quentin Tarantino offers his spirited commentary and author/critic bell hooks provides some scholarly social analysis.

From 1970-1977, six low budget films shown at midnight transformed the way we make and watch films.

The Amazon rain forest, 1979. The crew of Fitzcarraldo (1982), a film directed by German director Werner Herzog, soon finds itself with problems related to casting, tribal struggles and accidents, among many other setbacks; but nothing compared to dragging a huge steamboat up a mountain, while Herzog embraces the path of a certain madness to make his vision come true.

A young filmmaker in 1960s Paris juggles directing a cheesy sci-fi debacle, directing his own personal art film, coping with his crumbling relationship with his girlfriend, and a new-found infatuation with the sci-fi film's starlet.

Three old high school friends meet in a Michigan motel room to dissect painful memories from their past.

Cannes, 1999. Alice, an actress, wants to direct an indie picture. Kaz, a talkative (and maybe bogus) deal maker, promises $3 million if she'll use Millie, an aging French star. But, Rick, a big producer, needs Millie for a small part in a fall movie or he loses his star, Tom Hanks. Is Kaz for real? Can Rick sweet-talk Alice and sabotage Kaz to keep Millie from taking that deal? Millie consults with Victor, her ex, about which picture to make, Rick needs money, an ingenue named Blue is discovered, Kaz hits on Victor's new love, and Rick's factotum connects with Blue. Knives go in various backs. Wheels spin. Which deals - and pairings - will be consummated?

In an old Hollywood mansion, the spirit of an old family retainer inhabits an old grandfather clock. When a movie company uses the mansion for a film, the spirit inhabits the body of an alien and persuades the two filmmakers to track down an old house that will resolve a family scandal.

Hollywood is a town of tinsel and glamour; but there is another Hollywood, a place where maverick independent exploitation filmmakers went toe to toe with the big guys and came out on top.

Actor Ned Beatty hosts a look at the genre known as "exploitation" films. Interviews with some of the producers and directors of these films are shown, along with scenes from and trailers for some of these films.

A documentary about the history of exploitation films that focuses on the careers of legendary producers David F. Friedman and Dan Sonney.

The story of a married American couple who go to the San Sebastian Film Festival. They get caught up in the magic of the festival, the beauty and charm of Spain and the fantasy of movies. She has an affair with a brilliant French movie director, and he falls in love with a beautiful Spanish woman who lives there.

Orion is an elementary schooler and a full-time fraidy cat unnerved by heights, spooked by domestic animals, and rendered nearly catatonic by that worst plight of all – the dark. Only one night the Dark just about has enough, so he takes Orion on a nocturnal adventure to show the boy there’s nothing to fear but fear itself.

A celebration of the life and career of one of America's most influential and celebrated filmmakers and comedians—Buster Keaton—whose singular style and fertile output during the silent era created his legacy as a true cinematic visionary.

An offbeat, episodic film about three friends, Paul, a shy love-seeker, Lloyd, a vibrant conspiracy nut, and Jon, an aspiring filmmaker and peeping tom. The film satirizes free-love, the Kennedy assassination, Vietnam, and amateur film-making.

A chronicle of the production problems — including bad weather, actors' health, war near the filming locations, and more — which plagued the filming of Apocalypse Now, increasing costs and nearly destroying the life and career of Francis Ford Coppola.

Awkward, shy and delightfully funny, Polly Vandersma is an "organizationally impaired" temporary assistant who finally gets her first permanent job at the age of 31. While she works for the curator of an art gallery, Polly narrates her own story, sharing the comical and bittersweet pretensions of the art world. At the same time, she reveals a special part of her own private world, taking the viewer to enchanted places in this quiet assault on the notion of authority everywhere.

Nick is the director of a low-budget indie film. He tries to keep everything together as his production is plagued with an insecure actress, a megalomaniac star, a pretentious, beret-wearing director of photography, and lousy catering.

A film that describes the love-hate relationship between Werner Herzog and Klaus Kinski, the deep trust between the director and the actor, and their independently and simultaneously hatched plans to murder one another.

SEDUCED AND ABANDONED combines acting legend Alec Baldwin with director James Toback as they lead us on a troublesome and often hilarious journey of raising financing for their next feature film. Moving from director to financier to star actor, the two players provide us with a unique look behind the curtain at the world's biggest and most glamourous film festival, shining a light on the bitter-sweet relationship filmmakers have with Cannes and the film business. Featuring insights from directors Martin Scorsese, 'Bernando Bertolucci' and Roman Polanski; actors Ryan Gosling and Jessica Chastain and a host of film distribution luminaries.

A documentary primarily focusing on the filming and release of the original Texas Chainsaw Massacre.

This offbeat comedy about love and romance won writer, director and actress Heidi Van Lier top honors a Grand Jury Prize at the 1999 Slamdance Film Festival. Heather Green (Van Lier) is a journalist with an alternative newspaper in Chicago who is obsessed with her ex-boyfriend. Randy (Joe Kraemer) is in turn obsessed with Heather. A would-be documentary filmmaker, Randy constantly films her, sometimes without her knowledge. When Heather takes up a challenge from Randy and announces she can seduce the next man she meets, her desperation makes it clear she's had bad luck with men for a very good reason. When Heather finally does meet the man of her dreams, a good-looking attorney named Cliff

A Russian immigrant finds himself in bed with the mob after buying a sexual novelties shop.

THE AUTEUR follows formerly renowned porn director Arturo Domingo (Five Easy Nieces, Requiem for a Wet Dream) through a bizarre weekend as he receives a lifetime achievement award at a film festival in Portland, OR. Encountering crazed fans, former collaborators, bitter enemies and free-loving hippies, Arturo attempts to put the pieces of his broken career and personal life back together.

Privilege is an intelligently conceived, boldly anarchic, and wickedly insightful exposition on the culturally ingrained and socially divisive malaise of isms that artificially define and characterize empowerment in contemporary society: ageism, sexism, economic elitism, and racism. Yvonne Rainer conveys texture through the intercutting of archival footage, video, and film - as well as compositional layering through the film-within-a-film structure, elliptical (and self-referential) fusion of past and present, and the filmmaker's idiosyncratic penchant for superimposed typed text.

As the muse of Hal Hartley’s indie classics and as writer/director of the critically acclaimed Waitress, Adrienne Shelly was a shining star in the indie film firmament. A devoted young mother, her life was right on track until her husband found her dead. Filmmaker Andy Ostroy has been fighting to discover the truth about his wife’s death ever since.

The biopic of how Kevin Smith bankrolled his $27,000 first film with maxed-out credit cards and became the darling of the Sundance Film Festival when Clerks debuted there in 1994.

Carlos Revalos a 21 times Film Director embarks on his biggest Film yet 'Le Fear' a horror love story with a 3 million pound budget what can go wrong? everything as Carlos hires the worst cast and crew ever to walk on this planet which makes the film a recipe for disaster, Larry Rothschild the executive producer on the film who was promised Brad Pitt which never happened instead he got Leon the pompous Lead actor who walks off set time and time again, Debbie D the hysterical inexperienced glamor model who fluffs her lines over and over, the werewolf wearing a rain coat and who cant speak a word of English and the sparky who is color blind and many more misfits and Carlos has no control of any of them this is Larry's first attempt at investing in a film and no doubt his last.

"La La Wood" follows the legacy of Jiminy Glick, first introduced on "The Martin Short Show," who went on to get (non)-critical acclaim for his talk show "Primetime Glick," where Mr. Glick interviewed countless celebrities (which usually ended in verbally--sometimes physically--insulting/assaulting them). Now comes "La La Wood"--Jiminy Glick's home. This is his story (sort of).

A comedic murder mystery set in the middle of the Cannes Film Fest. Amidst the bumbling and drama, twists and turns emerge.

Even though a devastating murder took place during a small town's horror film festival two years earlier, townspeople want another festival.

Follows a Serbian refugees mother and daughter, as they struggle to navigate the many obstacles facing newcomers to Canada.

A celebration of slasher cinema - from PSYCHO to the present day, with a focus on highlighting many of the genre's forgotten cult classics, deconstructing how to survive a slice and dice movie and meditating upon why it is almost always a final girl and rarely a final guy... this is a documentary which is designed for both the biggest fan of "mad maniac" movies and the person who may only have seen HALLOWEEN and SCREAM. Either way, this is a documentary that proves the SLASHER FILM is truly FOREVER!

Film critic Richard Schickel interviews Oscar-winning filmmaker Steven Spielberg about his craft, his body of work and the movie business.

Benjamin, a rising star filmmaker, is on the brink of premiering his difficult second film ’No Self' at the London Film Festival when Billie, his hard drinking publicist, introduces him to a mesmeric French musician called Noah.

Dennis Hopper plays Nick Twain, a Hollywood Producer whose latest film is rejected by every film festival in the world except one- in Ohio. Nick will do anything to get his film distributed, including manipulating his dysfunctional cast into attending the festival. Hollywood egos and small town politics inevitably collide.

Dick Kendred (Tom Villard) is a frustrated writer whose latest book has been turned down by every publisher around. His work seems to be missing one key ingredient: half-nude chicks. In an effort to cure his writer's block (and get some much needed inspiration), Dick rents a room from a couple of women who waste no time hitting on him. Talk about invoking the muse! This lighthearted romp won the Grand Jury Prize at the Sundance Film Festival.

A Swedish TV presenter's well-ordered life unravels when she finally confronts her domineering husband about an accusation against him. Her subsequent flight precipitates a chain of lies and paranoia in this taut psychological thriller.

In 1996, the horror master Wes Craven unleashed Scream, a slasher movie aimed at a whole new generation of teenage movie-goers.

Tetsuo (Kiyohiko Shibukawa) is a lowlife. A film director with a small indie hit many years back, yet he has never gotten any further as he refuses to go against his 'artistic integrity'.

The story of a young gay man's search to find himself. David is a young, gay aspiring documentary filmmaker and takes his first tentative steps towards his adult life. His roommate, Gwen, after ending a mysterious marriage, is looking for stability. Together they try to manoeuvre their way through New York on a search for happiness. Instead, they find bad dates, worse job interviews and bizarre sexual encounters.

Five female filmmakers en route to screen their new horror film in Los Angeles, experience their own real life terror when they cross paths with deranged scientist hellbent on using them for his twisted experiments.

Honing his craft as an indie filmmaker in Germany in the early 90s, Uwe Boll never could have imagined the life that lay before him. From working with Oscar-winning actors and making films with US$60million budgets to having actors publicly disparage him and online petitions demanding he stop making films, Boll continued to work; he has a filmography of 32 features, a career that has led to his new life as a successful high-end restauranteur. Already a cult legend, he will be remembered forever in the film world; for some, as a modern-day Ed Wood, who made films so bad, they're good, while for others, a prolific filmmaker who came from a small town in Germany and never compromised his integrity while forging his own unique Hollywood trajectory.

A chronological look at films by, for, or about gays and lesbians in the United States, from 1947 to 2005, Kenneth Anger's "Fireworks" to "Brokeback Mountain". Talking heads, anchored by critic and scholar B. Ruby Rich, are interspersed with an advancing timeline and with clips from two dozen films. The narrative groups the pictures around various firsts, movements, and triumphs: experimental films, indie films, sex on screen, outlaw culture and bad guys, lesbian lovers, films about AIDS and dying, emergence of romantic comedy, transgender films, films about diversity and various cultures, documentaries and then mainstream Hollywood drama. What might come next?