Best movies like Kiss Me Kate

In the slums of the upper West Side of Manhattan, New York, a gang of Polish-American teenagers called the Jets compete with a rival gang of recently immigrated Puerto Ricans, the Sharks, to "own" the neighborhood streets. Tensions are high between the gangs but two romantics, one from each gang, fall in love leading to tragedy.

Swellegant and elegant. Delux and delovely. Cole Porter was the most sophisticated name in 20th-century songwriting. And to play him on screen, Hollywood chose debonair icon Cary Grant. Grant stars for the first time in color in this fanciful biopic. Alexis Smith plays Linda, whose serendipitous meetings with Porter lead to a meeting at the alter. More than 20 of his songs grace this tail of triumph and tragedy, with Grant lending is amiable voice to "You're the Top", "Night and Day" and more. Monty Woolley, a Yale contemporary of Porter, portrays himself. And Jane Wyman, Mary Martin, Eve Arden and others provide vocals and verve. Lights down. Curtain up. Showtune standards embraced by generations are yours to enjoy in "Night and Day."

George, the inebriate night porter at the Hotel Splendide, develops a series of increasingly outlandish suspicions about Billy and Percy, two guests who have arrived separately yet claim to be a married couple and demand to share a room together.

Rhythm and Blues Revue is a plotless variety show, one of several compiled for theatrical exhibition from the made-for-television short films produced by Snader and Studio Telescriptions, with newly-filmed host segments by Willie Bryant. Originally 86 minutes, the "short" version available on public domain collections and websites is missing a reel

Animated version of the Rodgers and Hammerstein musical about when the King of Siam meets a head strong English school mistress.

Fred and Lilli are a divorced pair of actors who are brought together by Cole Porter who has written a musical version of The Taming of the Shrew. Of course, the couple seem to act a great deal like the characters they play. A fight on the opening night threatens the production, as well as two thugs who have the mistaken idea that Fred owes their boss money and insist on staying next to him all night.

While traveling home from Vegas, an amorous lounge singer named Dino gets conned by a local mechanic/songwriter into staying in town for the night. The mechanic's songwriting partner, Orville, offers Dino his home for overnight lodging and enlists a local waitress/call girl to pose as his wife in order to placate Dino's urges.

A series of misunderstandings leads to a chorus girl traveling to Paris to represent the American theater, where she falls in love with a befuddled bureaucrat.

The Rocky Horror Show was born at the Royal Court's tiny Theatre Upstairs on June 16, 1973, and went on to become an international stage smash hit and a major motion picture.

From Paris to Venice to Broadway to Hollywood, the lives of Cole Porter and his wife, Linda Lee Thomas were never less than glamorous and wildly unconventional. And though Cole's thirst for life strained their marriage, Linda never stopped being his muse, inspiring some of the greatest songs of the twentieth century.

Based on a famous stage play and set in the year 1912, an upper crust family dinner is interrupted by a police inspector who brings news that a girl known to everyone present has died in suspicious circumstances. It seems that any or all of them could have had a hand in her death. But who is the mysterious Inspector and what can he want of them?

The plot centers on students involved in the Soweto Riots, in opposition to the implementation of Afrikaans as the language of instruction in schools. The stage version presents a school uprising similar to the Soweto uprising on June 16, 1976. A narrator introduces several characters among them the school girl activist Sarafina. Things get out of control when a policeman shoots several pupils in a classroom. Nevertheless, the musical ends with a cheerful farewell show of pupils leaving school, which takes most of act two. In the movie version Sarafina feels shame at her mother's (played by Miriam Makeba in the film) acceptance of her role as domestic servant in a white household in apartheid South Africa, and inspires her peers to rise up in protest, especially after her inspirational teacher, Mary Masombuka (played by Whoopi Goldberg in the film version) is imprisoned.

"If I had the money, I'd buy me a banjo!" says struggling sales clerk Arthur Kipps. Soon he'll inherit enough to buy a whole bloomin' orchestra. But can his newfound wealth buy happiness?

An opera star's manager tries to stop her romance with a penniless singer.

A musical cabaret singer meets a British agent and goes with him to Nazi occupied France to save an atomic scientist.

Hallmark Hall of Fame's second version of Shakespeare's classic play, with the same two stars and the same director as its first version, but a different supporting cast.

The Anthony Newley/Leslie Bricusse London and Broadway musical hit Stop the World, I Want to Get Off is given literal treatment in this filmization. Newley stars as Littlechap, whose allegorical rise to success is countered by the instability of his private life. Like the play, the film is staged impressionistically, with Newley decked out in mime makeup and periodically stopping the action to address the audience, and with all the women in his life -- German, American and "Typically English" -- played by a single actress (Millicent Martin, taking over from the stage version's Anna Quayle). In Wizard of Oz fashion, the play itself is lensed in color, while the brief prologue, showing the actors preparing for their performance, is in black-and-white. The production includes such standards (and perennial audition pieces) as What Kind of Fool Am I? and Gonna Build a Mountain.

Mary Haines's life falls apart and her social circle shatters after her husband's affair is revealed. Filmed version of the 2001 Broadway revival with the original cast reprising their roles.

The Peanuts gang perform the classic Broadway musical. In addition to the classic songs, we see Charlie Brown and his friends perform the various comedy sketches of the play.

When the S.S. American heads out to sea, etiquette and convention head out the portholes as two unlikely pairs set off on the course to true love... proving that sometimes destiny needs a little help from a crew of singing sailors, a comical disguise and some good old-fashioned blackmail. This hilarious musical romp across the Atlantic, directed by the multi-award-winning Broadway director and choreographer Kathleen Marshall, features Cole Porter’s joyful score, including "I Get A Kick Out of You," "You’re the Top" and the show-stopping "Anything Goes."

Musical version of the comedy by Brandon Thomas. As part of a simple enough ruse, a Cambridge student poses as his aunt but his scheme goes wrong, first when someone falls for the aunt, and then when the real aunt turns up.

A study of absurdity in a suburban family: father recreates the Old Bailey in the living room while the son teaches speak-your-weight machines to sing in the attic.

Donald Moffat stars in Moliere's classic comedy about lovable scoundrel Tartuffe, who befriends the wealthy Orgon and then attempts to seduce both his new friend's wife and daughter in this TV presentation from the Broadway Theatre Archive. Tartuffe pretends to be a pious man whose faith convinces Orgon and his family to succumb to his influence, but he's undone when his womanizing ways make it clear that his piety is a charade.

New York chorus girl Cindy Lou Bethany becomes frustrated when she prepares for an audition for a Broadway musical, but the auditions close and her roommate, Gwen Abbott, is hired to be secretary to Top Rumson, the show's financial backer. Gwen tells Cindy that the director, Lloyd Lloyd, and composer, Dick Rayburn, have been sent to the South on a talent search for a classic Southern belle type to star in the show, although their shows usually feature Myra Stanhope, an actress whose style is hopelessly inappropriate for this show. Desperate for work, Cindy returns to her aunt Lily Lou and uncle Jefferson Davis Bethany's home in the South and schemes to get Lloyd and Rayburn to audition her.

Through ten carefully chosen cover versions that whisk us from the British Invasion to a noughties X Factor final, this film journeys over five decades to track how artists as varied as The Moody Blues, Soft Cell, Puff Daddy and Alexandra Burke have scored number 1s with their retake on someone else's song. Each of the ten classic cover versions has its own particular tale, tied not only into its musical and cultural context but also the personal testimony of the artists, producers and songwriters whose lives were changed in the process.

U2 bring their stadium-filling rock to Abbey Road Studios to perform exclusive versions of classics like With or Without You, Beautiful Day and One, alongside new music from their latest album Songs of Experience, accompanied by a live orchestra and choir.

A rehearsal is disrupted when six figures mysteriously appear on the stage, claiming to be fictional characters from an unfinished play searching for an author to tell their tragic story. An adaptation of the classic Luigi Pirandello play, updated to take place in a 1970s television studio.

A musical version of the classic story of the mean spirited Grinch who plots to steal Christmas from Whoville.

Peter Pan is a 1976 musical adaptation of J. M. Barrie's Peter Pan, or the Boy Who Wouldn't Grow Up, produced for television as part of the Hallmark Hall of Fame, starring Mia Farrow as Peter Pan and Danny Kaye as Captain Hook, and with Sir John Gielgud narrating. Julie Andrews sang one of the songs, "Once Upon a Bedtime", off-camera over the opening credits. It aired on NBC at 7:30pm on Sunday, December 12, 1976, capping off the program's 25th year on the air. The program did not use the score written for the highly successful Mary Martin version which had previously been televised many times on NBC. Instead, it featured 14 new and now forgotten songs, written for the production by Anthony Newley and Leslie Bricusse.

This music special is dedicated to dispelling the prejudices associated with the HIV infection and raising money for AIDS research and relief. Some of today's most celebrated recording artists performing their interpretations of the classic songs of Cole Porter.

Abridged version of the classic Cole Porter musical as broadcast live on the Hallmark Hall of Fame series on NBC

Live television version of the classic musical.

Julia and Hap are a dance team. He drinks and gambles, she succeeds for a while with the help of producer Alan.

This delightful pairing of one-act musicals, one classic and one modern, takes a comical and moving look at the mysteries of love. Act I, based on Schnitzler's The Little Comedy, is a delightful romp through the sexual ennui of turn-of-the-century Vienna, as two wealthy but bored socialites masquerade as impoverished bohemians seeking romance. Act II, based on the Jules Renard play Summer Share, explores modern affection and disaffection as two married couples share a summer house in the Hamptons. An Off-Off-Broadway sensation that successfully moved to Broadway, Romance/Romance is a charming and tuneful small-cast gem, here filmed live for television.

A videotaped production of the Frederick Knott play in which three criminals play an elaborate scam on a blind woman who is in possession of a doll that, unbeknownst to her, is very incriminating. The play had already been famously adapted for the screen in 1967 starring Audrey Hepburn. This 1982 version was frequently shown on HBO in the 1980s.