Show Drama
After the fall of the Third Reich, the small town of Tannbach is cruelly divided between East and West regimes and the town’s inhabitants suffer the consequences. A gripping historical drama exploring the devastating effects decades of conflict had on communities from the end of the Second War War to the fall of the Berlin Wall.
Germany Germany
Henriette Confurius Heiner Lauterbach Martina Gedeck Peter Schneider Jonathan Berlin Alexander Held Rainer Bock Florian Brückner Mercedes Müller Johanna Bittenbinder Maximilian Brückner Wowo Habdank Anna Loos Robert Stadlober Eli Wasserscheid Clemens Schick Senta Auth Inga Busch Max Hopp Ramona Kunze-Libnow Christian Sengewald Christine Zart Jürgen Tarrach
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Fatherland
Persona Non Grata in his homeland, protest singer Klaus Drittemann must leave East Berlin, his wife and child and emigrate to West Berlin, where the representatives of an American record company are eagerly waiting for him. They plan to exploit his defection from communism both ideologically and financially. But Klaus, as ill-at-ease in the West as he was in the East, is reluctant to be used as an expendable commodity. Leaving his contract unsigned (or signed in his manner), he leaves for Cambridge to meet his father, a concert player, who -just like him - left East Berlin thirty years ago as Klaus was a little boy. He is accompanied by a young French journalist, Emma, who knows where his father has been living since he disappeared for more than a decade. The young lady is cooperative but might hide things from him...
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Meier, a paperhanger in East Berlin, inherits from his father in West Berlin. With this money he wants to fulfil himself the dream of his life: a journey around the world. He buys a forged West German passport and pretends to go on a trip to Bulgaria while he really is off to see the free world. When he wants to return to East Berlin he finds himself in an unbelievable predicament and his double life begins. He can't keep away from his East German friends. As with all the best comedies, the action builds up to an eventual crisis. It's a light comedy, which won several national Film Academy Awards. The film is very political, with lots of political jokes/innuendos which only Germans will understand. One is left feeling what a total obscenity that stupid Wall was, dividing one people for 30 years (1-2 Generations) simply by the coincidence on where you just happen to be in the early morning on the 13th August 1961.
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Germany 1982: The country is divided into two parts. Nele, coming from West-Germany, travels to East-Germany where she meets Captain, singer of a band. They fall in love with each other, but the regime "takes care" of their relationship, meaning: They can not see each other again. Germany 1990: The country is reunited. Nele starts searching their lost love...
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A gripping coming-of-age story set against the real culture wars and political events of Germany in the 1980s. The drama follows Martin Rauch as the 24 year-old East Germany native is pulled from the world as he knows it and sent to the West as an undercover spy for the Stasi foreign service. Hiding in plain sight in the West German army, he must gather the secrets of NATO military strategy. Everything is new, nothing is quite what it seems and everyone he encounters is harboring secrets, both political and personal.
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The further life of the protagonist Caterina Schöllack and her three daughters will be traced, who fight in the restrictive period of the 1950s for emancipation and the realization of their own dreams. Monika, Helga and Eva have grown up and each seeks their way to find their way in the rigid society of the late 1950s. Monika and Freddy have a career in show business, and mother Caterina acts as a manager. Meanwhile, Helga works hard to be the perfect housewife and mother for Monika's daughter Dorli. Eva, however, quarrels with her life as a professor's wife.
The Wall
Like the best USIA films, The Wall distills political events into an emotionally clear and compelling ideological "story". In 1962 Walter de Hoog gathered footage from U.S. and German newsreel sources and crafted this taut short film about the first year of the Berlin Wall. Straightforward, keenly balanced narration portrays Berliners as "accepting the wall but never resigned to it". The extraordinary footage of the first escapes was propaganda enough-- His challenge was to make the politics human.