Best movies like La virgencita de Pompeya

Oscar and Peter land a career-making opportunity when a Chicago tycoon chooses them to compete for the design of a cultural center. The tycoon mistakenly believes that Oscar is gay and has him spy on his mistress Amy. Oscar goes along with it and ends up falling in love with Amy.

Set in the years before and during World War I, this epic tale tells the story of a rich Argentine family, one of its two descending branches being half of French heritage, the other being half German. Following the death of the family patriarch, the man's two daughters and their families resettle to France and Germany, respectively. In time the Great War breaks out, putting members of the family on opposing sides.

A woman's dilemma between love for her mother and passion for a man.

When a young European woman assumes a false identity in 1920s Argentina, she gets more than she bargained for.

Soon after being wed, American heiress Lady Pearl Grayston realizes her husband has married her for her money and is keeping a mistress. The two maintain a loveless marriage, a trade-off Pearl accepts in order to gain admittance to her husband's aristocratic social circle. While Pearl pursues her own affair with gigolo Pepi D'Costa, her visiting sister, Bessie, arrives and is appalled when Pearl's arrangement is revealed.

When Elena, a Russian immigrant studying in Miami and Carlos her Columbian boyfriend run out of legal options for staying in the U.S. the couple switch partners with Betty and Mike, an American couple who are also their best friends. All is well until the stress of keeping up appearances to their family members and a savvy immigration enforcement agent eventually begins to take its toll.

On a trip to Paris Sally meets Pablo, a tango dancer. He starts teaching her to dance then she returns to London to work on some "projects". She visits Buenos Aires and learns more from Pablo's friends. Sally and Pablo meet again but this time their relationship changes, she realises they want different things from each other. On a trip to Buenos Aires they cement their friendship.

A dangerous love affair inspires a director to create the most spectacular and boldly seductive dance film ever made. 1998 Oscar Nominee Best Foreign Language Film.

This is the story of a young Irish woman who comes to Spain to escape from the pressures she feels about her impending marriage to a political activist in Ireland. But in Spain in the 1930's, taking a job of governess in a wealthy family, she finds the same kinds of political unrest. In fact, it isn't long before she finds herself attracted to a married man who is similarly involved in the struggle against fascism and Franco. This awakens her to her nature that brings her to such men and resolves for her what she must do about the life she left in Ireland

Jim Conrad, a reluctant hitman, is ordered to Buenos Aires to complete one last contract. The task becomes complicated when the intended victim proves to be a well-protected man accompanied by a beautiful mistress who has caught Conrad's eye.

A Spanish writer finds an old coffer with photographs of an Argentine man who fought and died in the Spanish Civil War, and of a woman. Her quest for answers brings Vera to the Argentine Patagonia.

A woman's voice says she was wife to Renzo Franchi and Carlos Gardel (1890-1935), Argentina's great tango singer. People say she's crazy. Her story unfolds. Buenos Aires, 1933: Juana Romero, a seamstress who lives for the music of Gardel, dumps her boyfriend Gustavo for Renzo, a singer who looks like Gardel. She insists that his trio performs Gardel's tangos, which leads to Renzo recording a Ford commercial when Gardel himself is overbooked. The trio, with Joanna in tow, goes on an ill-fated tour of points north. The couple breaks up: she goes home and he tries to get to New York. Fate steps in, and once again he's called upon to pose as Gardel. Then, legend and a bracelet take over. Written by

Madsen plays an assassin who's hired to kill the woman he loves.

A portrait of the life of Tita Merello, famous Argentinian singer and actress.

A spirited artist with a mysterious bucket list gets a commission to paint a mural on a new hospital wing in a charming community. When she finds herself falling for the handsome architect designing the addition, she must decide if she can trust him with her list, and the painful memory behind it, or if he’ll break her heart and prove that it’s better to be alone than to be close to someone who will leave.

A Young man from a wealthy family hide them his attraction for tango culture of arrabal. In a milonga he fell in love with Mirella and he have a knife fight with all others guapos that want her, he won. Time pass and Mirella became a mistress but this situation is unstable because of the society prejudices.

In this dark, romantic comedy, a shy but stunning New York City tango teacher dreams about finding her soul mate. Instead, her boyfriends are increasingly neurotic and unstable. But when she meet a psychotherapist in Central Park, everything changes.

Astor Piazzolla revolutionized the tango. By breaking with the codes of traditional tango, he brought this popular Argentine music from dance floors to concert halls around the world and is now recognized as a major composer of the 20th century. From numerous unpublished private archives, the voices of Astor and his children paint a unique portrait of this complex man.

A photographer based in Tokyo, who's in love with local beauty Tamiko, begins to court an embassy official so she can help him gain entry into the United States.

A woman's life falls to pieces when she's caught cheating on her husband.

An italian man is unfairly imprisoned and his wife must work to maintain the family.

Noelle was raised by the queen of Christmas. When she inherits her late mother’s house, she finds out that her mother had been hiring someone to decorate it — Dave. The deal is off, but Dave convinces Noelle to let him carry on the tradition. As the display goes up, Noelle’s defenses start to come down. She embraces the town’s Christmas gala that was her mother’s legacy, finds unexpected love, and develops a joy for the holidays that she never thought possible.

A woman has a chance to free herself from an oppressive past when she meets a man with whom she re-discovers her passion for tango. But before she can move on she has to accept some uncomfortable truths.

Love, passion, disappointment, pain and sadness shape this love triangle between Aniceto, Francisca and Lucía, played by dancers Hernán Piquín, Natalia Pelayo and Alejandra Baldón.

Rosalía is a cashier at a supermarket. She lives alone, loves reading fairy tales and hides in a magic fantasy world in order to survive living in the real one. She thinks she is a fairy who came on a mission and got caught in this world. She travels by bus every day. At the bus-stop, there is a "web camera" which records images and puts them into the Internet. Santiago is a scientist who works in an international research project to detect signs of extraterrestrial intelligence. He is a lonely man who lives with his dog and his computer. Rosalía finds she has some extra-sensory powers and thinks three young women she knows are fairies. They will remarkably influence her life. She also feels the need to meet her father, whom she has not seen since she was 8.

Ricardo Fuentes (Carlos Gardel) leaves Buenos Aires after loosing in horse races to go to Barcelona, where he plans to open a tango bar, a new concept of tango dance show and dance saloon. On the ship he meets Laura Montalván (Rosita Moreno) who happens to be a thief working with a thief pal. Ricardo watches them robbing a lady's bracelet aboard but decides not to report them because he has fallen in love with Laura. Once in Barcelona, he opens the tango bar but Laura's partner tells him he sold the bracelet and now needs to recover it to avoid both Laura and him going to jail.

Contrary to the principles of his mother and sister, a boy falls in love with a woman of light life.

The director of a tango set is in love with the singer but she marries another man who eventually abandons her. In their old age, their children will fulfill their dreams.

¡Tango! follows a formula established by Carlos Gardel with films such as Luces de Buenos Aires (The Lights of Buenos Aires, 1931) in which a melodramatic story is interspersed with tango songs. However, the film had less dialog and more music, making it more like a musical revue. This format would be copied by many subsequent films. The plot is derived from tango songs. Many of these songs tell of the seduction of an innocent slum girl by a rich man who promises her a glamorous life, but who abandons her when her looks fade. The stylized and sentimental plot of ¡Tango! revolves around a young man who is abandoned by his girlfriend for an older rich man and is heartbroken. The film follows his misfortunes.

The employee of a boarding house raises the daughter of a single mother and loves her so much that she kidnaps the girl and goes to jail.

Helena is a talented singer in Buenos Aires. Just as she and her band get a residency at a prestigious theater in the city, the boyfriend she's mad about coldly announces that he doesn't love her any more. The film is punctuated by intense bursts of tango. Every song moves the story along, providing an insight into the characters and access to the protagonist's feelings: nostalgia, passion, sadness, and joy in turn. The lyrical and musical wealth of tango, brilliantly performed by Eugenia Ramírez Miori, unites the two stories, past and present. 'La cantante de tango' is a poignant auteur film about a woman trying to get back on her feet after a devastating break-up.

A humble young woman receives a dowry from a rich uncle only if she marries, so she "rents" a boyfriend but she ends up falling in love with him.

A woman driven by misery to a path of degradation until the inexorable end of which the tango symbolizes, at the same time, her condemnation and her liberation.

Luisa Soler, a young and wealthy lawyer, travels to the province of Buenos Aires with her aunt Totona and there she meets a humble composer of tangos, Martín Salazar. The meeting between them creates confusion for his girlfriend and, after several moments of tension and strong arguments, Martin asks Luisa to clarify the situation with her fiancée. But when the lawyer decides to do something, it changes for both of them. Both realize that they love each other and that, beyond the different lives they lead, they will fight to be together.

Two unfaithful husbands have to win their wives back while they take their revenge on them by going out with other people.