Law of the Panhandle

The Johnny Mack Brown West of Wyoming concerns the efforts by cattle baron Simon (Stanley Andrews) to prevent the opening up of the rang to homesteaders. Government agent Brown comes calling when Simon begins resorting to cold-blooded murder. The leading lady is Gail Davis, a few years shy of her Annie Oakley TV stardom. Surprisingly, West of Wyoming contains none of the comedy relief that had characterized earlier Johnny Mack Brown oaters.

Outlaws of the Pandhandle was the last of Charles Starrett's "formula" westerns for Columbia: hereafter, Starrett would be seen only in the guise of frontier medico Steven Monroe or masked do-gooder The Durango Kid. For the moment, however, the star is cast as Jim Endicott, bound and determined to put an end to the underhanded activities of gin-mill operator Faro Jack Vaughn (Norman Willis). The villain's strategy is to get the local cowpunchers tanked up on rotgut that they'll prove to be easy pickings for a gang of rustlers-and will be unable to complete work on a railroad spur which will bypass the outlaws' hideaway.

Dan Stanton and Condon are foreclosing on a group of ranchers in order to gain a land-monopoly. They have one of the ranchers, whose property supplies the others with water, killed. Ann Jennings, niece of the rancher, sends for U. S. Marshals Nevada Jack McKenzie and Sandy Hopkins, who organize the ranchers who take over the dead man's property and blast the dam releasing needed water to all the ranchers. Nevada and Sandy, aided by the sheriff, round up Stanton, Condon and their gang members.

Brown's principal antagonist this time is the town boss, an outlaw who has killed the community's leading citizen. The dead man's grown children want to investigate the killing, but the outlaw puts a stop to this by hiring a dance-hall dame to pose as the kids' long-lost mother. Johnny isn't fooled by this subterfuge nor is his sidekick.

The old bromide about the western town run by outlaws as a hideout for their fellow crooks makes a return appearance in Monogram's Land of the Outlaws. Since the crooks include such reliable disreputables as Charles King and John Merton, the good guys really have their work cut out for them. But not to worry! The heroes are Johnny Mack Brown and Raymond Hatton, whose B-western track record is unbeatable. Land of the Outlaws was directed by Lambert Hillyer, whose sense of rhythm and pace had saved many another inexpensive oater.

Steve Llewellyn hung up his guns after killing a man in self-defense, left Willow Creek and went on the drift for five years. Now he’s back. And the bad blood stirred up by his return and the violence caused by a cattleman’s grab for all the good grasslands mean Steve must strap on his sidearms again. Rod Cameron -- who became a marquee draw with a pair of espionage serials in the 1940s and went on to establish himself as a popular cowboy star -- makes Steve a hero to reckon with in Short Grass, one of the actor’s 10 films with busy shoot-‘em-up director Lesley Selander. Johnny Mack Brown, a sagebrush stalwart in his own right, plays the marshal who allies with Steve. Adding to the Western pedigree is costar Cathy Downs, who plays the title role in the iconic My Darling Clementine. Buffs will note other familiar faces, including Alan Hale, Jr., well remembered as the skipper who takes a “three-hour tour” to Gilligan’s Island.

With the railroad coming, Nixon is after the ranchers land. Using a stooge land agent, his method is to claim the person they bought their ranches from never had title to the land and their deeds are worthless. Fereral Agent Johnny Mack arrives posing as a gunman. He is quickly onto the henchman and Land Agent and eventually suspects Nixon is the big boss. But he needs the help of ventriloquist Alibi to bring them in.

Having briefly abandoned his standard "Nevada Jack McKenzie" characterization in Flame of the West, cowboy star Johnny Mack Brown was back as Nevada Jack in Monogram's The Lost Trail. Vowing to bring in a gang of stagecoach outlaws, Nevada redoubles his efforts when he learns that the owner of the stagecoach line is pretty Jane Burns (Jennifer Holt).

The story concerns a fierce struggle over water rights. Complicating the plot is the presence of a masked desperado who is systematically killing off local ranchers.

Range Law stars Johnny Mack Brown as "Nevada" and Raymond Hatton as "Sandy", the same characters they played in most of their mid-1940s Monogram westerns. This time, Nevada and Sandy, US marshals both, set out to collar some renegades who've been driving out the local ranchers. It's just possible that one of said ranchers is behind this land-grabbing scheme.

U.S. Marshal Johnny Mack Brown once again goes undercover in this Nevada Mckenzie series entry from Great Westerns Prod./Monogram. Masquerading as a parson and a drifter, Sandy Hopkins (Raymond Hatton) and Nevada Jack McKenzie (Mack Brown) come to the aid of the beleaguered residents of Goldville, a small ranching community being terrorized by greedy saloon keeper Ace Benton (Kenneth MacDonald) and his gang of cutthroats. Unbeknownst to the citizenry, the railroad is planning to build tracks through town and Benton is attempting to secure the land by scaring off the settlers.

Johnny Mack goes to work on "Ma" Curtis' ranch, to the disapproval of his friends, rancher Glenn Hadley and his sister Beth, who are at odds with her. Secretly, Ma's foreman Stoner is plotting with real estate man Ed Dutton to ruin her ranch and acquire it cheaply, with controlling water rights. Johnny stops henchman Dade in an attempt to dynamite the barn and Stoner, supposedly taking him to the sheriff, kills him. Johnny stops Glenn and Beth from tearing down a Curtis fence in order to get their cattle to water, but Glenn refuses to help even after Johnny explains he is helping Ma in order to find out who is behind the attacks on both ranches. Ma pretends to fire Johnny for saving Glenn from an ambush. As the outlaws attempt to rustle Ma's remaining cattle, Johnny, Alibi and Glenn join forces.

Inasmuch as western star Charles Starrett gained screen fame as the Robin Hood-like "Durango Kid", it stands to reason that Starrett would head the cast of Robin Hood of the Range. The star plays Steve Marlowe, the foster son of railroad manager Henry Marlowe (Kenneth McDonald). When it becomes apparent that the railroad is using underhanded methods to drive local homesteaders off their land, Steve adopts the guise of "The Vulcan", a legendary champion of justice.

U.S. Marshals Nevada Jack McKenzie and Sandy Hopkins are working undercover to capture a gang stealing horses from the Navajos, and to capture the killer of a Ranger. Nevada poses as an outlaw to get in with the gang and find the leader, while Sandy pretends to be a drunken old horse thief that has knowledge of where the Navajos have hidden their ponies.

Johnny Mack Brown dodges bullets while he tries to figure out who stole the Mexican gold and who killed the newspaper editor.

Annie Oakley was an American Western television series that fictionalized the life of famous sharpshooter Annie Oakley. It ran from January 1954 to February 1957 in syndication, for a total of 81 black and white episodes, each 25 minutes long. ABC showed reruns on Saturday and Sunday daytime from 1959 to 1960 and from 1964 to 1965.

The Big Valley is an American western television series which ran on ABC from September 15, 1965, to May 19, 1969. The show stars Barbara Stanwyck, as the widow of a wealthy nineteenth century California rancher. It was created by A.I. Bezzerides and Louis F. Edelman, and produced by Levy-Gardner-Laven for Four Star Television.

Cousins Bo and Luke Duke and their car "General Lee", assisted by Cousin Daisy and Uncle Jesse, have a running battle with the authorities of Hazzard County (Boss Hogg and Sheriff Coltrane), plus a string of ne'er-do-wells often backed by the scheming Hogg.

Lawman is an American western television series originally telecast on ABC from 1958 to 1962 starring John Russell as Marshal Dan Troop and featuring Peter Brown as Deputy Marshal Johnny McKay. The series was set in Laramie, Wyoming during 1879 and the 1880s. Warner Bros. already had several western series on the air at the time, having launched Cheyenne with Clint Walker as early as 1955. The studio continued the trend in 1957 with the additions of Maverick with James Garner and Jack Kelly, Colt .45 with Wayde Preston, and Sugarfoot with Will Hutchins. One year later, Warner Bros. added Lawman and Bronco with Ty Hardin. Prior to the beginning of production, Russell and Brown and producer Jules Schermer made a pact to maintain the quality of the series so that it would not be seen as "just another western." At the start of season two, Russell and Brown were joined by Peggie Castle as Lily Merrill, the owner of the Birdcage Saloon, and a love interest for Dan.

The tale of trail boss Gil Favor and his trusty foreman Rowdy Yates as they drives cattle across the old west. Along the way they meet up with adventure and drama.

The Rifleman is an American Western television program starring Chuck Connors as rancher Lucas McCain and Johnny Crawford as his son, Mark McCain. It was set in the 1880s in the town of North Fork, New Mexico Territory. The show was filmed in black-and-white, half-hour episodes. "The Rifleman" aired on ABC from September 30, 1958 to April 8, 1963 as a production of Four Star Television. It was one of the first prime time series to have a widowed parent raise a child.

Jim Hardie helps Wells Fargo agents battle the bad guys.

Ralph Lamb wants to be left in peace to run his ranch, but Las Vegas is now swelling with outsiders and corruption which are intruding on his simple life. Recalling Lamb's command as a military police officer during World War II, the Mayor appeals to his sense of duty to look into a murder of a casino worker – and so begins Lamb’s clash with Vincent Savino, a ruthless Chicago gangster who plans to make Vegas his own.

The Shiloh Ranch in Wyoming Territory of the 1890s is owned in sequence by Judge Henry Garth, the Grainger brothers, and Colonel Alan MacKenzie. It is the setting for a variety of stories, many more based on character and relationships than the usual western.

Shane works for the Starett family, a young widow, her son, and her aging father-in-law, protecting them against the anti-sodbuster rancher Ryker and other perils plaguing the Old West.

San Franciscans during the goldrush of the 1850s attempt to maintain law and order in their wild city. Newly arrived Matthew Wayne becomes sheriff, then marshal, and organizes the city police force while expressing interest in the young widow Fanzler and sparring with attorney Pitt. Adam Kennedy appears as Dion Patrick, an Irish newspaperman who helps the local vigilante committee.

The Tall Man is a half-hour American western television series about Sheriff Pat Garrett and the gunfighter Billy the Kid that aired seventy-five episodes on NBC from 1960 to 1962, filmed by Revue Productions.

The High Chaparral is an American Western-themed television series starring Leif Erickson and Cameron Mitchell which aired on NBC from 1967 to 1971. The series, made by Xanadu Productions in association with NBC Productions, was created by David Dortort, who had previously created the hit Bonanza for the network. The theme song was also written and conducted by Bonanza scorer David Rose, who also scored the two-hour pilot.

Among the forests and ruins of Madagascar's Berenty Reserve, four gangs of ring-tailed lemurs are locked in a feud over territory, resources, and power... and often the fiercest conflicts are happening within the tribes. This five-part series places you in the heart of "Lemur Island," where half of the world's wild population of lemurs share a fragment of land less than a square mile. Here, battle lines are drawn and crossed, leaders are trusted and tested, and gang members thrive or perish in the harsh extremes of this intense environment.

A rancher fighting for his land and family stumbles upon an unfathomable mystery at the edge of Wyoming’s wilderness, forcing a confrontation with the Unknown in ways both intimate and cosmic in the untamable American West.