Best movies like La maîtresse du président

During the Italian Renaissance, Pope Julius II contracts the influential artist Michelangelo to sculpt 40 statues for his tomb. When the pope changes his mind and asks the sculptor to paint a mural in the Sistine Chapel, Michelangelo doubts his painting skills and abandons the project. Divine inspiration returns Michelangelo to the mural, but his artistic vision clashes with the pope's demanding personality and threatens the success of the historic painting.

Likely in June 1897, a group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

In a small presbytery in Yorkshire, England, living under the watchful eyes of their aunt and father, a strict Anglican pastor, the Bronte sisters write their first works and quickly become literary sensations.

The passionate Merchant-Ivory drama tells the story of Francoise Gilot, the only lover of Pablo Picasso who was strong enough to withstand his ferocious cruelty and move on with her life.

A stranger called Allan goes to the House of Usher. He is the sole friend of Roderick Usher, who lives in the eerie house with his sick wife Madeleine. When she dies, Roderick does not accept her death, and in the dark night, Madeleine returns.

Two narrators, one seen and one unseen, discuss possible connections between a series of paintings. The on-screen narrator walks through three-dimensional reproductions of each painting, featuring real people, sometimes moving, in an effort to explain the series' significance.

Biographic film chronicling the last year of the life of the Italian painter Amedeo Modigliani, 1919, who falls in love with a girl from a wealthy family. Her parents are against this relationship and stop financial help. Modigliani worked and died in abject poverty in the Montparnasse Quarter of Paris, France.

On an isolated island in Brittany at the end of the eighteenth century, a female painter is obliged to paint a wedding portrait of a young woman.

During the 1970s a student named Gilles gets entangled in contemporary political turmoils although he would rather just be a creative artist. While torn between his solidarity to his friends and his personal ambitions he falls in love with Christine.

The history of one of France's most famous streets is retold, featuring multiple performances from Guitry himself.

As she considers giving up on her artistic dreams, Jamie paints a vision board that brings her success and love—only to discover that the mystery man in her painting isn't who she thinks.

Cashier Maurice Legrand is married to Adele, a terror. By chance, he meets Lucienne, "Lulu", and make her his mistress. He thinks he finally met love, but Lulu is nothing but a streetwalker, in love with Dede, her pimp. She only accepts Legrand to satisfy Dede's needs of money.

They loved each other with the ardor of thirteen-year-old boys. Rebellion and curiosity, hopes and doubts, girls and dreams of glory – they shared it all. Paul was rich, Emile poor. They went skinny-dipping, drank absinthe, starved, only to overeat. Sketched models by day, caressed them by night... Now, Paul is a painter and Emile a writer. Glory has passed Paul by. But Emile has it all: fame, money, the perfect wife, whom Paul once loved. They judge each other, admire each other, confront each other. They lose touch, meet up again, like a couple who cannot stop loving each other.

Paris, 1964. The Swiss sculptor and painter Alberto Giacometti, one of the most accomplished and respected artists of his generation, asks his friend, the American writer James Lord, to sit for a portrait, assuring him that it will take no longer than two or three hours, an afternoon at the most.

An artist with a rather unusual art-style literally uses all the men she likes for her artworks. Bodies begin to pile up in abandoned alleyways and the case is handed out to a homicide detective to bring in the artistic serial killer.

A young woman tries to understand the real circumstances of the death of her mother.

Three characters living in an unfinished painting venture out into the real world in search of their creator to convince him to finish his work.

The life of Henri de Toulouse Lautrec, famous french painter, who lived, enjoyed, loved in the late 1800s Paris' Montmartre cultural life. He suffered from suffered from congenital health conditions traditionally attributed to inbreeding. His lifestyle and work are a testimony of the late-19th-century parisian bohemian lifestyle, as he was commissioned to produce a series of posters for the Moulin Rouge cabaret opening. As an alcoholic, he was addicted to absinthe. The movie related his love affair with the french painter Suzanne Valadon.

An account of the life of actress Jeanne Moreau (1928-2017), a true icon of the New Wave and one of the most idolized French movie stars.

Jan Nemec, a leading filmmaker of the Czech New Wave, creates an original portrait of one of the most provocative artists of the 20th century: Toyen (Marie Cerminova). As a female artist, Toyen broke through the male-dominated art world to create paintings and drawings often erotic in nature. She co-founded the surrealist movement in her native Prague, survived the Nazis and the Communists, maintained artistic and personal relationships with artists Jindrich Heisler (whom she hid during WWII) and Jindrich Styrsky.

On June 3, 1991, Marguerite Duras gave me her last published work, "The North China Lover", autographed for the first time. She wrote: "For my friend Dominique Auvray, in memory of a wonder of wonders: a still recent past, when we worked together in the cinema". This is a portrait of her as she was cheerful and serious, authentic and provocative, considerate and categorical, but first and foremost young and free.

How did a young artist at the beginning of the 20th century, rejected by the Academy of Fine Arts in Germany because she was a woman, always seen in the shadow of her companion, Vassily Kandinsky, become an eminent painter in an unprecedented artistic movement? With the support of several contributors and personal writings, Gabriele Münter - Pionnière de l'art moderne, retraces the life of one of the most illustrious figures of the German expressionist movement of the Blue Rider and draws up the portrait of a singular artist, whose work, intimate and human, testifies to the complexity of her time as much as that of her own existence.

Henri Serin, a sales rep in umbrellas who lives in Saumur, is bored with his life. Married to an unloving, uptight wife, who, unlike him, has no interest in sex, he is also rejected by his children. Thus, he spends most of his time travelling from town to town, flirting with women and meeting all kinds of people in the hotels, restaurants, shops and places he visits. He also dabbles in painting, particularly portraits. After his car breaks down as he is driving through Brittany, he meets a rough, foul-mouthed painter who offers him to stay at his house, near Pont-Aven. There, Henri falls in love with Angela, the painter's model and fling, and soon they run off together...

When Anna Parisi, an unemployed fine arts painter, is unable to make ends meet, she is hired to become a personal Christmas shopper for Marc, an uptight corporate exec. As they begin working together, Marc learns that Christmas giving has less to do with the amount of money spent and more to do with the importance of the gift, while Anna discovers she might find success as an artist in a way she never expected. The best gift of all of course is the love they discover with one another.

Ducobu is elected president of the school, much to Léonie and Latouche's despair!

Director André Téchiné brings his usual obsessions -- including a preoccupation with the fortunes of the bourgeoisie -- to this episodic drama, which serves as a thinly-veiled portrait of France's economic peaks and valleys from the 1930s through the 1970s. Jeanne Moreau stars as Berthe Pedret, a simple laundry woman who marries Hector (Michael Auclair), son of a wealthy, upper class, Spanish immigrant family that owns a successful farm machinery factory. Through a series of vignettes, Techine depicts the passage of years, during which the ambitious working class woman blooms through several bold moves, such as negotiating a workers' strike settlement and using her alliance with the war-time French Resistance movement to increase the enterprise's prestige.

Five years after Adolphe's death in a train wreck, he is discovered very much alive and with amnesia. Unfortunately he and his first wife are remarried and with children.

Using rare images of the artist filmed at work in his studio, exclusive interviews with his family and close friends, photographs by Henri Cartier-Bresson, and unpublished artwork, this award-winning feature documentary highlights the painter’s complex creative process. Acclaimed as the definitive film portrait of the master, Balthus through the Looking-Glass was shot on Super 16 over 14 months in Switzerland, Italy, France and the Moors of England by the director of Fellini, I’m a Born Liar. (Arte)

Lily is a museum curator who finds a painting that looks just like her. Lily’s search for the artist leads her to Ireland, where she meets William, a charming man who helps her on her quest and may also know more about the portrait’s origins than he’s letting on.

With little or no embellishment, filmmaker Marguerite Duras offers a simple, often wordless chronicle of a woman's day. She and her friend are seen doing yard work, talking about their families and receiving the occasional visitor. The brightest spot in the day is when a washing machine salesman comes to call.

Basil Hallward is a mediocre painter. His exhibitions owe their success to his social position and nothing more. But one day Basil meets Dorian Gray, symbol of youth and a certain beauty.

Cet Amour-là is an intimate portrait of a legendary love affair. Set against the beauty of the Breton seaside, it is also a film that revels in the insights that Marguerite Duras' writing affords.

During a transvestite ball, a young provincial meets Fanny Legrand. A great love is born between them. Later, the young man learns that Fanny was a great coquette. He leaves her, he comes back, he forgives. But when he embarks for America, Fanny does not follow him.

Anika is the most beautiful girl of her clan and has for pretenders the gypsy Sandor and the rich Féry. When Féry is assassinated, Sandor is accused of the murder. Anika, with the help of a fortune teller decides to find out what happened.

The son of two teachers hits the road and becomes a singing success after being taken in as a protege by a kooky countess.