La doctora quiere tangos

A young priest travels to Buenos Aires in order to help sick people during the 1871 yellow fever epidemic.

Buenos Aires, November 2001. Argentina is embroiled in crisis, with the Peso plunging deeper and deeper. Julio Färber, the charismatic bandoneon player of the "Vecinos de Pompeya," a five-piece working-class tango band, is trying to keep his head above water, but every month he is earning less and less from their gigs as well as from the traditional shoe shop he inherited from his father. At the very moment he takes the decision to leave his beloved Buenos Aires forever, it clearly appears that life is conspiring against him: overnight, the government freezes all bank accounts in the whole country, preventing Julio from purchasing the flight tickets and sparking violent protests throughout the town. And Mariela, a witty young woman and feisty cab driver, bumps into his car at full speed, damaging Julio's last possession of value before stealing his heart.

Buenos Aires, 1955. One of a family of Sicilian immigrants, the adolescent Laura is on the threshold of adulthood. Her father Francesco Lojacono, is a humble tailor whose relationship with his daughter is one of extreme conflict. As Laura becomes increasingly emancipated in Argentinian (and therefore American) fashion, her father feels personally betrayed. (IMDB)

A woman's voice says she was wife to Renzo Franchi and Carlos Gardel (1890-1935), Argentina's great tango singer. People say she's crazy. Her story unfolds. Buenos Aires, 1933: Juana Romero, a seamstress who lives for the music of Gardel, dumps her boyfriend Gustavo for Renzo, a singer who looks like Gardel. She insists that his trio performs Gardel's tangos, which leads to Renzo recording a Ford commercial when Gardel himself is overbooked. The trio, with Joanna in tow, goes on an ill-fated tour of points north. The couple breaks up: she goes home and he tries to get to New York. Fate steps in, and once again he's called upon to pose as Gardel. Then, legend and a bracelet take over. Written by

While his investigating some violations, a commissioner of the Province of Buenos Aires looks for the meaning of the task that he carries out.

A conflicted animation filmmaker travels to Argentina chasing after a girl he met online, only to end up living with her and her intimidating boyfriend on an isolated island on the outskirts of Buenos Aires.

A Young man from a wealthy family hide them his attraction for tango culture of arrabal. In a milonga he fell in love with Mirella and he have a knife fight with all others guapos that want her, he won. Time pass and Mirella became a mistress but this situation is unstable because of the society prejudices.

The members of a Buenos Aires family have three hobbies — "berretines" in Buenos Aires slang — that keep them apart of their duties. Because of that, the family business is going down, and the only one who is concerned is the father, who hopes for his fourth son, an architect, to save the situation.

Buenos Aires Province, a summer in the 30's. Mateo, an ex convict anarchist, travels around the Pampa in his old truck, carrying stolen hens and the illusion of finding his lost rooster, The King, which, he hopes, will lead him to glory at the cockfights. Fate faces him with Aurelia and Carmelo, two siblings in search for their father. Wandering, uncertain about his final destination, Mateo decides to give them a ride southbound.

Ricardo Fuentes (Carlos Gardel) leaves Buenos Aires after loosing in horse races to go to Barcelona, where he plans to open a tango bar, a new concept of tango dance show and dance saloon. On the ship he meets Laura Montalván (Rosita Moreno) who happens to be a thief working with a thief pal. Ricardo watches them robbing a lady's bracelet aboard but decides not to report them because he has fallen in love with Laura. Once in Barcelona, he opens the tango bar but Laura's partner tells him he sold the bracelet and now needs to recover it to avoid both Laura and him going to jail.

Lucia arrives to Buenos Aires with a mission, take care of a Hungarian filmmaker invited to present his film at the Buenos Aires Independent Film Festival. Lucia meets Pablo, who introduces himself as the angel of prestigious film director Béla Tarr. Lucia and Pablo will join Laszlo Novak in a tragic adventure, moving heaven and earth to find his lost film.

¡Tango! follows a formula established by Carlos Gardel with films such as Luces de Buenos Aires (The Lights of Buenos Aires, 1931) in which a melodramatic story is interspersed with tango songs. However, the film had less dialog and more music, making it more like a musical revue. This format would be copied by many subsequent films. The plot is derived from tango songs. Many of these songs tell of the seduction of an innocent slum girl by a rich man who promises her a glamorous life, but who abandons her when her looks fade. The stylized and sentimental plot of ¡Tango! revolves around a young man who is abandoned by his girlfriend for an older rich man and is heartbroken. The film follows his misfortunes.

Helena is a talented singer in Buenos Aires. Just as she and her band get a residency at a prestigious theater in the city, the boyfriend she's mad about coldly announces that he doesn't love her any more. The film is punctuated by intense bursts of tango. Every song moves the story along, providing an insight into the characters and access to the protagonist's feelings: nostalgia, passion, sadness, and joy in turn. The lyrical and musical wealth of tango, brilliantly performed by Eugenia Ramírez Miori, unites the two stories, past and present. 'La cantante de tango' is a poignant auteur film about a woman trying to get back on her feet after a devastating break-up.

Franco kills a tango singer, and the weight of his guilt pushes him to search for information about his victim. His quest leads him into an unknown and fascinating world, a true and deep place where the tango is still alive, habitat of the last real and authentic bohemian artists in Buenos Aires.

A young couple romantically contemplate the sunrise on the Buenos Aires waterfront. The talk becomes a discussion. The discussion in fight. And some fights can be irreconcilable. Each of them will go through the city separately, meeting with friends, family and even strangers, generating situations that will lead them to question how and why they got where they are. An external and internal journey, with learnings and reflections about love, the couple and life.

A musically talented teenager returns to her native Buenos Aires with her father, Herman, after living in Europe for several years, navigating the trials and tribulations of growing up.

During the year 2000, Ricardo, Pollo, Walter and Chiqui occupied a house in the Buenos Aires neighborhood of Congreso. The four young people forge a strong friendship that leads them to go through different stories of crime, drugs and social marginalization.

Four teenagers at an elite school in Buenos Aires are drawn together by their love of music, despite their differing social and economic backgrounds.

TLC throws out traditional ways of meeting someone and welcomes awkward, sometimes steamy moments that can quickly create emotional and physical sparks. On "Love at First Kiss," an individual goes beyond his or her comfort zone to kiss a total stranger, without introduction, to determine if one kiss can lead to a date in the real world and maybe even a long-term relationship. With unexpected outcomes produced by every smooch, viewers find out how far singles go to find true love

Luna Valente lives with her family in Cancún, Mexico. She goes to school, has her own group of friends, has a job, and loves to skate. However, her life changes when her parents are given a job offer that moves them to Buenos Aires, Argentina. There she finds a new skating rink (named Jam & Roller), learns freestyling, makes new friends, and even falls in love.

A young working-class man comes from Misiones (an Argentinian province) to Buenos Aires, with a fighting rooster, looking for his brother, and gets involved with low life characters, who introduce him to a world of crime.

Three students have taken their lives in the last six months in a school in Greater Buenos Aires and Guillermo Reyes, the rector of the school, calls the prestigious psychoanalyst Francisco...

Two socially-awkward thirty-somethings and a young con woman start a rock band that takes the Buenos Aires music scene by storm.

Luisa Fernanda Pérez, a beautiful, 18-year-old student, has two passions: mastering the violin and gardening, a skill she learned from her father, Pedro, the former groundskeeper of the wealthy Altamirano family’s estate. A chance encounter with destiny alters her life after she is injured in a car accident caused by Luis (her biological father), a playboy lawyer and falls for his stepson, Carlos, an attractive, young doctor treating her at the local hospital.

Amor Mío is a Spanish language comedy telecomedy, produced in Argentina by Telefe and for Mexico by Televisa. This romantic comedy features Abril Juárez and Marcos Sinclair, two singles who are forced to share an apartment in Buenos Aires even though they cannot stand each other. The show is also known as Loony Love and My Sweet Love.

Amas de Casa Desesperadas is an Argentine television series, that debuted on Canal 13 on August 30, 2006. Set in the fictional Manzanares Street, a suburb surrounding Buenos Aires, the series follows the lives of four housewives and the domestic problems and daily mysteries surrounding their husbands, friends and neighbors, which can be more sinister than they appear. The series' tone combines elements of drama, comedy, mystery, farce, soap opera and satire. Based on the American television series, Desperate Housewives, it was developed for Argentina by Buena Vista International and Pol-Ka Producciones. The show’s first season was broadcast by Canal 13 on Argentina, and also by other networks on Uruguay and Paraguay. On October 2006, Canal 13 renewed Amas de Casa Desesperadas for a second season, that will start filming on August 2007.

A middle-class young man joins the "brava bar" of a soccer club in the Buenos Aires suburbs, Argentina, and manages to ascend within the criminal structure until he reaches a place of leadership that he could never find in his own environment.

Jorge Peker (Santiago Gobernori) is a frustrated lawyer who does not practice his profession and who is employed in a call center. One afternoon Jorge learned that his father had died. A few days later, at the wake of his father, his girlfriend Luciana (Charo López) leaves him and learns that his father left him as a legacy a house. The conflict appears when you realize that you can not keep this huge house alone, which forces you to rent a room and the only candidate that comes is Ludovico (Javier Drolas), a live, active and enterprising boy, his complete opposite. Ludo is paralyzed and walks in a wheelchair. This makes Jorge fight against his prejudices and learn to live, not with someone different, but simply, with living with someone, accepting others and considering them. And so he sets out on the royal road to be able to form the family he always wanted.

The series follows Rudy along the canals of St. Petersburg, Russia, to the Taj Mahal in India, into the jungles of Thailand's Golden Triangle and inside the tango halls of Buenos Aires.

Pete Firman and Alistair Cook, ace magicians and good friends, lead us on a mysterious tour of magic from Last Vegas to Madrid, Los Angeles to New York and Paris to Buenos Aires. On Pete and Alistair's road trip, we meet their heroes as they reveal secrets of the world's most legendary tricks.