La gorda

Valeria (Manuela Pal) has changed his native Buenos Aires by Betanzos, a town of Coruña, in Spain from which his family. Eccentric, dreamy and fun, at 25 years old is in the most surreal emotional crossroads in his life: after the sudden death of her mature and attractive lover, Marcelo falls for the son of the deceased. Her friend Adela (Mary Bouzas), owner of the salon where they both work, will help clear up questions. A story about the universal desire to find their own identity, deciphering the collective love and live in a land that has nothing to envy to the boulevards of Paris.

Two young urchins turn the streets of Buenos Aires into their own magical playground, in this vibrant portrait of young love.

Buenos Aires, November 2001. Argentina is embroiled in crisis, with the Peso plunging deeper and deeper. Julio Färber, the charismatic bandoneon player of the "Vecinos de Pompeya," a five-piece working-class tango band, is trying to keep his head above water, but every month he is earning less and less from their gigs as well as from the traditional shoe shop he inherited from his father. At the very moment he takes the decision to leave his beloved Buenos Aires forever, it clearly appears that life is conspiring against him: overnight, the government freezes all bank accounts in the whole country, preventing Julio from purchasing the flight tickets and sparking violent protests throughout the town. And Mariela, a witty young woman and feisty cab driver, bumps into his car at full speed, damaging Julio's last possession of value before stealing his heart.

Three American expats living in Buenos Aires decide to steal a large sum of money so they don't have to return home. But what starts as a game soon turns violent and they find themselves on the verge of consequences none of them expected.

It's a Friday night in Buenos Aires and Francisco is going around the city looking for Paula. His erratic journey through the "porteño" neighborhoods gets tense due to couples arguing, soccer matches, ephemeral love affairs, technical issues and old songs.

A conflicted animation filmmaker travels to Argentina chasing after a girl he met online, only to end up living with her and her intimidating boyfriend on an isolated island on the outskirts of Buenos Aires.

Panash is a fictional film set in a dystopian near future. Buenos Aires is in flames, convulsed by a state of siege that seems to have no end. But in the margins of the city, there is room for a love story.

The political career of Juan Manuel de Rosas, twice Governor of the Province of Buenos Aires (1829-1832 and 1835-1852), who also ruled the Argentine Confederation during his second term in office.

Ricardo Fuentes (Carlos Gardel) leaves Buenos Aires after loosing in horse races to go to Barcelona, where he plans to open a tango bar, a new concept of tango dance show and dance saloon. On the ship he meets Laura Montalván (Rosita Moreno) who happens to be a thief working with a thief pal. Ricardo watches them robbing a lady's bracelet aboard but decides not to report them because he has fallen in love with Laura. Once in Barcelona, he opens the tango bar but Laura's partner tells him he sold the bracelet and now needs to recover it to avoid both Laura and him going to jail.

A comedy about the relationship between a modern, shy, young man and the spirit of a violent knife-killer murdered in 1920. They make a pledge: the latter will tell the former what exists beyond death if he allows him to inhabit his body for a whole day. Thus, the ghost will go around an unrecognizable twenty first century Buenos Aires to uncover the causes of his own death.

¡Tango! follows a formula established by Carlos Gardel with films such as Luces de Buenos Aires (The Lights of Buenos Aires, 1931) in which a melodramatic story is interspersed with tango songs. However, the film had less dialog and more music, making it more like a musical revue. This format would be copied by many subsequent films. The plot is derived from tango songs. Many of these songs tell of the seduction of an innocent slum girl by a rich man who promises her a glamorous life, but who abandons her when her looks fade. The stylized and sentimental plot of ¡Tango! revolves around a young man who is abandoned by his girlfriend for an older rich man and is heartbroken. The film follows his misfortunes.

Luisa Soler, a young and wealthy lawyer, travels to the province of Buenos Aires with her aunt Totona and there she meets a humble composer of tangos, Martín Salazar. The meeting between them creates confusion for his girlfriend and, after several moments of tension and strong arguments, Martin asks Luisa to clarify the situation with her fiancée. But when the lawyer decides to do something, it changes for both of them. Both realize that they love each other and that, beyond the different lives they lead, they will fight to be together.

Benjamin Ortalora is a young man who leaves Buenos Aires after murdering a rival. He goes to Montevideo where his cool boldness draws the attention of gang leader Azevedo Bandeira. When the old bandit becomes ill, Ortalora makes a determined play to take his place.

A young couple romantically contemplate the sunrise on the Buenos Aires waterfront. The talk becomes a discussion. The discussion in fight. And some fights can be irreconcilable. Each of them will go through the city separately, meeting with friends, family and even strangers, generating situations that will lead them to question how and why they got where they are. An external and internal journey, with learnings and reflections about love, the couple and life.

Former lovers randomly find each other, and start to catch up, walking in the Buenos Aires night.

A musically talented teenager returns to her native Buenos Aires with her father, Herman, after living in Europe for several years, navigating the trials and tribulations of growing up.

During the year 2000, Ricardo, Pollo, Walter and Chiqui occupied a house in the Buenos Aires neighborhood of Congreso. The four young people forge a strong friendship that leads them to go through different stories of crime, drugs and social marginalization.

Luna Valente lives with her family in Cancún, Mexico. She goes to school, has her own group of friends, has a job, and loves to skate. However, her life changes when her parents are given a job offer that moves them to Buenos Aires, Argentina. There she finds a new skating rink (named Jam & Roller), learns freestyling, makes new friends, and even falls in love.

The series revolves around Gabo, a soccer-loving teenager who, upon receiving a scholarship from the prestigious Sports Academic Institute (IAD) of Buenos Aires, will see his dream of playing at Los Halcones Dorados, the renowned amateur team of the school, and also his longing to become a professional footballer.

A young working-class man comes from Misiones (an Argentinian province) to Buenos Aires, with a fighting rooster, looking for his brother, and gets involved with low life characters, who introduce him to a world of crime.

She was working in a bridal shop in Lanús, Buenos Aires 'Til her boyfriend kicked her out in one of those crushing scenes What was she to do? Where was she to go? She was out on her fanny... So over the highway from Lanús to the Iraola's door She was there to sell makeup, but the father saw more She had style! She had flair! She was there That's how she became The Nanny! Who would've guessed that the girl we've described Was just exactly what the doctor prescribed? Now the father finds her beguiling, watch out Teté! And the kids are actually smiling, such joie de vivre! She's the lady in red when everybody else is wearing tan... The Flashy girl from Lanús, the nanny named Flor!

Hours before denouncing Argentina’s president Cristina Fernandez de Kirchner of negotiating impunity of Iranians possibly involved in the AMIA bombing in 1994, prosecutor Alberto Nisman was found dead in his apartment in Buenos Aires.

Three students have taken their lives in the last six months in a school in Greater Buenos Aires and Guillermo Reyes, the rector of the school, calls the prestigious psychoanalyst Francisco...

Two socially-awkward thirty-somethings and a young con woman start a rock band that takes the Buenos Aires music scene by storm.

As an heiress to her family’s business empire, Sofía lives an opulent life free of responsibilities and commitments. But when her father passes away, Sofía is forced to return to her birthplace, Buenos Aires, to confront her rivalry with her two brothers and her father's secrets. In facing her complicated family legacy, Sofía sets out to prove that she’s more than a spoiled party girl.

The series interspersed the most significant historical events of the southern country with the comings and goings of a family living in the suburbs of Buenos Aires.

Amor Mío is a Spanish language comedy telecomedy, produced in Argentina by Telefe and for Mexico by Televisa. This romantic comedy features Abril Juárez and Marcos Sinclair, two singles who are forced to share an apartment in Buenos Aires even though they cannot stand each other. The show is also known as Loony Love and My Sweet Love.

A middle-class young man joins the "brava bar" of a soccer club in the Buenos Aires suburbs, Argentina, and manages to ascend within the criminal structure until he reaches a place of leadership that he could never find in his own environment.

The series follows Rudy along the canals of St. Petersburg, Russia, to the Taj Mahal in India, into the jungles of Thailand's Golden Triangle and inside the tango halls of Buenos Aires.

Pete Firman and Alistair Cook, ace magicians and good friends, lead us on a mysterious tour of magic from Last Vegas to Madrid, Los Angeles to New York and Paris to Buenos Aires. On Pete and Alistair's road trip, we meet their heroes as they reveal secrets of the world's most legendary tricks.