Le Scandale Impressionniste

In late spring, 1890, Vincent moves to Auvers-sur-Oise, near Paris, under the care of Dr. Gachet, living in a humble inn. Fewer than 70 days later, Vincent dies from a self-inflicted gunshot wound. We see Vincent at work, painting landscapes and portraits. His brother Theo, wife Johanna, and their baby visit Auvers. Vincent is playful and charming, engaging the attentions of Gachet's daughter Marguerite (who's half Vincent's age), a young maid at the inn, Cathy a Parisian prostitute, and Johanna. Shortly before his death, Vincent visits Paris, quarrels with Theo, disparages his own art and accomplishments, dances at a brothel, and is warm then cold toward Marguerite.

The tragic story of Vincent van Gogh broadened by focusing as well on his brother Theodore, who helped support Vincent. Based on the letters written between the two.

In the French Riviera in the summer of 1915, Jean Renoir, son of the Impressionist painter Pierre-Auguste, returns home to convalesce after being wounded in World War I. At his side is Andrée, a young woman who rejuvenates, enchants, and inspires both father and son.

An intense and imaginative artist, revered Dutch painter Vincent van Gogh possesses undeniable talent, but he is plagued by mental problems and frustrations with failure. Supported by his brother, Theo, the tormented Van Gogh eventually leaves Holland for France, where he meets volatile fellow painter Paul Gauguin and struggles to find greater inspiration.

A coming-of-age story set during China's Cultural Revolution. 11 year old Wang Han finds himself entangled with a fugitive and struggles to understand the adult world.

They loved each other with the ardor of thirteen-year-old boys. Rebellion and curiosity, hopes and doubts, girls and dreams of glory – they shared it all. Paul was rich, Emile poor. They went skinny-dipping, drank absinthe, starved, only to overeat. Sketched models by day, caressed them by night... Now, Paul is a painter and Emile a writer. Glory has passed Paul by. But Emile has it all: fame, money, the perfect wife, whom Paul once loved. They judge each other, admire each other, confront each other. They lose touch, meet up again, like a couple who cannot stop loving each other.

In 1990, thieves absconded with 13 masterpieces -- including works by Rembrandt and Vermeer -- from Boston's Isabella Stewart Gardner Museum, pulling off the greatest art heist in U.S. history. Rebecca Dreyfus's investigative documentary delves into this modern mystery, piecing together clues gleaned from archival documents, art critics, historians, collectors and informants (both credible and dubious) to shed light on the as-yet unsolved case. Instant QueuePlay Trailer

The life of Henri de Toulouse Lautrec, famous french painter, who lived, enjoyed, loved in the late 1800s Paris' Montmartre cultural life. He suffered from suffered from congenital health conditions traditionally attributed to inbreeding. His lifestyle and work are a testimony of the late-19th-century parisian bohemian lifestyle, as he was commissioned to produce a series of posters for the Moulin Rouge cabaret opening. As an alcoholic, he was addicted to absinthe. The movie related his love affair with the french painter Suzanne Valadon.

At 25, Berthe dreams of making a living from her painting, never to marry, and to always stay with her sister Edma. Her parents do not see things from the same angle. Then Berthe meets Edouard Manet, who takes an interest in this young artist apprentice whose face inspires him.

Leaving the studio to go out and capture real life: that was the impressionist aesthetic. Claude Monet was its most famous proponent and artist. This documentary reveals the places that inspired the painter during his lifetime.

Henri Rousseau started to paint in Paris around 1880, at the age of 40. This self-taught artist was friendly with the poet Apollinaire, Robert Delaunay and Pablo Picasso, who recognized his genius, and yet his work was to remain underrated during his lifetime. However, with its dislocated compositions and profoundly dreamlike subject matter, it was to have a decisive influence on modern art, from surrealism to abstract art.

Documentary in which painter and critic Matthew Collings charts the rise of abstract art over the last 100 years, whilst trying to answer a set of basic questions that many people have about this often-baffling art form. How do we respond to abstract art when we see it? Is it supposed to be hard or easy? When abstract artists chuck paint about with abandon, what does it mean? Does abstract art stand for something or is it supposed to be understood as just itself?

The many references in contemporary film to Edward Hopper's works, as well as the widespread reproduction of some of his paintings have made his universe familiar to many. His unclassifiable figurations weave a dialogue between appearances and light, between the unmistakeable and enigma. Focusing on the artist's personal life in the context of 20th century America, "Edward Hopper and the Blank Canvas" bears witness to a fiercely independent painter, who was aware of the issues of his era, and who was hostile to the imprisonment that a modern American art opposing realism and abstraction could lead him to. This film brings the artist to life, transposing his realist and metaphysical poetry. It is a subtile and passionate work, which at last unveils one of the most important painters of American modernity.

Matthew Collings will reappraise the Impressionists. The four stars are Courbet, Manet, Monet and Cezanne. In two hours their stories and their art will intertwine. Matt will unpack the principles of Impressionism - the strength of colour, the flatness, the patterning and the way in which ordinary life is pictured with startling truth - and argue that this is the best thing that has ever happened in modern art. He will also show that although the contemporary art world seemingly despises Impressionism it is only because of Impressionism that the avant-garde came to be.

Featuring collectors, dealers, auctioneers and a rich range of artists, including market darlings George Condo, Jeff Koons, Gerhard Richter and Njideka Akunyili Crosby, this documentary examines the role of art and artistic passion in today’s money-driven, consumer-based society.

The Joy of Painting was an American television show hosted by painter Bob Ross that taught its viewers techniques for landscape oil painting. Although Ross could complete a painting in half an hour, the intent of the show was not to teach viewers "speed painting". Rather, he intended for viewers to learn certain techniques within the time that the show was allotted. The show began on January 11, 1983, and lasted until May 17, 1994, a year before Ross' death.

Beautiful and naïve Maggy Lunel arrives in Paris completely broke. She becomes an artist's model and the toast of Paris, attracting the attention of Picasso-like painter Julien Mistral, an arrogant and selfish man who places his work above everything. Their paths diverge as Mistral's art catches the eye of a rich American woman who becomes his patroness and eventually his wife. During the war years in France, Mistral collaborates with the Nazis in order to continue with his work, a decision that will come back to haunt him years later. In the meantime, Maggy has a daughter named Teddy who grows up and falls in love with Mistral with whom she has a child named Fauve. As Mistral ages, he comes to terms with his selfish past and wartime betrayal through his art, leaving a beautiful legacy for his daughter, Fauve.

Sir Kenneth Clarke guides us through the ages exploring the glorious rise of civilisation in western man. Beginning with the bleakness of the dark ages to the present day, we consider civilisation's articulations and expressions in some of man's finest works of art.

Art writer Waldemar Januszczak explores the revolutionary achievements of the Impressionists.

John Berger's Ways of Seeing changed the way people think about painting and art criticism. This watershed work shows, through word and image, how what we see is always influenced by a whole host of assumptions concerning the nature of beauty, truth, civilization, form, taste, class and gender. Exploring the layers of meaning within oil paintings, photographs and graphic art, Berger argues that when we see, we are not just looking - we are reading the language of images.

An educational French TV documentary series which goes into depth during each episode into the analysis of a single painting.

First broadcast on October 2, 1989, these 18 original 30-minute episodes provide a panorama of 2000 years of architecture, painting and sculpture, and studies the art masterpieces as reflections of the Western culture that produced them.

Set against the backdrop of one of the most explosive times in U.K. history, Guerrilla tells the story of a politically active couple whose relationship and values are tested when they liberate a political prisoner and form a radical underground cell in 1970s London.

A love story in two films charts the very different challenges to happiness for Michael and Thomas in the aftermath of World War 2, and to Adam and Steve in the present day.

After a devastating fire in 1897 Paris, three women find their lives upended by betrayals, deceptions and romantic turmoil. Inspired by real events.

A former samurai, a yakuza bodyguard, a devious spy, and a geisha assassin try to find their place in the rapidly evolving Meiji-era while escaping the sins of their pasts.

Art historian Waldemar Januszczak uncovers the secret meanings hidden within some of the greatest paintings by Van Gogh, Gauguin, Cezanne and Seurat .

A fresh look at the life and legacy of the iconic artist Leonardo da Vinci, positing that he was a gay outsider who used his work as a way of hiding his true self. Each episode will examine one of da Vinci’s artworks for hidden clues about a tortured artist struggling for perfection.

Inspired by the book The Lives of the Most Excellent Painters, Sculptors, and Architects by painter Giorgio Vasari, this historical soap opera, in which betrayals, kidnappings, murders and police investigations are interwoven, relates the discovery by the Italians of the secret of Flemish painting around 1470.

Trying to find inspiration in his mother's native village, author of detective novels David Rousseau finds himself investigating a most peculiar serial killer.