La Vie Parisienne

Hymn of the Nations, originally titled Arturo Toscanini: Hymn of the Nations, is a 1944 film directed by Alexander Hammid, which features the "Inno delle nazioni," a patriotic work for tenor soloist, chorus, and orchestra, composed by Italian opera composer Giuseppe Verdi in the early 1860s. (For this musical work, Verdi utilized the national anthems of several European nations.) In December 1943, Arturo Toscanini filmed a performance of this music for inclusion in an Office of War Information documentary about the role of Italian-Americans in aiding the Allies during World War II. Toscanini added a bridge passage to include arrangements of "The Star-Spangled Banner" for the United States and "The Internationale" for the Soviet Union and the Italian partisans. Joining Toscanini in the filmed performance in NBC Studio 8-H, were tenor Jan Peerce, the Westminster Choir, and the NBC Symphony Orchestra. The film also included the overture to Verdi's opera La Forza del Destino.

New production. Recorded live at Royal Opera House, July, 05, 2015.

Verdi's opera performed by the Metropolitan Opera Orchestra and Chorus, conducted by James Levine.

Live performance from the Opéra National de Lyon.

The Ballet de l'Opera National de Paris mounted this production of the late Pina Bausch's dance-opera Orpheus und Eurydike, which Bausch had adapted from composer Christoph Willibald-Gluck and Ranieri de' Calzabigi's 1762 opera Orfeo ed Euridice. As the title suggests, it takes its basic narrative from the myth of Orpheus, and his courageous but ill-fated attempt to rescue his lover Eurydice (also known as Eurydike) from the jaws of the underworld. This particular production finds Yann Bridard dancing as Orpheus and Marie-Agnès Gillot dancing as Eurydike , with mezzo-soprano Maria-Riccarda Wesseling accompanying Bridard and soprano Julia Kleiter accompanying Wesseling. Pina Bausch did the choreography and stage direction, while Rolf Borzik designed the sets, costumes and lighting. The Balthasar-Neumann Ensemble & Choir, under the direction of Thomas Hengelbrock, lend musical accompaniment.

Most opera houses ring in the New Year with Johann Strauss Jr.'s most popular operetta--the festiveness of which is appropriate for the occasion--and this December 31, 1983, Covent Garden performance follows suit. An exceptional cast--led by Hermann Prey and Kiri Te Kanawa as the couple whose marriage survives the comic indiscretions of three long acts--obviously has as much fun as the audience. Plácido Domingo leads the Orchestra of the Royal Opera House through its paces with panache. Prince Orlofsky's Act II party is always a splendid opportunity to pull out all the stops with surprise "guests," and this performance makes the most of its chance: entering the proceedings to sing one of his tailor-made chansons, "She," is French crooner Charles Aznavour, who is followed by dancers Merle Park and Wayne Eagling, their delightful pas de deux flashily choreographed by Sir Frederick Ashton.

Jonas Kaufmann and Anna Caterina Antonacci bring rare erotic intensity to the drama of Don José and Carmen in this darkly passionate reading of one of the most popular operas. Kaufmann uses his burnished tenor and smouldering good looks to portray the man undone by Carmen's love. As the object of his desire, Antonacci gives a physical and compelling performance.

David McVicar's exhilarating new production, with Anne Sofie von Otter in the title role, restores the Opera Comique to Bizet's masterpiece. Philippe Jordan, in his Glyndebourne debut, conducts the London Philharmonic Orchestra, the Glyndebourne Chorus, and a cast which includes Marcus Haddock, Laurent Naouri, and Lisa Milne.

La traviata (Italian: [la traˈviaːta], "The Fallen Woman"[1][2]) is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on La dame aux Camélias (1852), a play adapted from the novel by Alexandre Dumas, fils. The opera was originally entitled Violetta, after the main character. It was first performed on 6 March 1853 at the La Fenice opera house in Venice. Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, "c. 1700". It was not until the 1880s that the composer and librettist's original wishes were carried out and "realistic" productions were staged.[3]

This is a joy from beginning to end. Although there are many tricks and ideas from Laurent Pelly, as always he seems to still retain the Offenbach magic. La Lott and Monsieur Beuron are a joy, but so is everyone else. The Patriotic Trio by the sea is both a hoot and wonderfully sung, the score seems truly complete yet never flags and the finale sequences for especially acts 1 & 2 are a joy of movement and sound fused as one glorious Offenbachian moment.

Renée Fleming has matured into one of the finest sopranos around at the moment, a true star with a sparkling personality and a velvet-toned voice that is capable of wringing the finest emotions out of works by Strauss and Tchaikovsky that from a lesser singer could sound rather cold and clinical. I wouldn't have thought her voice would be so well suited to Violetta Valéry in La Traviata, and it does take some getting used to, but I think she at least brings a distinct quality to the role with an emotional heart that isn't always necessarily there when a leading diva uses it primarily as a display for her vocal talents. It's served well also by Antonio Pappano's conducting of the Royal Opera House Orchestra in a traditional, but effective production by Richard Eyre.

23-year-old Gioachino Rossini completed his masterpiece IL BARBIERE DI SIVIGLIA incredibly quickly – legend has it in just 13 days – which Rossini attributed to ‘facility and lots of instinct’. The opera, characterized by youthful energy and bold wit, has all the ingredients for comic chaos: an imprisoned young woman, her lecherous guardian and a young noble suitor. Skilfully plotting behind the scenes is Figaro, an irrepressible and inventive character in whom many have seen a resemblance to the young Rossini himself. The score fizzes with musical brilliance, from Figaro’s famous entrance aria to the frenzy of the Act I finale. This recording sees Joyce DiDonato (Rosina) bring literal meaning to the old theatrical motto Break a leg! She did just that in an earlier show but was determined to finish her commitment and was re-staged into the production to allow for the additional challenges that come when a leading lady in a lively physical role must wheel around the other performers...

Marc Minkowski conducts the Orchestra and Chorus of the Opera National de Lyon in this 1997 production of Offenbach's opera starring Natalie Dessay, Yann Beuron, Jean-Paul Fouchecourt and Laurent Naouri.

A ten-year old film when it was first released in the USA as "Symphonie D'Amour" in 1946. Panard (Fernand Gravet) is a talented composer who is having little success in his musical career. He is reduced to hiring out as a sandwich-board man to advertise what proves to be his own show. His girl, Jacqueline Francell, interests a Marquis in backing the show. She and Panard are happily reunited after the successful opening of his operetta.

Starring Angela Gheorghiu as the celebrated French actress Adriana Lecouvreur and Jonas Kaufmann as her lover Maurizio, Count of Saxony, Cilea s verismo drama explores celebrity, romance, jealousy, and death. The trio of sublime voices is completed by Russian mezzo-soprano Olga Borodina as Adriana s jealous rival, the Princess de Bouillon. David McVicar s hit production the first performance of the opera at the Royal Opera House, Covent Garden for more than a century presents the life of the French actress as a blurring of the distinction between fantasy and reality. The action revolves around a life-size Baroque Theatre, taking us from the bustle and colour of the first act backstage at the playhouse, to the bare final scenes as the drama reaches its fatal climax.

Brickleberry National Park is facing closure, but not if the park’s dysfunctional park rangers can help it! “Brickleberry,” an animated half-hour series, follows the crazy bunch of park rangers as they do their worst to keep the park running. Steve (David Herman) has been “Ranger of the Month” every month for years, so he feels threatened when Ethel (Natasha Leggero) is transferred from Yellowstone National Park to help whip the park into shape. Connie (Roger Black) and Denzel (Jerry Minor) are two unique rangers that each bring special skills (or in Denzel’s case, lack of skills) to the job, and Woody (Tom Kenny) is the hapless Head Ranger who puts nothing above his beloved park, except his adopted bear cub, Malloy (Daniel Tosh), who he’s taken in and spoils to death.

Bugs was a British television drama series which ran for four series from April 1995 to August 1999. The programme, a mixture of action/adventure and science-fiction, involved a team of specialist independent crime-fighting technology experts, who faced a variety of threats based around computers and other modern technology. It was originally broadcast on Saturday evenings on BBC One, and was produced for the BBC by the independent production company Carnival Films.

Dark Shadows is an American gothic soap opera that originally aired weekdays on the ABC television network, from June 27, 1966, to April 2, 1971. The show was created by Dan Curtis. The story bible, which was written by Art Wallace, does not mention any supernatural elements. It was unprecedented in daytime television when ghosts were introduced about six months after it began. The series became hugely popular when vampire Barnabas Collins appeared a year into its run. Dark Shadows also featured werewolves, zombies, man-made monsters, witches, warlocks, time travel, and a parallel universe. A small company of actors each played many roles; indeed, as actors came and went, some characters were played by more than one actor. Major writers besides Art Wallace included Malcolm Marmorstein, Sam Hall, Gordon Russell, and Violet Welles.

Inch High, Private Eye is a 1973 Saturday morning cartoon produced by Hanna-Barbera Productions. The show originally ran from September 8, 1973, to August 31, 1974, on NBC Saturday morning for 13 episodes. Since the 1980s it has enjoyed resurgence on cable television, in repeats on USA Cartoon Express, Cartoon Network and Boomerang.

Late Show with David Letterman is an American late-night talk show hosted by David Letterman on CBS. The show debuted on August 30, 1993, and is produced by Letterman's production company, Worldwide Pants Incorporated and CBS Television Studios. The show's music director and band-leader of the house band, the CBS Orchestra, is Paul Shaffer. The head writer is Matt Roberts and the announcer is Alan Kalter. Of the major U.S. late-night programs, Late Show ranks second in cumulative average viewers over time and third in number of episodes over time. The show leads other late night shows in ad revenue with $271 million in 2009. In most U.S. markets the show airs at 11:35 p.m. Eastern/Pacific time, but is recorded Monday through Wednesday at 4:30 p.m., and Thursdays at 3:30 p.m and 6:00 p.m. The second Thursday episode usually airs on Friday of that week. In 2002, Late Show with David Letterman was ranked No. 7 on TV Guide's 50 Greatest TV Shows of All Time. CBS has a contract with Worldwide Pants to continue the show through 2014; by then, Letterman will surpass Johnny Carson as the longest tenured late-night talk show host.

Monsters is a syndicated horror anthology series which originally ran from 1988 to 1991 and reran on the Sci-Fi Channel during the 1990s. As of 2011, Monsters airs on NBC Universal's horror/suspense-themed cable channel Chiller in sporadic weekday marathons. In a similar vein to Tales from the Darkside, Monsters shared the same producer, and in some ways succeeded the show. It differed in some respects nonetheless. While Tales sometimes dabbled in stories of science fiction and fantasy, this series was more strictly horror. As the name implies, each episode of Monsters featured a different monster which the story concerned, from the animatronic puppet of a fictional children's television program to mutated, weapon-wielding lab rats. Similar to Tales, however, the stories in Monsters were rarely very straightforward action plots and often contained some ironic twist in which a character's conceit or greed would do him in, often with gruesome results. Adding to this was a sense of comedy often lost on horror productions which might in some instances lighten the audience's mood but in many cases added to the overall eeriness of the production.

Waterloo Road is a UK television drama series the first broadcast was in the United Kingdom on BBC One on 9 March 2006. Originally set in a troubled comprehensive school in Rochdale, England, the location of the show was moved to the former Greenock Academy in Greenock, Scotland in 2012. The series focuses on the lives of the school's teachers and students, and confronts social issues such as extramarital affairs, abortion, divorce, child abuse, and suicide. Waterloo Road is produced by Shed Productions, the company responsible for Bad Girls and Footballers' Wives.

Down to Earth is an American fantasy situation comedy series that ran on Superstation TBS from 1984 to 1987. The series was originally produced by The Arthur Company, and later, by Procter & Gamble Productions and was the Superstation's first original series.

The Benny Hill Show is a British comedy television show that starred Benny Hill and aired in various incarnations between 15 January 1955 and 30 May 1991 in over 140 countries. The show focused on sketches that were full of slapstick, mime, parody, and double-entendre. Thames Television cancelled production of the show in 1989 due to declining ratings and large production costs at £450,000 per show.

The Bronx Bunny Show is an Irish ten-part series originally broadcast in 2003 on E4 in the United Kingdom and later in Ireland. It was an adult puppet interview show which followed the premise of a semi-educational show for the good people of the Bronx, Brooklyn and Manhattan. The show was produced from a run-down tenement building in the Bronx where Bronx Bunny and his sidekick, a cigarette-smoking panda named Teddy T, would interview celebrities who "done good". The Bronx Bunny Show won "Best Entertainment Show" IFTA Award in 2003. The show was broadcast sporadically on E4 and eventually on Channel 4. The series gained a cult following as it featured interviews with guests such as Hugh Hefner, Jessica Alba, William Shatner, and Larry Flynt. The show was created by Double Z Enterprises, an Irish production company behind such characters as Zig and Zag and Podge and Rodge.

The Littlest Hobo is a Canadian television series based upon a 1958 American film of the same name directed by Charles R. Rondeau. The series first aired from 1963 to 1965 in syndication, spanning six seasons and was revived for a popular second run on CTV from October 11, 1979 to March 7, 1985. It starred an ownerless dog. All three productions revolved around a stray German Shepherd, the titular Hobo, who wanders from town to town, helping people in need. Although the concept was perhaps similar to that of Lassie, the Littlest Hobo's destiny was to befriend those who apparently needed help. Despite the attempts of the many people whom he helped to adopt him, he appeared to prefer to be on his own, and would head off by himself at the end of each episode. Never actually named on-screen, the dog is often referred to by the name Hobo or by the names given by temporary human companions. Hobo's background is also unexplained on-screen. His origins, motivation and ultimate destination are also never explained. Although some characters appeared in more than one episode, the only constant was the Littlest Hobo himself.

Crossroads is a British television soap opera set in a fictional motel near Birmingham, England. Created by Hazel Adair and Peter Ling, the commercial ITV network originally broadcast the series between 1964 and 1988. Produced by ATV and later by Central it became a byword for cheap production values, particularly in the 1970s and early 1980s. The series was revived in a glossier version by Carlton Television in 2001, but was again cancelled in 2003. The original theme tune was composed by Tony Hatch, and notably covered by Paul McCartney & Wings on their 1975 album Venus and Mars. A new version, which was first aired in 1987 when the series was relaunched as Crossroads, Kings Oak, was composed by Raf Ravenscroft and Max Early.

America ReFramed films present personal viewpoints and a range of voices on the nation’s social issues – giving audiences the opportunity to learn from the past, understand the present, and explore new frameworks for America’s future. With weekly 60- to 90-minute independent films, followed by provocative conversations led by host/moderator Natasha Del Toro, this weekly series offers an unfiltered look at people rarely given a voice on national television.

A documentary series focusing on the music from Marvel Studios’ Black Panther: Wakanda Forever. The show centers on the songs and score from the movie and features interview with director Ryan Coogler, composer Ludwig Göransson, among others.

The Voice of Firestone is a long-running radio and television program of classical music. The show featured leading singers in selections from opera and operetta. Originally titled The Firestone Hour, it was first broadcast on the NBC Radio network on December 3, 1928 and was later also shown on television starting in 1949. The program was last broadcast in 1963.