Kitchen

Andy Warhol’s screen adaptation of Burgess's "A Clockwork Orange”.

In 1967, New York City is host to the Miss All-American Camp Beauty Pageant. This documentary takes a look behind the scenes, transporting the viewer into rehearsals and dressing rooms as the drag queen subculture prepares for this big national beauty contest. Jack/Sabrina is the mistress of ceremonies, and their protégé, Miss Harlow, is in the competition. But, as the pageant approaches, the glamorous contestants veer from camaraderie to tension.

Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.

After a catastrophic global war, a young filmmaker awakens in the carnage and seeks refuge in the only other survivor: an eccentric, ideologically opposed figure of the United States military. Together, they brave the toxic landscape in search of safety... and answers.

The sharks take bite out of the East Coast when the sharknado hits Washington, D.C. and Orlando, Florida.

After The Daily Planet receives a letter from a mad scientist threatening to wreak destruction with his Electrothanasia Ray, Lois Lane heads out in the hopes of getting more information for a news story.

Warhol superstar and icon of sixties bohemia Edie Sedgwick delivers her final performance in this semiautobiographical look at the price of fame. Fiction and documentary—including snippets from Sedgwick’s own audio dairies—mingle in a freewheeling portrait of Susan Superstar (Sedgwick), a New York celebrity on a drug-fueled downward slide that mirrors Sedgwick’s own self-destructive spiral. Released after her death from an overdose of barbiturates, CIAO! MANHATTAN endures as a testament to Sedgwick’s unique magnetism and as a haunting elegy for the counterculture she embodied.

Photographed entirely in color, Four Stars was projected in its complete length of nearly 25 hours (allowing for projection overlap of the 35-minute reels) only once, at the Film-Makers' Cinematheque in the basement of the now-demolished Wurlitzer Building at 125 West 41st Street in New York City. The imagery in the film is dense, wearying and beautiful, but ultimately hard to decipher, for, in contrast to his earlier, and more famous film Chelsea Girls, made in 1966, Warhol directed that two reels be screened simultaneously on top of each other on a single screen, rather than side-by-side.

The movie has a fixed point of view showing a bed with two characters on it, Sedgwick and Piserchio. Chuck Wein is heard speaking but is just out of view. Sedgwick is wearing a lace bra and panties, and Piserchio, wearing only jockey shorts, engage in flirting and light kissing. Wein asks Sedgwick questions seemingly designed to harass and annoy her. Piserchio is more or less a bystander not interacting with Wein. The dialogue seems created adlib and no conclusions are reached in the film. The only conceivable climax is when Sedgwick finally becomes so mad, she throws a glass ashtray at Wein, breaking it.

A young, jobless woman stays in bed, reads, talks on the phone, smokes cigarettes, makes fresh coffee, and tries on some clothes from a large wardrobe.

A playwright taunts a number of actors into improvising a truly ridiculous but subtlely meaningful meditation on Fidel Castro and his family.

Andy Warhol’s film Lupe (1966) restages the mythic account of one celebrity’s suicide as a strategic ploy to envision another’s. Lupe is known to be Warhol’s take on Kenneth Anger’s own fabricated account of Lupe Vélez’s (also known as Hollywood’s ‘Mexican Spitfire’) suicide; Edie Sedgwick is cast as Vélez living out her last morning, evening and final dramatic exit. (berlinfilmjournal.com)

Set on Fire Island, My Hustler depicts competition over the affections of a young male hustler among a straight woman, a former male hustler, and the man who hired the boy's companionship via a "Dial-A-Hustler" service.

Morrissey and Warhol's commercial take on the Swedish film I, A Woman. Somebody suggested to Warhol that they wanted a sexploitation film in the vein of I, A Woman, and so he and Morrissey concocted I, A Man. They created the story of this male hustler who talks with and sleeps with a series of women over the course of the film. The women are: a young woman who worries about parental acceptance of her sexuality, a woman who is on a couch, a woman with whom he does a seance, a woman who speaks French, a lesbian, and a married woman.

Warhol plunked a horse named Mighty Byrd in the middle of the Factory for this dark, homoerotic take on the classic oater that later anticipates his later western epic Lonesome Cowboys.

Explore an aspirational world where NASA and the space program remained a priority and a focal point of our hopes and dreams as told through the lives of NASA astronauts, engineers, and their families.

On the heels of NBC's hit movie, the iconic 1980s television classic comes roaring back to life as a reinvented, updated and super-charged action series showcasing the new KITT (Knight Industries Three Thousand). Absolutely the coolest car ever created, KITT is equipped with an "AI" (artificial intelligence) that is capable of hacking almost any system. Its weapons systems match that of a jet fighter, and its body is capable of actually transforming into other vehicles and using sophisticated holographic imagery to elude villains.

Maniac Mansion was a Canadian sitcom created by Eugene Levy, which aired concurrently on YTV in Canada and The Family Channel in the United States for three seasons from September 17, 1990 to April 4, 1993. The series is very loosely based on the popular 1987 LucasArts video game of the same name. While LucasFilm served as co-producers on the series, the show thematically shares little in common with its source material. The series followed the adventures of the Edison family, who lived in a large mansion in an upper-class suburban neighborhood. Fred, the father of the family, was an eccentric scientist, and many of the plots revolved around his wacky experiments. One of these experiments caused his toddler son, Turner, to transform into a large adult man and his brother-in-law, Harry, to be turned into a fly with a human head! They both remained this way for the entire run of the series.

The space race, the cold war, "free love," civil rights and more: The decade of the 1960s shaped our history -- and changed the world. In collaboration with Tom Hanks, Gary Goetzman and Mark Herzog, CNN explores perhaps the most transformative decade of the modern era in a 10-part documentary series and brings new insights into how those events shaped today.

Thunderbirds is a 1960s British science-fiction television series which was produced using a mixed method of marionette puppetry and scale-model special effects termed "Supermarionation". The series is set in the 21st century and follows the exploits of International Rescue, a secret organization formed to save people in mortal danger with the help of technologically advanced land, sea, air and space vehicles and equipment, launched from a hidden base on Tracy Island in the South Pacific Ocean.

Upstairs: the wealthy, aristocratic Bellamys. Downstairs: their loyal and lively servants. For nearly 30 years, they share a fashionable townhouse at 165 Eaton Place in London’s posh Belgravia neighborhood, surviving social change, political upheaval, scandals, and the horrors of the First World War.

You Can't Do That on Television is a Canadian television program that first aired locally in 1979 before airing internationally in 1981. It featured pre-teen and teenaged actors in a sketch comedy format. Each episode had a theme. The show was notable for launching the careers of many performers, including Alanis Morissette, and writer Bill Prady, who would write and produce shows like The Big Bang Theory, Gilmore Girls and Dharma and Greg. The show was produced by and aired on Ottawa's CTV station CJOH-TV. After production ended in 1990, the show continued in reruns on Nickelodeon through 1994, when it was replaced with the similar All That. The show is synonymous with Nick, and was at that time extremely popular, with the highest ratings overall on the channel. The show is also well known for introducing the network's iconic slime. The program is the subject of the 2004 feature-length documentary, You Can't Do That on Film, directed by David Dillehunt.

The adventures of the last human alive and his friends, stranded three million years into deep space on the mining ship Red Dwarf.

Robotech is an 85-episode adaptation of three different anime television series made between 1982-1984 in Japan; the adaptation was aired in 1985. Within the combined and edited story, Robotechnology refers to the scientific advances discovered in an alien starship that crashed on a South Pacific island. With this technology, Earth developed giant robotic machines or mecha to fight three successive extraterrestrial invasions.

John Oliver's New York Stand-Up Show is a stand-up comedy television series that currently airs on Comedy Central in the United States. Hosted by British comedian John Oliver, who is best known for his work on The Daily Show, the show features new material by both up-and-coming and established comedians. Each episode features four performers, including the headliner but not Oliver.

Host Zach Galifianakis conducts celebrity interviews sitting with his guests between two potted ferns.

A comedy that takes place in the 1960s during turbulent times in the United States when a middle class suburban family is visited by a guest who turns their household completely upside down.

Across America, there are thousands of older homes that look like the perfect dream house on the outside, but are practically unlivable on the inside. These beautiful vintage homes hide dark secrets from dry rot, to weak foundations, to cramped design or even termite infestations. In “Downtown Shabby,” renovation and design experts, Frank and Sherry Fontana, will take these homes and renovate, remodel and ultimately revive them into modern masterpieces.

Antonio Ballatore, his project manager Grace, and his right hand-dog, Chewie the bulldog, along with a team of Catsperts and Barkitects, transform drab, cramped homes and outside areas into functional, high-style spaces for both pets and the people they love. Antonio's excitement for both design and animals drive him to go the extra mile for his clients and their four-legged, winged, and scaly friends. The newly designed spaces, renovated specifically for the homeowners and their pets, feature design elements that alter homes to become creative and purposeful spaces for all to enjoy. This season, viewers will see a cabin redesign for a family and their blind dog; a complete backyard renovation featuring a pet-safe fire-pit; a man-cave that can accommodate 20 pets; and a room design complete with a soaring sculptural cat climbing wall, among other design transformations.

Ashley was nipping at the heels of a middle class life in Oakland until Miles, her partner of 12 years and father of their son, is suddenly incarcerated, leaving her to navigate a chaotic and humorous existential crisis when she’s forced to move in with Miles’ mother and half-sister.