Most Popular Movies & TV Shows from the Bosnia And Herzegovina

This series takes viewers on a journey in the 1930s, under the roof of the hotel, where the past and the present merge. The focus of the series is business of a prominent Banja Luka family, entangled in numerous intrigues.

A 2021 Bosnian language action series, starring Slaven Knezović, Dragan Marinković 'Maca' and Mladen Vulić.

While her middle class, socialist family is falling apart around her, Berina, a young artist, tries to cope both with her awakening sexuality and her mother Jasna's imminent death. Her father cannot accept the fact that life is already happening without his wife. Her younger sister Luna cannot or does not want to grow up. For everybody's sake, Berina wants to save her mother's life and her family the only way she can - through art, and through magic.

'The Weight of Chains 2' is a documentary film largely dealing with the effects of the Washington Consensus economic doctrine on the newly established former Yugoslav republics, but also with neoliberalism as an economic concept. Through interviews with Noam Chomsky, Oliver Stone and many others, the author, Serbian-Canadian Boris Malagurski, attempts to analyze why so many people in the Balkans are disappointed with the systems imposed after the fall of socialism and how capitalism could be improved. Looking at the examples of Ecuador and Iceland, the film tries to uncover alternatives to the prevailing orthodoxies of Western economic dictates and help developing nations find their own way to shape their economies and their countries.

Mirko, an average football player at the end of his career, is back in his hometown because of a knee injury. His family owns a restaurant which is on the verge of collapsing, both because of the economic unprofitability, and because of the plans of local criminals who are interested in the plot where the restaurant is located. One of those criminals is Slavko, Mirko's childhood friend, who suddenly returns to his life, just when Mirko needs him the most.

A single mother of a teenager in the midst of a divorce, Nevena Murtezic struggles to balance her life between her 17-year-old son, Dino, and a job constantly under pressure from politics and the public.

In the opening stages of the Bosnian War, a small group of Serbian soldiers are trapped in a tunnel by a Muslim force.

Sarajevo lived through the longest siege in modern history. The Siege is a film about those who lived through it, about the human experience of the besieged. Through Sarajevo to beyond Sarajevo, it is the story of a surrounded city, of a battle and resistance. It is also the universal story of civilization facing a terrible challenge to its existence, of a struggle for its survival. Sarajevo resisted and survived. The Siege describes a vertiginous descent into war.

25 years from the Homeland war, Croatia is far from ideal of the veterans, now disgruntled men silenced with pensions. A few war veterans are brought back together by an idea of Museum of Homeland Thanksgiving in Paromlin building in Zagreb city center.

The story begins in a small village in central Bosnia in 1989, when Asad, a 25-year-old boy, returns from school with the desire to marry his childhood sweetheart. Not knowing that his son already has marriage plans, father Agan arranges his son's marriage with the father of another girl whom Asad does not even know. After the sudden death of his father, the whole village begins to remind Asad of his bequest to his father, and until then the boring everyday life in the village becomes a dynamic and comical revelation of all the characters and their individual stories.

Nikola’s children are taken away from him after social services decide that he is too poor to provide them with a decent living environment. He sets off on foot to lodge a complaint in Belgrade.

In order to recover the body of her son lost during the war in Bosnia, a grieving, but strong-willed Muslim woman, Halima, must track down her estranged niece, who we find carries a mysterious connection to him.

In an urban war zone where everything that moves is a target, Paul tries to live, love and inform.

Bosnia, July 1995. Aida is a translator for the UN in the small town of Srebrenica. When the Serbian army takes over the town, her family is among the thousands of citizens looking for shelter in the UN camp. As an insider to the negotiations Aida has access to crucial information that she needs to interpret. What is at the horizon for her family and people – rescue or death? Which move should she take?

Fresh out of university, a Turkish young man with literary aspirations returns to his home village, and to his father, a debt-ridden man with a gambling problem.

Story about a forty-something Sarajevo taxi driver named Fudo (Saša Petrović) who decides to take control of his own destiny. Fudo doesn't earn much, so he supplements his income by offering tips to the local criminal syndicate and turning a blind eye to their nefarious dealings. One day, after offering a particularly bad bit of advice to a violent gangster, Fudo is badly beaten. When Fudo's wife Azra (Daria Lorenci) discovers what has happened, she decides to take the couple's infant son and move out. Now determined to win his wife back and restore peace in the home, Fudo decides to go straight. But cleaning up his act isn't going to be easy, because after borrowing enough cash from black market dealer Sejo (Emir Hadžihafizbegović) to purchase a van and then refusing to aid him in any underhanded dealings, the only person willing to cut him any slack is the sympathetic Azra.

In the rural area around the Anatolian town of Keskin, the local prosecutor, police commissar, and doctor lead a search for a victim of a murder to whom a suspect named Kenan and his mentally challenged brother confessed. However, the search is proving more difficult than expected as Kenan is fuzzy as to the body's exact location. As the group continues looking, its members can't help but chat among themselves about both trivia and their deepest concerns in an investigation that is proving more trying than any of them expected.

Two soldiers from opposite sites get stuck between the front lines in the same trench. The UN is asked to free them and both sides agree on a ceasefire, but will they stick to it?

An exiled filmmaker finally returns to his home country where former mysteries and afflictions of his early life come back to haunt him once more.

A bitter coming-of-age story about boy who grows up in a remote Bosnian village shortly after World War II.

Una and an alien robot have 24 hours to find her Grandpa who was kidnapped by aliens. The extraordinary adventure leads to friendship, the rational robotic logic is replaced by emotions and Una's selfless love saves her partly alien family.

Lack of money, inability to find a permanent job, living with parents or roommates, unsettled love relationships — this is how the life of most young people in Serbia could be described. Through the four friends' struggle with the life challenges, the series also tries to evoke the spirit of Belgrade today: it talks about those who live in it, those who leave it, but also those who return to it.

Full-throttle melodrama about an ill-starred romance set against the backdrop of the siege of Sarajevo. A mother brings her teenage son to Sarajevo, where his father died in the Bosnian conflict years ago.

Fuke visits his uncle Idriz and aunt Sabira to fix a broken boiler. He soon finds out there's a lot more that needs to be repaired. Idriz and Sabira aren't ready to accept the loss of their only son in the Balkan war, seven years earlier. When Fuke's car refuses to start, Fuke has to stay over in their house. He meets a lot of old friends and neighbors there.

Michael Palin explores European countries that were once behind the Iron Curtain.

At a small border-post on the Yugoslav-Albanian border, yet another generation of soldiers suffering the usual amount of boredom awaits the end of their service, counting days to the moment when they should take their uniforms off for good. It is the spring of 1987 and the thought never even crosses their mind that they would, in fact, put them back on quite soon and go to war.

Circles (Serbian: Krugovi) is a Serbian movie based on the true story of a Serbian soldier who risked his life to protect a Muslim civilian during the war in Bosnia. During the war in Bosnia in 1993, a Serbian soldier pays for his life after protecting a Muslim civilian from being attacked by three other soldiers. 12 years later, the consequences of this act of heroism are still having their repercussions.

Upon her arrival at an institution for people with mental disabilities, Maria becomes fast friends with the equally fiery Dragana. When it becomes clear that they are both in love with the more withdrawn Robert, their relationship is upset and gradually grows into a dangerous game of hide-and-seek to win him over. Being condemned to a lifetime of hiding away from society, the three teenagers’ profound longing for independence and human connection takes hold. Driven by the newfound feelings of desire and envy, their impulsive actions topple the delicate balance preserved by the institution’s stifling rules and spill over into confrontation and desperate measures for any way out.

Set in Sarajevo in May 2021, the city's famous Old Town tries to recover after a difficult pandemic year. When a visitor from Zagreb comes looking for the best kebabs in town, a harmless gesture causes the disintegration of the business and private lives of several people.

An uncommon motorcycle club led by Bosnian War veterans finds redemption helping their struggling small town heal and defending the threatened herd of wild horses they first met on the front line.

Merjem-Meri, an unambitious, 30-year-old homemaker and mother to 8-year-old girl Mila, moves back to her parental home after 10 years of marriage. Soon after, Meri realizes she is stuck in a circle of provincial rules and expectations and a complex relationship with her ambitious mother and spoiled younger brother. Her hope to get the custody of her daughter wanes from day to day because she has no chance of finding a permanent job. The only thing that makes her happy, but also makes everyone else look down on her, is participation in an audition for a film role in her neighborhood.

The life of Maha Dilber, a professional journalist and long-time single man who has just retired early and planned his life when middle-aged, changes overnight when two daughters from two different, failed marriages appear at the door of his newly renovated apartment.

A police officer Hamza has to work that night even though his wife has gone into labour, because the police are short-staffed. To make everything worse, it seems that people showing up at the station have decided to prove the old belief about the mysterious powers of the full moon and its influence on human behaviour. In the course of that one night, representatives of all the absurdity and tragedy of life in Bosnia and Herzegovina parade through the station and somehow help Hamza get ready for a new life.

A woman and her daughter struggle to make their way through the aftermath of the Balkan war.

The story of a woman who firmly believes that her newborn baby was stolen from her more than 20 years ago, while she was told that her baby died.

Bosnia and Herzegovina, 1991. After the fall of the communists, Divko Buntić, who has lived in exile in Germany for the past twenty years, returns to the village where he grew up, intent on reclaiming ownership of his family home, driving a swanky Mercedes and accompanied by his young bride; by Bonny, his lucky black cat; and with pockets full of money.

Eliciting images of cancer, this drama explores the illnesses that plague modern Croatia. Four young junkies in Zagreb maturing in the wake of war reflect the petty hatreds, violence, prejudices and mood hanging over the country like a disease that spreads with no cure in sight.

The film follows Ibro (Emir Hadžihafizbegović) and his son Armin (Armin Omerović), who travel from a small town in Bosnia to a film audition in Zagreb, hoping to land a part for Armin in a German film about the war in Bosnia. On their way to fulfilling the boy's dream, they encounter a series of disappointing setbacks — their bus to Zagreb breaks down and they are late for the audition. After Ibro convinces the director to give the boy a second chance, they soon realize that Armin is too old for the part anyway. As it becomes obvious that Armin's dream of playing a part in the movie will never happen, he feels increasingly disheartened, while Ibro's determination to help his son grows. Finally they do get another chance, but Armin buckles under the pressure and experiences an epileptic seizure. As they get ready to head back to Bosnia, the film crew makes an unexpected offer, but when Ibro refuses, Armin at last realizes how much his father really loves him.

The armed conflicts of the 1990s not only visibly destroyed the land of the former Yugoslavia, but also left the deepest wounds in the memory of each of its belligerent nations. There are as many different interpretations of that bleak past as there are countries affected. It is therefore hard to expect absolute harmony when, less than two decades since the war ended, a diverse group of veterans gathers at a remote mountain hotel for a therapy session over several days. On the contrary, such a dangerously volatile situation can suddenly ignite by just one thoughtless word, or a seemingly dirty look. That’s because the former soldiers, obstinately holding on to their fundamental masculinity and their prejudices, refusing to expose the inhumanity of the atrocities perpetrated. However, this quietness is just about to be broken and hidden emotions are to be faced.

As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.

April 1992. Members of a large family strewn around the former Yugoslavia gather around the death bed of their elderly matriarch. She is not well, but the forecast of a family doctor that her death is a matter of minutes away proves incorrect, so the waiting stretches out for days. Relatives start bickering, playing tricks and arguing over the inheritance to be left by the old woman, especially over her large family house in Sarajevo. Despite her deteriorating health, Grandma happily joins the fray. It appears as if that might be what is keeping her alive. Family feuds and intrigues directed against one of the sisters are more important to the family than the clear, terrifying signs of an approaching cataclysm. When the scheming is finally revealed, it is too late. A war has begun in Sarajevo.

A post-modern theater adaptation of a classic Greek tragedy takes place in a central theater of Athens. Like every night, the audience take their seats and the play begins. Suddenly, the lights on stage go out. A group of young people, dressed in black and carrying guns, come up on stage. They apologize for the interruption and invite people from the audience to participate on stage. The play resumes with a main difference; life imitates art and not the opposite.

Asja, a 45-year-old single woman living in Sarajevo, meets Zoran, a 46-year-old banker, at a dating event. Zoran is not there looking for love though, but for forgiveness. During the war in 1993 he was shooting at the city from the opposite side, and he wants to meet his first victim. Now, they both have to relive the pain in their search for forgiveness.

Back from a professional trip to Paris, a neurologist at the pinnacle of his career has to pick up his wife so that they can attend a family meal to commemorate his father, who died a year before. At his mother's flat, the guests are waiting for the priest to arrive while arguing about all kinds of things connected and unconnected with the world’s events and wars.

An alcoholic Bosnian poet sends his wife and daughter away from Sarajevo so they can avoid the troubles there. However, he is soon descended upon by a pair of orphaned brothers. The brothers have escaped a massacre in their own village and have come to the Bosnian capital in search of a long lost Aunt. The poet befriends the boys and together they try to survive the horror of the siege of Sarajevo.

Among the guests who come to the mansion of aristocratic landowner Nikolai over Christmas are a politician, a young countess, and a general with his wife. They dine and discuss topics such as progress and morality. As the debate becomes more heated, cultural differences become increasingly apparent.

Nebraska cop Kathryn Bolkovac discovers a deadly sex trafficking ring while serving as a U.N. peacekeeper in post-war Bosnia. Risking her own life to save the lives of others, she uncovers an international conspiracy that is determined to stop her, no matter the cost.

This film follows father Ahmed and son Tarik Karaga during WWII and the Siege of Sarajevo.

A detachment of the Polish IFOR forces in Bosnia is led by Major Keller, who is being investigated for insubordination during a patrol in Srebrenica. The investigation is to be led by two arriving officers - Lieutenant Czacki and Major Kusz who will also replace Keller as CO. When the camp's RTO receives a communication from a downed Norwegian chopper, Keller ignores his standing orders and leads a platoon to rescue the crew.