Movie Documentary
Representation is revolution
A look at the Black revolution in 1970s cinema, from genre films to social realism, from the making of new superstars to the craft of rising auteurs.
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One Potato, Two Potato
Study of interracial marriage in the 1960s. A white divorcée falls in love with and marries an African-American man. When her ex-husband sues for custody of her child, arguing that a mixed household is an improper place to raise the girl, the new husband fights for his parental rights in court, fighting against a judge who represents the prejudices of the era.
Jason's Lyric
The story of a young man who must confront his own fears about love as well as his relationships with family and friends.
BaadAsssss Cinema
With archive film clips and interviews, this brief look at a frequently overlooked historical period of filmmaking acts as an introduction rather than a complete record. It features interviews with some of the genre's biggest stars, like Fred Williamson, Pam Grier, and Richard Roundtree. Director Melvin Van Peebles discusses the historical importance of his landmark film Sweet Sweetback's Baadasssss Song. For a contemporary perspective, the excitable Quentin Tarantino offers his spirited commentary and author/critic bell hooks provides some scholarly social analysis.
Black Girl
An aspiring dancer and her two wicked sisters resent their mother's love for a foster daughter.
Black Like Me
Black Like Me is the true account of John Griffin's experiences when he passed as a black man.
Cooley High
In the mid-1960s, a group of high school friends who live on the Near North Side of Chicago enjoy life to the fullest...parties, hanging out, meeting new friends. Then life changes for two of the guys when they are falsely arrested in connection with stealing a Cadillac. We follow their lives through to the dramatic end of high school.
The Spook Who Sat by the Door
A black man plays Uncle Tom in order to gain access to CIA training, then uses that knowledge to plot a new American Revolution.
The Lost Man
A gang of black militants plots to rob a factory to finance their "revolutionary struggle."
Hi, Mom!
Vietnam vet Jon Rubin returns to New York and rents a rundown flat in Greenwich Village. It is in this flat that he begins to film, 'Peeping Tom' style, the people in the apartment across the street. His obsession with making films leads him to fall in with a radical 'Black Power' group, which in turn leads him to carry out a bizarre act of urban terrorism.
Why Did I Get Married Too?
Four couples reunite for their annual vacation in order to socialize and to spend time analyzing their marriages. Their intimate week in the Bahamas is disrupted by the arrival of an ex-husband determined to win back his recently remarried wife.
The Rosa Parks Story
A seamstress recalls events leading to her act of peaceful defiance that prompted the 1955 bus boycott in Montgomery, Alabama.
Cornbread, Earl and Me
The unintentional shooting by police of a star basketball player has profound personal, political and community repercussions in this acclaimed adaptation of the novel Hog Butcher by Ronald Fair. This was one of the more thoughtful urban dramas produced at the height of the "blaxploitation" craze. Also released under the title Hit the Open Man, it features the screen debut of Laurence Fishburne, who was barely a teenager at the time.
Drop Squad
Controversial film about an underground organization that kidnaps and 'deprograms' African Americans who sell out or deny their cultural heritage. Spike Lee is the Executive Producer.
Halls of Anger
An all-black inner city school has to become an integrated school. Few dozen white kids are transfered there, but the black students are aggressively opposed to this. The school then approaches a tough black teacher for help.
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