Best movies like Jean Rochefort, l'irrésistible

Thomas Murray and Amanda have just moved to Paris. He works for a bank owned by Amanda's father Arthur Trevane. Amanda decides that she does not like Paris, so she goes back to London. But trouble begins on a drive through the countryside, where he meets a free spirit whose charms pressure his long-distance marriage.

Candid interviews of ordinary people on the meaning of happiness, an often amorphous and inarticulable notion that evokes more basic and fundamentally egalitarian ideals of self-betterment, prosperity, tolerance, economic opportunity, and freedom.

A committed film director struggles to complete his movie while coping with a myriad of crises, personal and professional, among the cast and crew.

Hortense has a big heart and no one to share it with except her cat, her embittered mom, and a group of homeless people for whom she prepares a gourmet dinner at the local church every week. While buying a nice bottle of wine, Hortense meets Jacques, a fifty-something, grumpy local cellarman. Eager to see him again, she attends a chaotic wine tasting in Jacques’ shop - meeting his best friend who clumsily tries to seduce her, and his new apprentice who turns out to have a rare gift for tasting as well as an unfiltered honesty. As Hortense and Jacques grow closer and closer, their past begins to catch up to them.

A despairing clown suffering a broken heart and a self-indulgent count who uncontrollably laughs learn to help each other with their problems, but both fall in love with the same young woman.

A serial-killer frightens Paris by phoning young ladies at night, telling them insults about their lives. Minos, as he calls himself, wants to prevent the world from free women and he targets at first these ones. Commissaire Letellier is given the investigation and he has hard work with the maniac.

In Scotland 1874, Jack is born on the coldest day ever. Because of the extreme cold, his heart stops beating. The responsible midwife in Edinburgh finds a way to save him by replacing his heart with a clock. So he lives and remains under the midwife's protective care. But he must not get angry or excited because that endangers his life by causing his clock to stop working. Worse than that, when he grows up, he has to face the fact he cannot fall in love because that too could stop his delicate heart.

Mr. Freedom, a bellowing good-ol'-boy superhero decked out in copious football padding, jets to France to cut off a Commie invasion from Switzerland. A destructive, arrogant patriot in tight pants, Freedom joins forces with Marie Madeleine to combat lefty freethinkers, as well as the insidious evildoers Moujik Man and inflatable Red China Man, culminating in a star-spangled showdown.

A look at 18th-century France, when the authorities depravity contributed to social oppression, and the uprisings flared up one after another.

A man, Milan (played by Johnny Hallyday) steps off a train, into a small French village. As he waits for the day when he will rob the town bank, he runs into an old retired poetry teacher named M. Manesquier (Jean Rochefort). The two men strike up a strange friendship and explore the road not taken, each wanting to live the other's life.

In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.

With exclusive access to his extraordinary unseen and unheard personal archive including hundreds of hours of audio recorded over the course of his life, this is the definitive Marlon Brando cinema documentary. Charting his exceptional career as an actor and his extraordinary life away from the stage and screen with Brando himself as your guide, the film will fully explore the complexities of the man by telling the story uniquely from Marlon's perspective, entirely in his own voice. No talking heads, no interviewees, just Brando on Brando and life.

Daniel needs some money to buy a duffle coat that is in fashion, so he agrees to work for a photographer by dressing up as Santa Claus. He discovers that it is much easier to meet girls when he is in his costume.

One day, Jean-Louis discovers that his heart has stopped. He is not dead, can walk and talk, but his heart is no longer beating. With the help of his wife and a friend, he tries to understand the origin of this mystery.

In a Hollywood career spanning more than 50 years and with 60 movie credits to his name, Jack Nicholson has conquered everyone, becoming the archetypal star who lives according to his own rules. Unmoved by critical approval and conventions he remains the most elusive of American actors.

A law student becomes an outlaw French revolutionary when he decides to avenge the unjust killing of his friend. To get close to the aristocrat who has killed his friend, the student adopts the identity of Scaramouche the clown.

A pompous grocer’s assistant in Marseille annoys a visiting film crew so much that they prank him with a phony acting contract; believing it to be real, the “schpountz” heads to Paris for his new career.

Brad Pitt is a singular actor in Hollywood's glamorous world, breaking through his "playboy image" and embodying American cinema's renewal. At the beginning there was a humble Midwestern aware of being a smokescreen for the illusions of his time, who has managed to keep control of his image to better serve the most talented directors of our time. To name but a few: David Fincher, Quentin Tarantino, the Coen brothers, Terrence Malick, James Gray and soon Damien Chazelle. This documentary dives into the brain of a complex, brilliant and endearing personality, far from the cliché of a world-famous movie icon to discover the hidden side of the most handsome man in the world.

In 30 years of a deeply committed career and 50 roles, Denzel Washington, double-Oscar winner, placed the figure of the Black man in all its complexity at the heart of the American paradoxes: from Black activist, rebel soldier to gangster torn between violence and charity. Voted best actor of the 21st century by the New York Times a few months ago, Denzel Washington, 65, has risen to the top of American cinema. As an Actor, director and producer, he has shaken up a "color line" as immutable as it is subtle. Often identified with his characters, he reveals himself to be disconcerting and paradoxical. As if he were holding up a mirror to America in which all of its contradictions and failings were reflected. A documentary that chronicles the extraordinary career of the world-renowned African-American actor.

The portrait of the last cowboy Hollywood legend dives into the 65 years of an extraordinary career in Hollywood, highlighted iconic films like The Good, the Bad and the Ugly, as well as Million Dollar Baby, Mystic River and Gran Torino all the way to Cry Macho in 2021. It is no small task to cover more than 60 years of cinema history, especially when it is trying to surveyed with such breadth and diversity: TV star, international star, controversial icon, contested director, filmmaker with a capital F, Eastwood has been through it all, experienced it all, and it is first of all this romantic trajectory, this true American pastoral that the documentary wants to tell with all the passion it possibly can.

Multi-talented, Paul Newman is one of the greatest American actors of all time. With his silhouette of a Greek statue and his unreal blue eyes, he embodied the quintessential Hollywood star. But he never seemed satisfied. The son of a Jewish sporting goods retailer who despises him and a Catholic mother who adores him, driven by self-doubt and an inherited need for approval from his childhood, he has worked throughout his fifty-year career to break the image of the pretty boy. He made his first experiences in the famous Actors Studio. The breakthrough as a screen star came in 1958 with "Cat on a Hot Tin Roof". From then on he preferred characters on the edge of the American dream. With archive images and film excerpts, the documentary paints a portrait of a socio-politically committed man with many facets and also pays tribute to the role of his wife Joanne Woodward.

Jean Rochefort, Jean-Pierre Marielle, Philippe Noiret - This is the story of a bunch of friends. Comedian buddies. Actors who dreamed of the Conservatory and the National Theater of Paris. The theater was their ideal, cinema will be their paradise. Their friend Jean-Paul Belmondo, the relaxed Parisian, who failed the entrance exam, will make sparks fly. Rochefort, Marielle and Noiret, the three provincials, will climb the steps of recognition one by one. From the little cabarets on the Left Bank to the TV shows of the Buttes-Chaumont pioneers. From the second roles to the first and from the B movies to the classics.

A portrait of a man of rare elegance and enigmatic charm, versatile and successful: Jean-Louis Trintignant, one of the most critically acclaimed French actors of the last sixty years, known for his numerous roles on stage and screen.

Presents archival material as well as interviews with those who were close to Jacques Brel, who died way too young, at age 49. Jacques Brel sings "Madeleine" over the opening credits of this film and immediately the audience is drawn into the intense theatricality of his performance. Left without a choice, they follow his lead, join the chanson and are left sweaty and breathless, just like Brel. Philippe Kohly, a documentary filmmaker who is renowned for profiling artists, created a fascinating portrait of the legendary singer of Flemish descent who became a master of French chanson.

In this film, Catherine Vilpoux recounts Ariane Mnouchkine’s iconic artistic journey: her inspirations, her dreams for the theatre, her love of cinema, her unique and extraordinary bond with audiences. Extensive archival material – much of which has never been seen before – together with extracts from performances and rehearsals, as well as interviews and coverage of various tours and travels, reveal an in-depth portrait of the Théâtre du Soleil, and its artistic and political commitment both in France and internationally, for which it was awarded the International Ibsen Award in September 2009. Everyone who has seen one of Ariane Mnouchkine’s productions at the Théatre du Soleil in Paris leaves with the feeling of having been part of a tale of enchantment. A tale that is larger than life but at the same time reveals life.

From Le Petit Rapporteur to Sous vos applaudissements, from La Lorgnette to L'Ecole des fans, everyone remembers the mythical programs of Jacques Martin, the Sunday afternoon emperor. Through rare archives and the testimonies of his close friends and collaborators, this documentary reveals the hidden sides of this sacred television monster who would have liked to be an artist.

With more than 70 films and 160 million cumulative tickets in France, Jean-Paul Belmondo is one of the essential stars of French cinema.

An out-of-work actor stumbles upon key to the universe, is drawn into intergalactic war between clowns and aliens.

Alice d'Abanville and Louis Ruinard are two extraordinary personalities. They were the most strikingly glamorous couple of the 70s. But this pair haven't seen each other in thirty years.

Les Acteurs is the absurd story of Jean-Pierre Marielle desperately waiting for a cup of hot water, the story of a conspiracy against actors, the story of aging actors whose careers are slowly less active than they used to be, but a stunning tribute to French actors and their cinema.

GOLDSTEIN, the feature film debut of talented director Philip Kaufman, is an early example of American independent filmmaking from the early 1960s. A fable about an old man with an odd effect on those he encounters, the film is a funny, warm-hearted postcard from an important moment in American cinema. GOLDSTEIN, starring veteran character actor Lou Gilbert, shared the Prix de la Nouvelle Critique at the 1964 Cannes Film Festival with Bertolucci’s Before the Revolution. Cinema deity Jean Renoir called the film "the best American film I have seen in 20 years."

Soledad, a girl tired of being a taxi driver in Buenos Aires, travels with her car to Patagonia. She stops in a village whose inhabitants live in isolation and their only contact with the outside world is a cinema where old films are projected.

A dwarf named Ed falls in love with a big woman named Linda. He cuts her open and climbs into her womb to be "born again."

A journey in the company of Bernadette Lafont, French Cinema’s most atypical actress. Tracing her career from pin-up girl, to New Wave model of sexual freedom, to drug-dealing granny in the film Paulette, by way of La Fiancée du Pirate and Les Stances à Sophie, this film pays tribute to her extraordinary life and artistic odyssey. Her grand-daughters, Anna, Juliette and Solène, revisit the dreams of Bernadette, in the family home in the Cevennes region where they, like her, grew up. Her close friends, Bulle Ogier and Jean-Pierre Kalfon, reminisce on their artistic and human complicity. Throughout the film, Bernadette Lafont in person, with her inimitable character actress voice, re-evokes a life in cinema marked with insolence, courage and freedom.

Delphine Seyrig, an extraordinary woman and actress, died on October 15, 1990. From "Last Year at Marienbad" by Alain Resnais to "India Song" by Marguerite Duras, she played in 34 films for cinema, 13 films for television and 33 plays. Jacqueline Veuve, filmmaker and friend of Delphine Seyrig, wanted to break the silence that has fallen on her memory by making a documentary that traces with emotion and subjectivity the life of the mythical actress, the fierce feminist but also the simple friend.

Do you know Lacan, which many consider as the greatest psychoanalyst since Freud? Beyond the myth, the legends and sometimes, the curses, this film by Gérard Miller allows us to discover his work and his personality, through the testimony of his patients, his students, and also his relatives. Born with the XXth century into an upper-middle-class Catholic family, a psychiatrist by training, with an encyclopaedic knowledge of culture, a friend of Picasso, Levi-Strauss and Sartre, Lacan was a great theoretician, an outstanding practitioner, and he remains the most modern, the most challenging and even the most sulphurous of psychoanalysts. The director Gerard Miller met Lacan thanks to his brother, Jacques-Alain, the most faithful of his students, who married his daughter Judith. Their close and intense relationship makes this film exceptional.

In a career spanning more than half a century, Bernard Blier has shot more than 180 films. He alone represents a history of French cinema without having spent his time cultivating its legend. He crossed his century as an actor with the modesty of a craftsman. He believed in learning, know-how and transmission. He considered himself, like the butcher or the cabinetmaker, as a man useful to his fellow men. Bernard Blier found in Louis Jouvet, who was his teacher at the Conservatory, a master at playing, a mentor and even a spiritual father. Jouvet taught Blier the love of acting, theater and Molière. And if he knew how to take hold of Michel Audiard's best tirades like no one else, notably those of the "Tontons Flingueurs", it is to this apprenticeship that he owes it.

Following in the wake of Benoît Poelvoorde and Philippe Geluck, comedians, actors and other Belgian singers have established themselves in France in recent years, in the media and on stage. But, if we appreciate them today, this was not always the case. In this documentary, director Olivier Monssens acts as the spokesperson for his compatriots. Through testimonies and delicious archive images, he returns to the not-so-distant era when our neighbors were considered friendly but somewhat idiotic people. The film is also an opportunity to understand what characterizes the Belgian spirit by focusing on some of its facets: humor and its famous local variation, self-deprecation, cinema and music.

This documentary consists mainly of archive interviews of Jean Cocteau, and it features interesting contributions by Jean Marais and especially Jean-Luc Godard, who discusses Cocteau's foray into cinema. The film documents all the artistic media explored by a man who defined himself, first and foremost, as a poet.

A middle-aged disabled man unknowingly begins a lonely hearts correspondence with his own unmarried sister, who takes care of him. As he writes more and more to her, he begins to fall in love, and she, knowing that it is her brother who is writing, discovers a new, tender side to him. But trouble looms when he asks to meet her in person.

When Sarah has a chance to go to a first class university and to join its premiere athletic club, her suburban mother is fearful of the change and refuses to help financially. But Sarah's roommate knows that they will get a grant if they marry. Sarah agrees but only to discover that her true heart lies elsewhere. Sarah prefers to run.

In 1794, French revolutionary Maximilien Robespierre produced the world's first defense of "state terror" - claiming that the road to virtue lay through political violence. This film combines drama, archive and documentary interviews to examine Robespierre's year in charge of the Committee Of Public Safety - the powerful state machine at the heart of Revolutionary France. Contesting Robespierre's legacy is Slavoj Zizek, who argues that terror in the cause of virtue is justifiable, and Simon Schama, who believes the road from Robespierre ran straight to the gulag and the 20th-century concentration camp. The drama, based on original sources, follows the life-and-death politics of the Committee during "Year Two" of the new Republic.

In the harbor city of Le Havre, France, a woman is stabbed during the night, just below the windows of her neighborhood. Pierre (Yvan Attal) has witnessed the murder, and heard the wails of the women crying for help. So have the neighbors, certainly. But at the end, nobody called the police. Nevertheless, sorrows are too heavy for Pierre, which feel the needs to tell everything to his wife (Sophie Quinton), and to the police. During the investigation, it appears that 38 people witnessed the murdering, and none reacted...

A dramatic exploration of the life and struggles of the great composer, J.S. Bach, from his orphaning at the age of nine, through his struggles for the freedom to compose music in a restrictive society, to his eventual recognition after death.

An innocent man stumbles across a political intrigue, when he discovers that his neighbours apartment is bugged. They are then found dead and their killers description resembles the man.

Odile suspects her husband, Jean, is cheating. Thus she decides to give him a taste of his own medicine. Fate gets her in touch with an actor, Daniel, who she will use for her revenge. The actor, living with a former serviceman, Albert, will make love with her. But there will be unexpected consequences: Odile and Daniel will be bound forever by an irrepressible love.

An American low-budget action film celebrated an unexpected worldwide success in 1988: "Bloodsport". With its, the world of film fans and martial arts cinema discovered a new idol: Jean-Claude Van Damme. In the 1970s there was Bruce Lee, but at the end of the 1980s a Belgian won the day. Van Damme was a karate master and had unparalleled strength and flexibility. For ten years he was one of Hollywood's hottest action stars. But excessive overconfidence and drugs bring him down again. At home in Europe he becomes a laughing stock on talk shows. Only with "JCVD" does he manage to get back on his feet, playing his character with perspective and self-irony, but without ever giving up the reputation that his action films brought him and which has been a cult for several generations. The highs and lows of his eventful life are told through archive footage and contributions from people close to the popular Belgian actor.

A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.

An account of the extraordinary life of film pioneer Georges Méliès (1861-1938) and the amazing story of the copy in color of his masterpiece “A Trip to the Moon” (1902), unexpectedly found in Spain and restored thanks to the heroic efforts of a group of true cinema lovers.