Best movies like Karin, Daughter of Ingmar

A man undergoing a mid-life crises suddenly becomes irresponsible and behaves in reckless manner. His self-destructive habits not only creates havoc in his home life, it leads to other problems.

Cowboy Billy Fortune is in love with Hope Beecher, who prefers Billy's friend Ben Morgan, but resists his advances because of his fondness for drink. Hope's discontent is echoed by the town wives' public outcry against drink. To divert their interest, Billy is nominated to make love to their leader, widow Fay Bittinger, who has already disposed of four husbands....

When Letty Mason relocates to West Texas, she finds herself unsettled by the ever-present wind and sand. Arriving at her new home at the ranch of her cousin, Beverly, she receives a surprisingly cold welcome from his wife, Cora. Soon tensions in the family and unwanted attention from a trio of suitors leave Letty increasingly disturbed.

A 1920 film directed by Roy William Neill.

A film based on the pictures from Ingmar Bergman's personal photo album, especially the pictures of his mother Karin.

A Lady persuades her son's lowly wife to desert him.

Story of an inventor who, suffering betrayal in life, makes a career of it by becoming a clown whose act consists of getting slapped by all the other clowns. He falls in love with another circus performer, and those who betrayed him enter his life yet again.

A gardener's son has fallen in love with the daughter of one of the workers at the nursery, and the two are married. The gardener then kicks his progeny off the property and begins to act despicably toward his son's wife.

HELEN OF FOUR GATES was made in Hebden Bridge in 1920 by silent film pioneer Cecil M. Hepworth, based on a popular novel of the same name. Reportedly highly successful when it first opened, the film would later fall into obscurity, with all copies believed to be destroyed. In 2007, a print was discovered in a vault in Canada.

When two riders come to the monastery seeking shelter for the night they inquire from one of the monks about the founding of the monastery. The old monk reluctantly recounts the story of Count Starschensky, a nobleman of wealth and property. Starschensky is blessed with domestic happiness, however, he later finds that his young wife, Elga, has been sneaking her lover into the castle in evenings when he is away, and that their only child is not his, but a product of this affair. Tragedy ensues and the count sells his estates and establishes the monastery as part of his penance.

It's New Year's Eve. Three drunkards evoke a legend. The legend tells that the last person to die in a year, if he is a great sinner, will have to drive during the whole year the Phantom Chariot, that picks up the souls of the dead.

The third film adaptation of Selma Lagerlöf's novel of the same name. The drinker David Holm gets killed right on the stroke of midnight on New Year's Eve will face the death coachman, which happens to be his old friend Georges. Together, reliving the events of the past, and David becomes aware that he ruined the lives of two women who both loved him.

Five conversations frame a flawed marriage in this film written by Ingmar Bergman about his parents. Guilt-ridden wife Anna (Pernilla August) divulges an extramarital affair to a priest, her uncle Jacob (Max von Sydow). He presses her to confess her sins to her husband, Henrik. As the film moves back and forth in time, the notion of truth is tested. Tomas, the lover, and Henrik will find that Anna's confessions do not absolve anyone, and have the power to inflict more pain.

In this sequel to Scenes from a Marriage (1973), we revisit the characters of Johan and Marianne, then a married couple. After their divorce, Johan and Marianne haven't seen each other for 32 years. Marianne is still working, as a divorce lawyer. Johan is quite well off and has retired to a house in the Orsa finnmark district of Sweden. On a whim, Marianne decides to visit him. Johan's son from a previous marriage, Henrik, lives nearby in a cottage with his daughter Karin, a gifted cello player. The relationship between father and son is strained.

In Puritan Boston, seamstress Hester Prynne and kindly Reverend Arthur Dimmesdale fall in love. After Dimmesdale must go away for a time to England, he returns to discover that Hester has given birth to their child and is the focus of local censure.

After discovering that his wife has been killed in an accident, Stig looks back on their relationship, beginning with when he and Marta were starting out as violinists together in an orchestra overseen by conductor Sonderby.

Terje Vigen, a sailor, suffers the loss of his family through the inflexibility of another man. Years later, when his enemy's family finds itself dependent on his benevolence, Terje must decide whether to avenge himself.

Nick Van Alstyne owns the Henrietta silver mine and is very rich. His son Bertie is naive and spoiled. His daughter Rose is married to shady investor Mark. Mark wrecks Bertie's wedding plans by making him take the blame for Mark's illegitimate daughter. Mark also nearly ruins the family business by selling off Henrietta stock at too low a price. Bertie, of all people, must come to the rescue on the trading floor.

Rakel, Marta, Karin and Annette are married to four brothers. While waiting in a summer cottage for their husbands to come home, they tell each other stories about their marriages. Rakel tells about the time she had an affair and confronted her husband with it. Marta's story is about how she at first refused to marry and had her child by herself. Karin tells about what happened when one time she and her husband got stuck in an elevator together. While the women tell their stories, Marta's younger sister Maj is planning to elope.

Erotikon is a 1920 Swedish romantic comedy film directed by Mauritz Stiller, starring Tora Teje, Karin Molander, Anders de Wahl and Lars Hanson. It is based on the 1917 play A kék róka by Ferenc Herczeg. The story revolves around an entomology professor obsessed with the sexual life of bugs, and his easygoing wife who is courted by two suitors.

Tarzan's son Jack is kidnapped from England by his old enemy Paulovich. Jack escapes into the African jungle where he meets Meriem, a European girl held captive. Freeing her, he falls in love but she's sought by Paulovich. Then Tarzan arrives with Jane to save the day!

The Strongest is a 1920 American silent drama film directed by Raoul Walsh and starring Renée Adorée, Carlo Liten, Harrison Hunter, Beatrice Noyes, Florence Malone, and Jean Gauthier DeTrigny. It is based on the 1919 French novel Les Plus Fort by Georges Clemenceau.

[For 9 minute surviving fragment] Lucian, a soldier in Paris, is to ship out for Algiers at 9 that evening. He stops by for a last meal with his love, Marianne. He may be worried that when he leaves she will find another soldier to love. They argue then embrace and, when the clock strikes midnight, he is still in her arms. Is desertion in the cards? Can the relationship survive the military demands and a soldier's obligations? A lost film.

Tarzan and Jane are traveling to Paris to help his old friend Countess de Coude, who is being threatened by her brother, Nikolas Rokoff. Rokoff has Tarzan tossed overboard. He survives, comes ashore in North Africa, and goes to Paris to search for Jane. In Paris, Tarzan reunites with his old friend Paul D'Arnot, who informs him that Jane was taken to Africa. Tarzan returns just in time to save Jane from a lion attack, and soon defeats Rokoff and his henchmen.

Eddie King goes up against a villainous circus owner in this action adventure which was directed by genre specialist J.P. McGowan and released in 18 chapters.

A young man who has proven a failure in business goes to Alaska and enters the salmon-fishing industry, in direct competition with the father of the woman he loves.

Follows Raquel and Ares facing the challenges that arise in this last chapter of their relationship and their individual lives.

A series of family entanglements develop around the changing will of Roger Bernhuses de Sars (Karl Mantzius), who wants his heritage to go to his illegitimate daughter Blenda (Greta Almroth). But love and fate also plays their cards. One of the most surprising films of Sjöström, close to Stroheim and some of the silent comedies of Lubitsch. Belonging to the golden age of Swedish film, this comedy offers one of the earliest explorations of the relationship between masters and servants on the screen, later developed by French masters like Renoir and Guitry. After acting in the diptych of Thomas Graal, Sjöström shows that he also dominates the “light genre” as director.

An attorney is thrust into wild adventures by an attractive young woman.

After his beloved daughter leaves for the city to pay off his debt, an old farmer goes mad when her letters become less frequent and it is suspected she may be using her body to get the money.

After Ingeborg Holm's husband becomes sick and dies, the family's small grocery store fails, Ingeborg becomes bankrupt, and she is forced to move to the workhouse. Her three children go to foster homes. Ingeborg simply must see them again.

A stranger comes to work at widow Halla's farm. Halla and the stranger fall in love, but when he is revealed as Eyvind, an escaped thief forced into crime by his family's starvation, they flee and become two of the many outlaws of Iceland's mountains.

At the end of the middle ages, Ursula is accused of having poisoned her own husband. She claims she is innocent, but to prove it, she must submit to a ritual: trial by fire, walking on fire along a path leading directly to a crucifix. A film that has been much commended for the visual creativity shown by the director in successive blending in of images involving Ursula, her husband, the Virgin Mary, and Jesus Christ. Much applauded, also: the performance of Jenny Hasselqvist, thus described by French director René Clair: “We shall never forget her flaming eyes, the severity of her spirit, her abrupt and alarmed expressions, like an animal under threat.”

When Pinto reaches her eighteenth birthday, the five wealthy Arizonans who adopted her upon the death of her parents decide that ranch life will never make a lady of her. Their old friend Pop Audry, formerly of Arizona and now a member of New York society, agrees to provide Pinto with the necessary education. Accordingly, Pinto and her cowboy nursemaid Looey are dispatched to New York where they lose Audry's address. ...