Best Herbert Pocket Character Movies & TV Shows

In this Dickens adaptation, orphan Pip discovers through lawyer Mr. Jaggers that a mysterious benefactor wishes to ensure that he becomes a gentleman. Reunited with his childhood patron, Miss Havisham, and his first love, the beautiful but emotionally cold Estella, he discovers that the elderly spinster has gone mad from having been left at the altar as a young woman, and has made her charge into a warped, unfeeling heartbreaker.

The life of an orphan is changed by the providential intervention of a mysterious benefactor.

A young boy called Pip stumbles upon a hunted criminal who threatens him and demands food. A few years later, Pip finds that he has a benefactor. Imagining that Miss Havisham, a rich lady whose adopted daughter Estella he loves, is the benefactor, Pip believes in a grand plan at the end of which he will be married to Estella. However, when the criminal from his childhood turns up one stormy night and reveals that he, Magwitch, is his benefactor, Pip finds his dreams crumbling. Although initially repulsed by his benefactor, Pip gradually becomes loyal to him and stays with him until his death.

Miss Havisham, a wealthy spinster who wears an old wedding dress and lives in the dilapidated Satis House, asks Pip's Uncle Pumblechook to find a boy to play with her adopted daughter Estella. Pip begins to visit Miss Havisham and Estella, with whom he falls in love, then Pip—a humble orphan—suddenly becomes a gentleman with the help of an unknown benefactor.

A young boy, Pip, encounters an escaped prisoner, Magwitch, and steals food for him. After the convict is captured, Pip meets the reclusive Miss Havisham and her niece, Estella, eventually becoming friends with the girl. Wealth comes to Pip via a mysterious benefactor and he goes off to London for an education. As adults, Pip and Estella become romantic, and Pip learns the identity of his patron.

A humble orphan suddenly becomes a gentleman with the help of an unknown benefactor.

This stunning adaptation of Dickens' classic tale was captured live from the Vaudeville Theatre in the West End. Although Great Expectations has been adapted for film on two separate occasions, once by David Lean in 1946 and most recently by Mike Newell, it has never been produced for The West End or Broadway, widely believed to be too difficult to translate to stage. However, this Jo Clifford adaptation has been universally acclaimed as a triumph on its sellout tour of the UK head of its West End debut. In addition to the production, this version include red carpet arrivals from the February 7 premiere and behind the scenes footage exclusively for cinema audiences.