Best movies like Jean Cocteau: Lies and Truths

Essay documentary explores eroded emulsions and images for lost vestiges of lesbian and gay culture. First feature by a pioneer of lesbian cinema, Hammer weaves gay and lesbian couples with footage that unearths the forbidden and invisible history of a marginalized people.

A poet in love with Death follows his unhappy wife into the underworld.

With archive film clips and interviews, this brief look at a frequently overlooked historical period of filmmaking acts as an introduction rather than a complete record. It features interviews with some of the genre's biggest stars, like Fred Williamson, Pam Grier, and Richard Roundtree. Director Melvin Van Peebles discusses the historical importance of his landmark film Sweet Sweetback's Baadasssss Song. For a contemporary perspective, the excitable Quentin Tarantino offers his spirited commentary and author/critic bell hooks provides some scholarly social analysis.

Told in four episodes, an unnamed artist is transported through a mirror into another dimension, where he travels through various bizarre scenarios. This film is the first part of Cocteau's Orphic Trilogy, which consists of The Blood of a Poet (1930), Orpheus (1950) and Testament of Orpheus (1960).

This short features a man who is visited by his ex-lover. The moment she arrives, the man starts his constant barrage of speech; the woman doesn't say much. She just mocks the man and pretends she isn't listening. She pulls faces at him and larks about; while the man is trying his best to get her back in his life, then in the next sentence he says he hates her.

Fourty-six years since the release of Le mépris, Jean-Luc Godard watches the film again to comment on it and its tumultuous production. Featuring interviews with: Jacques Rozier, Alain Bergala, Michel Piccoli, Charles Bitsch.

While shooting a film, the director becomes interested in the unfolding struggle of a young factory worker that has been laid off by a boss who did not like her union activities.

Outside time and reality, the experiences of a poet. The judgement of the young poet by Heurtebise and the Princess, the Gypsies, the palace of Pallas Athena, the spear of the Goddess which pierces the poet's heart, the temptation of the Sphinx, the flight of Oedipus and the final Assumption. This film is the third part of Cocteau's Orphic Trilogy, which consists of The Blood of a Poet (1930), Orpheus (1950) and Testament of Orpheus (1960).

Follows the first year of business for Alex, Charlie, and Nigel as they try to make their theatre, The Toronto Underground Cinema, a success in the dying world of repertory cinema. The film also places the cinema in context to the larger world of rep. Featuring interviews with theatres such as Film Forum in NYC, The Alamo Drafthouse in Austin, and The New Beverly Cinema in L.A., and celebrities such as Kevin Smith, John Waters, Atom Egoyan, and George A. Romero, the world of repertory cinema will come alive as a vibrant and culturally significant medium that needs to be preserved

In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.

Ismail Merchant's feature directorial debut addresses a subject close to his heart: the expressive Urdu language of Northern India, in danger of extinction as political trends and modernization obscure its contributions to Indian culture. Merchant 's treatment is wry and good humored , as his characters - an aging Urdu poet (Shashi Kapoor) and a worshipful young college lecturer - clash despite their shared passion for the beauty of words.

Documentary about the lifelong project of Troy Hurtubise, a man who has been obsessed with researching the Canadian grizzly bear up close, ever since surviving an early encounter with such a bear. The film documents Hurtubise's diligent work to improve his homemade "grizzly-proof" suit of armour, his efforts to test its resilience, and his forays into the Rockies to track down the grizzlies he dreams of meeting. The film manages to capture the humor of the project as well as its sincerity.

African filmmaker Idrissa Ouedraogo (YAABA) discusses the influence that Charlie Chaplin has been on his work, along with archival footage of interviews with several of Chaplin's co-stars.

A daring deconstruction of consumerist behavior featuring a robot and Miss Clio Darty, with a voiceover by Godard and Anne-Marie Miéville, this philosophical "report," like so many of Godard's commissions, was rejected by its funders.

Forty years after Britain's foremost 'underground' band released their debut album, 'Piper At The Gates Of Dawn', Pink Floyd remain one of the biggest brand names and best-loved bands in the world. This film features extended archive footage alongside original interviews with David Gilmour, Roger Waters, Richard Wright and Nick Mason, and traces the journey of a band that has only ever had five members, three of whom have lead the band at different stages of its evolution. BBC Program

A dark and delicious foray into Angela Carter's extraordinary life with animation by Peepshow Collective, rare archive and family photos, and contributions from Angela's friends, family, students and admirers.

Jean Cocteau reminisces about the people he has known throughout his long life.

In this film, Catherine Vilpoux recounts Ariane Mnouchkine’s iconic artistic journey: her inspirations, her dreams for the theatre, her love of cinema, her unique and extraordinary bond with audiences. Extensive archival material – much of which has never been seen before – together with extracts from performances and rehearsals, as well as interviews and coverage of various tours and travels, reveal an in-depth portrait of the Théâtre du Soleil, and its artistic and political commitment both in France and internationally, for which it was awarded the International Ibsen Award in September 2009. Everyone who has seen one of Ariane Mnouchkine’s productions at the Théatre du Soleil in Paris leaves with the feeling of having been part of a tale of enchantment. A tale that is larger than life but at the same time reveals life.

On June 3, 1991, Marguerite Duras gave me her last published work, "The North China Lover", autographed for the first time. She wrote: "For my friend Dominique Auvray, in memory of a wonder of wonders: a still recent past, when we worked together in the cinema". This is a portrait of her as she was cheerful and serious, authentic and provocative, considerate and categorical, but first and foremost young and free.

With more than 70 films and 160 million cumulative tickets in France, Jean-Paul Belmondo is one of the essential stars of French cinema.

Jean-Luc Godard is cinema, its quintessence. Just turned 91, he has made more than 140 films. We hate him as much as we worship him. Where does his aura come from? From legendary films of course, but also from Godard himself.

On the death of HM Queen Elizabeth II, a special documentary featuring contributions from HM King Charles III, her children, public figures, and those who worked with her. With previously unseen archive footage from the Queen's collection.

This documentary looks at the conception, design and live shows of The Wall performed by Pink Floyd in 1980 and 1981. It features in-depth 1980s era interviews with Roger Waters, David Gilmour, Richard Wright and Nick Mason and shows footage of The Wall performed at Earl's Court in 1980. It also features archival footage of the Syd Barrett era Pink Floyd and discusses how David Gilmour was brought into the band to initially augment their live shows when Syd became unreliable due to his drug problem and how Gilmour ultimately replaced him.

A documentary about the history of the Free Cinema movement, made by one of it's greatest proponents, Lindsay Anderson, to commemorate British Film Year in 1985. Produced by Kevin Brownlow and David Gill. Unlike Richard Attenborough's celebratory episode of the same series, or Alan Parker's more aggressive show, which was balanced between celebrating the greats and attacking Parker's bugbears, Greenaway and Jarman and the BFI, Anderson's show accentuates the negative, painting an image of a British cinema in terminal artistic decline and trashing the ambitions and approach of British Film Year itself. It's mordantly funny and very savage.

A story of passion between Jean Cocteau, Pygmalion poet, novelist, designer, playwright and avant-garde film-maker and Jean Marais, a popular actor, "well-loved" chameleon and legend of French cinema. They shared a unique relationship which, from 1937 to 1963, combined the art of loving with the inordinate love of arts.

Mixing interviews, rare archival footage and film extracts, the film shows how Melville's works were impacted by what he experienced in his youth during WWII, and how it structured his whole approach to cinema, not only in its thematic but also in its aesthetics.

The story behind one of the best loved British sitcoms ever made, from humble beginnings to smash hit. This show celebrates all of Dad’s Army’s iconic catchphrases, the hilarious stunts, and goes behind the scenes to discover what happened when the cameras stopped rolling. Former cast member Ian Lavender reflects on the show, and there are also contributions from Jonathan Ross, John Thompson, Al Murray, Eammon Holmes, Kelly Holmes and many others.

A gifted student, Annie Girardot thought for a while of becoming a nurse, before passing the entrance exam to the Conservatory. She leaves with two first prizes in comedy. In the theater she triumphed in "The Typewriter" by Jean Cocteau. It was Cocteau who made her cut her hair to adopt his famous short cut. The cinema opened its doors and she turned with Pierre Fresnay, then with Jean Gabin, in "Le rouge est mis" by Gilles Grangier. The Comédie-Française then asked her to make a choice. It would be the cinema.

Philippe Garrel’s documentary on France’s second wave of masterful filmmakers. Featuring Jean Eustache, Chantal Akerman, André Téchiné, Leos Carax, Jacques Doillon and Benoit Jacquot.

A biography of the great French director made for 3DD, featuring interviews with Anna Karina and Mike Leigh among others.

In 1966, Iowa native Jim Hamlyn was drafted into the U.S. Army where he served a year-long tour of duty during the heart of the Vietnam War. Using an 8mm camera, Hamlyn - a recipient of the Bronze Star for valor in combat with the U.S. Army 196th Light Infantry Brigade - documented his war experiences. Now, for the first time in television history, Hamlyn's war footage is being released for public broadcast. A Bad Deal - My Vietnam War Story highlights this never-before-seen footage, along with a rare interview with Hamlyn, to offer a revealing glimpse into the story of one American war veteran, as seen through the lens of his film camera. Featuring a haunting, original score by Joe Maddock, A Bad Deal takes you back in time to relive one of America's most divisive conflicts.

Political intrigue and psychological drama run parallel. The queen is in seclusion, veiling her face for the ten years since her husband's assassination, longing to join him in death. Stanislas, a poet whose pen name is Azrael, is a suicidal anarchist, his imagination haunted into hate by longing for this queen who's drawn apart. He enters her private quarters intent on killing her then himself, but they fall in love, in part because he looks like the king. Stanislas wants her to regain political power by appearing to the public, and she tries to convince him to find hope and escape. All the while, the queen's enemies plot to keep the lovers together but to thwart their plans.

A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.

Often called the worst director in the history of cinema, Ed Wood is nevertheless a beloved figure among cult-film aficionados for his oddball productions. This documentary takes a look back at Wood's unique career at the margins of 1950s Hollywood, speaking to those who loved him and hated him. Bela Lugosi Jr. discusses his father's work in the abysmal "Plan 9 From Outer Space," while a Baptist reverend recalls how he was tricked into financing the film.