I've Never Had A Hilda

On the Caribbean island of Martinique, two half-brothers are involved in the entanglements of a frivolous and calculating young woman.

Celestine, the chamber-maid, has a new job in the country, at the Lanlaires. She has decided to use her beauty to seduce a wealthy man, but Mr. Lanlaire is not a right choice: the house is firmly controlled by Madame Lanlaire, helped by the strange valet Joseph. Then she tries the neighbour, former officer Mauger. This seems to work. But soon the son of the Lanlaires comes back. He is young, attractive and does not share his mother's antirepublican opinions. So Celestine's beauty attracts Captain Mauger, young Georges Lanlaire, and Joseph. Three men, from three different social classes, with three different conceptions of life. Will Celestine be able to convince Georges of her sincerity?

Monsieur Feydeau has writer's block, and he needs a new play. But he takes an opportunity to observe the upper class of 1900 Paris - Monsieur Boniface with a domineering wife, and the next-door neglectful husband Henri with a beautiful but ignored wife, Marcelle. Henri traces architectural anomalies (most ghost sounds are drains) and plans a night at the Hotel Paradiso, but this hotel is the assignation spot of Marcelle and Boniface. One wife, two husbands, a nephew, and the perky Boniface maid, all at this 'by the hour' hotel and consummation of the affair is, to say the least, severely compromised (not the least by a police raid). All of this is under Feydeau's eye, and his play is the 'success fou' of the next season.

Prudence Cole is an unsophisticated Quaker girl being raised by her two aunts. Prudence is flirted with by snobbish Henry Garrison, who actually disdains the girl for her lack of worldliness and savoir faire. When Henry and his friends try to embarrass her at a posh resort, Prudence turns the tables on them.

As every year, the Los Pinos school, a prestigious school of the confessional type, sends its students on retreat to the countryside. Under the watchful eye of teachers and priests, the children are led on the path of their physical and moral development. Through the gaze of several middle and upper class teenagers, the film shows how their upbringing affects the future of society itself.

Celebrities and creatives -- including musician David Byrne, performance artist Spalding Gray, comedian Sandra Bernhard, radical activist Abbie Hoffman, and poet Allen Ginsberg-- recall their earliest sexual experiences.

An intimate look at life in the ghetto: Johnny Williams is a house painter who moonlights as a poet, struggling to financially and emotionally support his cancer-ridden wife Mattie. But times are tough and the poverty-troubled streets are even tougher, and it takes every ounce of Johnny's love and courage for the couple to make it through their strife, finding redemption in the River Niger.

Three generations of women in a Mexican American family experience sexual awakenings over the course of a summer.

Danny, a greenhorn from New York comes to the Mexican border in search for his older brother whom he has always looked up to. A Texas Ranger charged with bringing in, El Tigre and his gang of bandits, takes Danny under his wing.

A powerful rancher loses his power and wealth during the Revolution, and his daughter falls in love with a revolutionary.

Nico, a güero who has grown bored of his privileged life, decides to make a documentary film on punk culture. He meets Omar, the Club Internacional Aguerridos leader, who introduces him to a world of music, pot, delinquency and free love.

Uncultured nouveau- riche wants to be received in high society. Loose adaptation of Moliere.

Lucerito is a Spanish star who has come to Mexico, accompanied by her godfather and her agent, to find work. Rosario is from upper class society and has grown tired of the demands made upon her by her family. When they meet each other in a Mexican hotel, they discover that they could be each other's identical twin and decide to change places.

Intrigues and secrets come together because of a woman, who has the protection of the parish priest.

A young woman is brought before a prosecutor after stealing food. She is defended by Julio, a university professor who decides to exhibit her as an example in his class on the theory of theft. Then he hires her as a housemaid. Her face and charms won’t only save her family from serious quandaries; they will also inspire the professor’s love.

Samantha Newly has been a bad, bad girl. But thanks to an 8-day coma, she can't remember a thing. Fortunately her best friend Andrea is by her side with a cocktail and the 4-1-1 on every dirty deed. But the more Sam pieces together her past, the less she likes her old self. Maybe this is a chance to start over and do it all again.

Upstairs: the wealthy, aristocratic Bellamys. Downstairs: their loyal and lively servants. For nearly 30 years, they share a fashionable townhouse at 165 Eaton Place in London’s posh Belgravia neighborhood, surviving social change, political upheaval, scandals, and the horrors of the First World War.

Four panelists must determine guests' occupations - and, in the case of famous guests, while blindfolded, their identity - by asking only "yes" or "no" questions.

You Rang, M'Lord? is a British comedy series written by Jimmy Perry and David Croft, the creators of Dad's Army, It Ain't Half Hot Mum and Hi-de-Hi! It was broadcast between 1990 and 1993 on the BBC. The show was a comedy set in the house of an aristocratic family in the 1920s, contrasting the upper-class family and their servants in a house in London, along the same lines as the popular drama Upstairs, Downstairs. The series featured many actors who had also appeared in their earlier series, notably Paul Shane, Jeffrey Holland and Su Pollard, all of whom had previously been in Perry and Croft's holiday camp sitcom, Hi-de-Hi!. Also featured were Donald Hewlett and Michael Knowles from Perry and Croft's It Ain't Half Hot Mum, and Bill Pertwee and occasionally Frank Williams from Dad's Army. The memorable 1920s-style theme tune was sung by Bob Monkhouse.

A sweeping drama about the ruling and ruled classes of World War II India, the story begins with an unjust arrest for rape. The consequences of this arrest echo throughout the series with questions of identity and personal responsibility being explored against a background of war and personal intrigue.

22-year-old Maria was on her way to becoming a beautician when a family crisis forced her to take a new path, and she now finds herself employed as the maid for the extremely wealthy Ridgeway family. As one of many servants who dote on the demented and dysfunctional family, Maria discovers there's not only a class struggle between the upstairs and the downstairs, but there's an all out war among "The Help."

Now Karl’s turned 40 and has officially hit middle age, it’s time for him to re-assess his life. He’s not married, he doesn’t have kids, he’s got a job where he’s known as an ‘idiot’, and he’s known for being miserable. He’s classic ‘mid-life crisis’ material. As Karl attempts to put his life in order, he’ll be dispatched around the world on a crash course to find out how other cultures deal with life’s big questions. The ups and downs of Karl’s experiences will be contrasted against the beautiful geography of the countries he visits, captured on HD with stunning aerial photography.

Based on the true story of Grace Marks, a housemaid and immigrant from Ireland who was imprisoned in 1843, perhaps wrongly, for the murder of her employer Thomas Kinnear. Grace claims to have no memory of the murder yet the facts are irrefutable. A decade after, Dr. Simon Jordan tries to help Grace recall her past.

The social and class divisions in early 20th century England through the intersection of three families - the wealthy Wilcoxes, the gentle and idealistic Schlegels and the lower-middle class Basts.

Three young women navigate complex relationships, expose hidden secrets, unearth sexual desires and experience the ultimate adolescent awakening. In the end, all they really want is to have a good time, to live their own lives, and most importantly, to love and to beloved.

The two-part documentary event “Right to Offend: The Black Comedy Revolution” explores the progression of Black comedy and the comedians who have used pointed humor to expose, challenge and ridicule society’s injustices and to articulate the Black experience in America. The series examines Black comedy through a unique lens, tracing the evolution and social awakening of the courageous comedians who dared to push against the constraints of their time and spoke truth to power.

Carrusel is a Mexican telenovela, produced by and first broadcast on Televisa in 1989. It covers daily life in a Mexican elementary school and the children's relationships with a charismatic teacher named Jimena. Among other plot devices, it deals with the differences between the upper and lower classes of Mexican society — specifically as seen in a romantic relationship between Cirilo, a poor black boy, and a spoiled rich girl, Maria Joaquina Villaseñor.

Television adaptation of the literary classic by Alexandre Dumas. After being unjustly arrested and convicted of treason, Edmundo Dantés manages to escape from the Château d'If prison after 14 years of captivity. During his stay in this place, another prisoner of Italian origin, Abbe Faria, entrusted him with the secret of a treasure. When Edmundo manages to find it and dig it up, he decides to start a revenge against those who ruined his life, for which he assumes the identity of the powerful Count of Monte Cristo.

National identity, social class, inequality. David Olusoga shines a light on our fractured modern society through the lens of the past, exposing the fault lines dividing the UK.

The Marked Hour is an anthology series of horror, suspense, and mystery. Each episode tells a story where the macabre, the uncertain and the terrible invade the lives of different characters in completely different scenarios.