Juurakon Hulda

Aibileen Clark is a middle-aged African-American maid who has spent her life raising white children and has recently lost her only son; Minny Jackson is an African-American maid who has often offended her employers despite her family's struggles with money and her desperate need for jobs; and Eugenia "Skeeter" Phelan is a young white woman who has recently moved back home after graduating college to find out her childhood maid has mysteriously disappeared. These three stories intertwine to explain how life in Jackson, Mississippi revolves around "the help"; yet they are always kept at a certain distance because of racial lines.

Celestine, the chamber-maid, has a new job in the country, at the Lanlaires. She has decided to use her beauty to seduce a wealthy man, but Mr. Lanlaire is not a right choice: the house is firmly controlled by Madame Lanlaire, helped by the strange valet Joseph. Then she tries the neighbour, former officer Mauger. This seems to work. But soon the son of the Lanlaires comes back. He is young, attractive and does not share his mother's antirepublican opinions. So Celestine's beauty attracts Captain Mauger, young Georges Lanlaire, and Joseph. Three men, from three different social classes, with three different conceptions of life. Will Celestine be able to convince Georges of her sincerity?

A British peer's romance with a ballerina courts scandal in 1890s London.

Country girl Annabel Lee has big dreams of being a famous artist. Her widowed mother encourages her to go to the city so she can study. Annabel works hard, but she sells only one painting. She discovers that a renowned artist is spending the summer at a nearby resort, so she sends him her best work for a critique. A friend recommends that she see him in person, so Annabel pawns a piece of jewelry and heads for the resort. The artist informs her that she doesn't have enough talent to achieve much.

A man goes off to Paris to start his new job at a bank. When he falls in love with a beautiful woman, he decides to work as her maid -- until he discovers she not only is his boss, but his colleague at the bank.

In a remarkable turn of events, the result of the presidential election comes down to one man's vote.

A cleaning woman decides to sue the state for illegal discharge.

Martha's problem is balancing work and family. According to her husband Juho and father-in-law Kalle, the mother's place is at home with the child and not at work. Only her mother-in-law Ilona encourages Martta to advance in her career.

"Mussu" Koikkalainen, a country boy moves to town to find a job. He finds it and is even promoted to head of complaints department. But little he knows.

Aspiring young Scottish politician John Shand enters into an unusual agreement with the wealthy Wylie family -- if they fund his education, he must marry their daughter, Maggie. Staying true to his word, John weds Maggie and begins a successful career, thanks largely to his savvy wife. The couple's relationship is placed in jeopardy when John faces temptation in the form of the lovely aristocrat Lady Sybil Tenterden.

Jussi, a student admired by all women, is inadvertently selected to represent both left-wing and right-wing parties in the parliamentary elections. All Jussi cares about is the beautiful, blonde Irmeli.

Young Viscount Tony Pym wangles National Service leave on the pretext of standing as a Tory candidate for a local seat held by his family for generations. The request is a ruse to enable Pym to marry his wealthy American fiancee while she's still in England, but his masterplan backfires when he finds himself swept into an election campaign and beaten by Labour's Mr Cleghorn – who is then made a peer. In an attempt to save face, Pym decides to stand again – as a socialist. It all proves too much for the Pyms' loyal, true-blue butler, Mr Beecham...

A young woman leaving the city for the countryside encounters the concept of voluntary work - new to her. She eventually does good, and charms the employer at the same time.

F*** Off! shows no false respect towards the authorities in its impudent and candid reportage of the developing country/welfare state Finland. It is a cinematic parallel to Donner's New Book of Our Land (1967). The travelogue focuses especially on Finland's outsiders, low-paid workers and the unemployed. In desolate provinces, the inhabitants of a cold and barren country either humbly abide their fate, choose to move to Sweden or take refuge in excessive drinking. These images are accompanied by protest songs based on Donner's own prose and the lyrics of poet Jarkko Laine. Perkele is embodied in big business and the political elite.The jagged (anti)aesthetics of the film correspond to the underground movement and the radical politics of the time. The camera agilely penetrates everyday life. Though opposed to censorship, Fuck Off! itself transgresses the boundaries of privacy.

Hyacinth Bucket (whose name, she insists, is pronounced "Bouquet") is a suburban housewife in the West Midlands. She would be the first to tell you that she is a gracious hostess, a respected citizen, and a well-connected member of high society. If you don't believe that, just ask her best friend Elizabeth, held captive in Hyacinth's kitchen; or the postmen and neighbours who bristle at the sound of her voice; or Richard, her weary and compliant husband. In fact, Hyacinth's reputation could be as perfect as her new lounge set, if not for her senile father's love of running wild in the nip. Oh, and she would prefer it if her brother-in-law was a sharper dresser. And that her husband was more ambitious. And that her sisters were more presentable. And do take your shoes off before you come in the house, dear. Mind that you don't brush against the wallpaper.

In a busy corporate law firm, Cooper-Fozard in the City of London, Stephen Bradley and his team work fast and furiously to put together mergers, takeovers and buyouts for a range of clients. But it's never as clear and clinical as that. When colleagues work hard they often play hard too; and working closely sometimes brings people together after hours. Soon you develop a taste for a good deal, and you can sense a suspicious one at forty paces. And above all, though you don't have to like the people you work with, you learn that you do need to trust them.

Current affairs programme, featuring interviews and investigative reports on a wide variety of subjects.

Set in the small hamlet of Lark Rise and the wealthier neighbouring market town, Candleford, the series chronicles the daily lives of farm-workers, craftsmen and gentry at the end of the 19th Century. Lark Rise to Candleford is a love letter to a vanished corner of rural England and a heart-warming drama series teeming with wit, wisdom and romance.

First Among Equals is a ten-part serial based on Jeffrey Archer's 1984 novel First Among Equals, produced by Granada Television for the ITV network and first shown in 1986. As in the novel, the series follows the careers and personal lives of four fictional British politicians from 1964 to 1991, with each vying to become Prime Minister. Several situations in the novel are drawn from Archer's own early political career in the British House of Commons. While the novel depitcts the fictional characters interacting with actual political figures from the UK and elsewhere, this adaptation uses different names for the real-life politicians.

A humourous and satirical journey into the world of Canadian national politics.

An unusual, real-world romance involving relatable people, with one catch - there are three of them! You Me Her infuses the sensibilities of a smart, grounded indie rom-com with a distinctive twist: one of the two parties just happens to be a suburban married couple.

Four women juggle love, careers, and parenthood. They support, challenge, and try not to judge each other as life throws them curveballs. Whether it is an identity crisis, a huge job opportunity, postpartum depression, or an unplanned pregnancy – they face both the good and bad with grace and humour.

An anthology series of hotly contested criminal trials that divides the nation and take place in the full glare of the media spotlight.

1950s. Under the communist regime, a struggling actor joins the KGB as an informant to make ends meet. He quickly finds himself caught up in a dangerous web of deceit and treachery.

Six-hour documentary series focused on the President’s personal story and his vision for America, set against the backdrop of the country’s racial history. It traces his own search for identity and his role shaping a more inclusive American identity that has been under attack since he left office. Through the words of some of the people who knew him best, and through some of his sharpest critics, the film ultimately reveals the fallacy of America as a post-racial society, and confronts the work still needed to achieve a more perfect union as the work of a country, not just one man.

The programme focuses on the British and the worldwide deaf community and covers a broad range of topics from areas such as education, deaf people's rights, technology and language. The programme is presented entirely in BSL and is broadcast with voice-over and subtitles in English throughout the programme.

Questions to the Prime Minister. Held weekly since 1961, Prime Minister's Questions, also referred to as PMQs, gives Members of the British Parliament a chance to question the Prime Minister in the House of Commons. PMQs takes place at midday every Wednesday at the Palace of Westminster when the House of Commons is sitting.

In 1982 seven people, mostly in and around Chicago, died suddenly and without explanation. The victims included three people from one family and a child from another. Eventually, a nurse quickly saw a common thread between the deaths; the victims all took the common pain reliever Tylenol, but their capsules were laced with cyanide. The deaths were soon dubbed the "Tylenol Murders" and started a frenzy to find the person responsible as fear spread across the country and store owners pulled Tylenol from their shelves.

In the midst of the coronavirus crisis, the supermarkets have become like the UK’s fourth emergency service. While most people have been staying safe in their homes, an army of workers across the country have been putting themselves at risk and working round the clock to keep us all fed.