Best Leftist Movies & TV Shows

When Robert “Granddad” Freeman becomes legal guardian to his two grandsons, he moves from the tough south side of Chicago to the upscale neighborhood of Woodcrest (a.k.a. "The Boondocks") so he can enjoy his golden years in safety and comfort. But with Huey, a 10-year-old leftist revolutionary, and his eight-year-old misfit brother, Riley, suburbia is about to be shaken up.

Many times during his presidency, Lyndon B. Johnson said that ultimate victory in the Vietnam War depended upon the U.S. military winning the "hearts and minds" of the Vietnamese people. Filmmaker Peter Davis uses Johnson's phrase in an ironic context in this anti-war documentary, filmed and released while the Vietnam War was still under way, juxtaposing interviews with military figures like U.S. Army Chief of Staff William C. Westmoreland with shocking scenes of violence and brutality.

Santiago, capital of Chile during the Marxist government of elected, highly controversial president Salvador Allende. Father McEnroe supports his leftist views by introducing a program at the prestigious "collegio" (Catholic prep school) St. Patrick to allow free admission of some proletarian kids. One of them is Pedro Machuca, slum-raised son of the cleaning lady in Gonzalo Infante's liberal-bourgeois home. Yet the new classmates become buddies, paradoxically protesting together as Gonzalo gets adopted by Pedro's slum family and gang. But the adults spoil that too, not in the least when general Pinochet's coup ousts Allende, and supporters such as McEnroe.

William Franklin is a teacher who was born in Ireland and moved to the United States only to repatriate in 1939 after his leftist political views cause him to lose his job. Franklin becomes the first non-cleric instructor at St. Jude's, a school for wayward boys run by Brother John, who is a firm believer in strong discipline.

Set in the 1980s, an American journalist covering the Salvadoran Civil War becomes entangled with both the leftist guerrilla groups and the right-wing military dictatorship while trying to rescue his girlfriend and her children.

The remarkable story of The Weather Underground, radical activists of the 1970s, and of radical politics at its best and most disastrous.

A true story of politics and art in the 1930s USA, centered around a leftist musical drama and attempts to stop its production.

A White enclave in Johannesburg, South Africa, in the 1960s. Molly Roth, 13 years old, is the daughter of leftist parents, and she must piece together what's happening around her when her father disappears one night, barely evading arrest, and, not long after, her mother is detained by the authorities. Some of Molly's White friends turn against her, and her family's friendships with Blacks take on new meaning. Relationships are fragile in the world of apartheid. How will she manage?

Examines the public scandal and private tragedy which led to legendary director Roman Polanski's sudden flight from the United States.

Set in postwar America, a man watches his seemingly perfect life fall apart as his daughter's new political affiliation threatens to destroy their family.

The documentary follows Annabel Chong, former record holder for the world's largest gang bang, which she set in 1995 by having sex with 70 men. It focuses on her reasons for working in porn, and her relationship with friends and family.

Underground is a 1976 documentary film about the Weathermen, founded as a militant faction of the Students for a Democratic Society (SDS), who fought to overthrow the U.S. government during the 1960s and 1970s. The film consists of interviews with members of the group after they went underground and footage of the anti-war and civil rights protests of the time. It was directed by Emile de Antonio, Haskell Wexler and Mary Lampson, later subpoenaed by the Federal Bureau of Investigation in an attempt to confiscate the film footage in order to gain information that would help them arrest the Weathermen. (Wikipedia)

By the start of World War II, Paul Robeson had given up his lucrative mainstream work to participate in more socially progressive film and stage productions. Robeson committed his support to Paul Strand and Leo Hurwitz’s political semidocumentary Native Land. With Robeson’s narration and songs, this beautifully shot and edited film exposes violations of Americans’ civil liberties and is a call to action for exploited workers around the country. Scarcely shown since its debut, Native Land represents Robeson’s shift from narrative cinema to the leftist documentaries that would define the final chapter of his controversial film career.

Four tales unfold in the Eternal City: While vacationing in Rome, architect John encounters a young man whose romantic woes remind him of a painful incident from his own youth; retired opera director Jerry discovers a mortician with an amazing voice, and he seizes the opportunity to rejuvenate his own flagging career; a young couple have separate romantic interludes; a spotlight shines on an ordinary man.

"A", a member of a student protest organization, becomes disenchanted by his group's inability to effect real change. Emboldened to pursue more radical methods by the older, experienced leftist organizer Despard, "A" unwittingly becomes party to a labor strike that turns violent. Ultimately held responsible by the authorities for the fracas, "A" allies himself with terrorist Leonard, who intends to avenge those jailed in the protest.

Oliver Barrett IV is emotionally devastated by the death of his wife Jenny, and, while he tries to lose himself in his work as a lawyer, the long hours don't ease his pain, especially when he finds that his leftist views conflict with those of the senior partners at the firm. Eventually, Oliver's inconsolable grief begins to alienate those around him, until he finds new love with Marcie Bonwit, the wealthy and beautiful heiress to the Bonwit Teller fortune. Despite his affection for her, Oliver finds it difficult to leave the memory of Jenny behind, which causes major problems in their relationship.

Based on a true story, this made-for-cable film tells about Barry Seal, a pilot who was a drug smuggler for the infamous Medellin cartel out of Colombia. He was caught by the US Drug Enforcement Administration (DEA) and decided to turn over and help the DEA break the cartel. However, he got caught in the middle of the Reagan/Bush administration efforts to topple the Nicaraguan government in the '80s, in which Nicaraguan rebels called "contras" were allowed to smuggle cocaine into the US in exchange for their fighting against the leftist Nicaraguan government. Eventually Seal was murdered by his former Medellin employers, and some critics say it was with the tacit, if not implicit, connivance of the US administration.

During a session with his psychoanalyst, Alexander Portnoy rants about everything that is bothering him. His complaints include his childhood and his family with an emphasis on his mother, his sexual fantasies and the problems that he has with women, and his obsessive feelings about his Judaism.

Fiero is hired to assassinate the newly-elected civilian president of San Pedro. His employers are a group of generals, threatened by the liberal sympathies of the new president-elect. The generals, having killed Fiero's father years ago, trick Fiero into thinking he is working for the leftist People's Party. Meanwhile, a CIA agent is sent stop to the assassination. It's a race against time as the agent must stop the HOUR OF THE ASSASSIN.

A feature documentary investigation into the colourful and sometimes controversial life of Vancouver lawyer, city councillor and socialist icon Harry Rankin.

The Bergers, a blue-collar Jewish family living in an overstuffed tenement and undone by the Depression, struggle through hard times and dream of a better future in this 1972 production of Clifford Odets' pungent play. Personalities and politics clash as Odets' mélange of characters try to survive on pennies a day. Walter Matthau plays cynical World War I amputee Moe Axelrod, and Leo Fuchs portrays the family's iron-willed leftist grandfather.

Art critic Keller, a German ex-pat living in London, is confronted by his radical 1960s past when he's asked to assassinate a Chilean murderer who is on a visit to London.

A spoiled playboy is forced to leave town to avoid the press, which latches on to his statement, while tipsy, that he will give away his fortune. He disguises himself and gets a job as a laborer at a day-care center. He finds himself attracted to the owner, a pretty young girl determined to make life better for her charges, and he soon begins to question his own priorities.

A ham-handed cautionary fable against communism, the film concerns a group of Civil War veterans who are appalled by the burgeoning radical movement in America.