Best movies like Kitchen

A luxury cruise boat motors up the Yangtze - navigating the mythic waterway known in China simply as "The River." The Yangtze is about to be transformed by the biggest hydroelectric dam in history. At the river's edge - a young woman says goodbye to her family as the floodwaters rise towards their small homestead. The Three Gorges Dam - contested symbol of the Chinese economic miracle - provides the epic backdrop for Up the Yangtze, a dramatic feature documentary on life inside modern China.

Andy Warhol’s screen adaptation of Burgess's "A Clockwork Orange”.

In 1967, New York City is host to the Miss All-American Camp Beauty Pageant. This documentary takes a look behind the scenes, transporting the viewer into rehearsals and dressing rooms as the drag queen subculture prepares for this big national beauty contest. Jack/Sabrina is the mistress of ceremonies, and their protégé, Miss Harlow, is in the competition. But, as the pageant approaches, the glamorous contestants veer from camaraderie to tension.

Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.

After a catastrophic global war, a young filmmaker awakens in the carnage and seeks refuge in the only other survivor: an eccentric, ideologically opposed figure of the United States military. Together, they brave the toxic landscape in search of safety... and answers.

This art experiment by Andy Warhol captures the simple act of a man eating mushrooms. This one-man show starring Robert Indiana presents the actor slowly eating some mushrooms, having an enjoyable time not only with the food but also with a friendly cat that from time to time comes to see what the man is doing.

Life's questions are 'answered' in a series of outrageous vignettes, beginning with a staid London insurance company which transforms before our eyes into a pirate ship. Then there's the National Health doctors who try to claim a healthy liver from a still-living donor. The world's most voracious glutton brings the art of vomiting to new heights before his spectacular demise.

Three actors in Hollywood live and love together. A director comes from New York to make a movie about actors and Hollywood.

A man named Clint enters a solar-powered van called Vandora into a competition called Freakout.

Mike O'Donoghue's parody of "Mondo Cane" showcases curious performers, strange musicians, celebrity mutations and unusual short films, including Thomas Alva Edison's "Elephant Electrocution". In the tradition of films like Groove Tube (1974), The Kentucky Fried Movie (1977), and Saturday Night Live.

A suburban Baltimore housewife's life is upended when her husband reveals he's been serially unfaithful and her teenage children go wayward. Then she meets a handsome stranger...

In the 1940s South, an African-American man is wrongly accused of the killing a a white store owner. In his defense, his white attorney equates him with a lowly hog, to indicate that he didn't have the sense to know what he was doing. Nevertheless convicted, he is sentenced to die, but his godmother and the aunt of the local schoolteacher convince school teacher go to the convicted man's cell each day to try to reaffirm to him that he is not an animal but a man with dignity.

The story of a family troupe of English actors who travel around the towns and villages in India giving performances of Shakespearean plays. Through their travels we see the changing face of India as the old is replaced by the new, Maharajas become hotel owners, sports become more important than culture and the theater is replaced by Bollywood movies. Based on the travels of Geoffrey Kendal with his daughter Felicity Kendal.

The sharks take bite out of the East Coast when the sharknado hits Washington, D.C. and Orlando, Florida.

After The Daily Planet receives a letter from a mad scientist threatening to wreak destruction with his Electrothanasia Ray, Lois Lane heads out in the hopes of getting more information for a news story.

Experiments in biological warfare have destroyed all but a few remnants of the human race. Alone in a lab, eight students work feverishly to create a vaccine before they are forced outside in search for food. It is then that the surviving scientists discover creatures mutated by the plague. Now they prepare to do battle against their worst fear: The Terror Within.

Frances Austen, whose well-appointed apartment overlooks a park in Vancouver, one cold day, observes a rain-soaked young man on a park bench whom she assumes is homeless. Hoping to repress her loneliness, Frances invites ‘the boy’ inside her home to get warm and ends up encouraging him to stay. The young man accepts her every hospitality—food, clothes, profuse conversation, and a room of his own. Little does she realize that her guest is not the person he appears to be. Nor, for that matter, is Frances the woman that she appears to be.

Twelve years ago, a plague swept through, wiping out most of the population; in San Francisco, only 186 people remain. Two of them use jury-rigged batteries to power a camera and make a documentary. We see a variety of approaches to survival, from the artist and engineer who trade for their needs, to the surfers and woodsmen who fish and hunt, to the scavengers, and a communal farm. We also see how the community deals with those who threaten it, and how the youth are growing up with different values from those who knew our world.

Warhol superstar and icon of sixties bohemia Edie Sedgwick delivers her final performance in this semiautobiographical look at the price of fame. Fiction and documentary—including snippets from Sedgwick’s own audio dairies—mingle in a freewheeling portrait of Susan Superstar (Sedgwick), a New York celebrity on a drug-fueled downward slide that mirrors Sedgwick’s own self-destructive spiral. Released after her death from an overdose of barbiturates, CIAO! MANHATTAN endures as a testament to Sedgwick’s unique magnetism and as a haunting elegy for the counterculture she embodied.

Young film student tries to sell his weird movie to a desperate film producer who is in need of a tax write-off. The producer screens the film "Lobster Man From Mars". What follows is one of the most bizarre and funny film within-a-film send-ups: Mars suffers from an air leakage, and send the dreaded Lobster Man to Earth to steal its air. The plot is foiled by a mad scientist, a girl, and an army colonel. The producer buys the movie, but it makes a huge profit and the producer is sent to jail, with the film student taking his place as the studio hot shot.

Photographed entirely in color, Four Stars was projected in its complete length of nearly 25 hours (allowing for projection overlap of the 35-minute reels) only once, at the Film-Makers' Cinematheque in the basement of the now-demolished Wurlitzer Building at 125 West 41st Street in New York City. The imagery in the film is dense, wearying and beautiful, but ultimately hard to decipher, for, in contrast to his earlier, and more famous film Chelsea Girls, made in 1966, Warhol directed that two reels be screened simultaneously on top of each other on a single screen, rather than side-by-side.

The movie has a fixed point of view showing a bed with two characters on it, Sedgwick and Piserchio. Chuck Wein is heard speaking but is just out of view. Sedgwick is wearing a lace bra and panties, and Piserchio, wearing only jockey shorts, engage in flirting and light kissing. Wein asks Sedgwick questions seemingly designed to harass and annoy her. Piserchio is more or less a bystander not interacting with Wein. The dialogue seems created adlib and no conclusions are reached in the film. The only conceivable climax is when Sedgwick finally becomes so mad, she throws a glass ashtray at Wein, breaking it.

Judy is having trouble drumming up business for her vegetarian restaurant, and the landlord gives her four days to pay off the mortgage. Judy calls up her friend Marilyn Chambers for help, and together they transform the restaurant into the Bikini Bistro, replete with scantily clad waitresses. Soon business is booming and the women are falling in lust, but the bartender is skimming the till and the landlord's deadline is looming. Can the restaurant be saved?

A young, jobless woman stays in bed, reads, talks on the phone, smokes cigarettes, makes fresh coffee, and tries on some clothes from a large wardrobe.

My Breakfast with Blassie is a movie starring Andy Kaufman and professional wrestler "Classy" Freddie Blassie. It is a mostly improvised parody of the popular art film My Dinner with Andre and is set in a restaurant where Kaufman and Blassie have a discussion over breakfast. Also featured is Kaufman's partner Bob Zmuda, who plays a nosy fan. Lynne Margulies, who would later become Kaufman's girlfriend, also plays a role; in fact, she and Kaufman met for the first time on camera.

Suicidal poet Archy tries to end his life by jumping off a bridge, but awakens to find he has assumed the life of a cockroach and has become a part of a community of creatures living in a newspaper office. He also discovers that he can still write poetry, using a typewriter, and begins to enjoy his new life. Archy develops deep feelings for the lovely but self-destructive cat Mehitabel, but will have to fight to win her from bad-boy tomcat Bill.

A young boy named John is tormented by his grandfather concerning vampires and werewolves, until he believes his grandfather is actually a vampire. This of course, leads to John killing his grandfather with a stake. Fast-forward and John is now the lead singer of a rock band who can no longer practice in their garage so they're forced to a house in the middle of nowhere, left to John by his Grandmother. They soon begin to be picked off and Josh is convinced the stories his grandfather told him all those years ago may be true.

A playwright taunts a number of actors into improvising a truly ridiculous but subtlely meaningful meditation on Fidel Castro and his family.

The film follows Zeke (Robert McMurray), Callie (Alicia Marie Marcucci), Les (Seth Gontkovic) and Hunter (Jake Mulliken) on the eve of Hunter's 29th birthday as they share in a few drinks on a seemingly dull day in their hometown of Somerset. The day takes a turn for the worse as everyone they have ever known are suddenly transformed into aggressively murderous flesh eating freaks. The four comrades are forced to hack and slash their way through the reanimated corpses of their closest friends and loved ones, only to find themselves on the precipice of a post apocalyptic wasteland littered with monsters and the looming threat of their fellow survivors.

Gary Faulkner is an ex-con, unemployed handyman, and modern day Don Quixote who receives a vision from God telling him to capture Osama Bin Laden. Armed with only a single sword purchased from a home-shopping network, Gary travels to Pakistan to complete his mission. While on his quest, Gary encounters old friends back home in Colorado, the new friends he makes in Pakistan, the enemies he makes at the CIA - and even God and Osama themselves.

Andy Warhol’s film Lupe (1966) restages the mythic account of one celebrity’s suicide as a strategic ploy to envision another’s. Lupe is known to be Warhol’s take on Kenneth Anger’s own fabricated account of Lupe Vélez’s (also known as Hollywood’s ‘Mexican Spitfire’) suicide; Edie Sedgwick is cast as Vélez living out her last morning, evening and final dramatic exit. (berlinfilmjournal.com)

A concert inspired by the Coen Brothers' film, 'Inside Llewyn Davis,' which is set in the 1960s Greenwich Village folk music scene, featuring live performances of the film's music, as well as songs from the early 1960s. Performers include the Avett Brothers, Joan Baez, Dave Rawlings Machine, Rhiannon Giddens, Lake Street Dive, Colin Meloy, The Milk Carton Kids, Marcus Mumford, Punch Brothers, Patti Smith, Willie Watson, Gillian Welch, and Jack White, as well as the star of the film Oscar Isaac.

Set on Fire Island, My Hustler depicts competition over the affections of a young male hustler among a straight woman, a former male hustler, and the man who hired the boy's companionship via a "Dial-A-Hustler" service.

Morrissey and Warhol's commercial take on the Swedish film I, A Woman. Somebody suggested to Warhol that they wanted a sexploitation film in the vein of I, A Woman, and so he and Morrissey concocted I, A Man. They created the story of this male hustler who talks with and sleeps with a series of women over the course of the film. The women are: a young woman who worries about parental acceptance of her sexuality, a woman who is on a couch, a woman with whom he does a seance, a woman who speaks French, a lesbian, and a married woman.

Warhol plunked a horse named Mighty Byrd in the middle of the Factory for this dark, homoerotic take on the classic oater that later anticipates his later western epic Lonesome Cowboys.